The demuxer layer usually doesn't log per-stream information, and even
the replaygain information was logged only if it came from tags.
So log it in af_volume instead.
With the previous commit, ao_alsa.c now has 3 possible ways to pause
playback. Actually all 3 of them need get_delay() to fake its return
value, so don't duplicate that code.
Also much of the code looks a bit questionable when considering
inconsistent pause/resume calls from outside, so ignore redundant calls.
push.c does not handle this automatically, and AOs using push.c have to
handle it themselves. Also, ALSA is low-level enough that it needs
explicit support in user code. At least I haven't found any option that
does this.
We still can get away relatively cheaply by abusing underflow-handling
for this. ao_alsa.c already configures ALSA to handle underflows by
playing silence. So we purposely induce an underflow when opening the
device, as well as when pausing or resetting the device.
This introduces minor misbehavior: it doesn't account for the additional
delay the initial silence adds, unless the device has fully played the
fragment of silence when the player starts sending data to it. But
nobody cares.
Exactly the same situation as with ao_alsa in commit 0b144eac (except
that we can detect the situation better under wasapi).
Essentially, wasapi will allow us to output any sample format, and not
just the one configured by the user in the audio system settings.
This commit adds an --audio-channel=auto-safe mode, and makes it the
default. This mode behaves like "auto" with most AOs, except with
ao_alsa. The intention is to allow multichannel output by default on
sane APIs. ALSA is not sane as in it's so low level that it will e.g.
configure any layout over HDMI, even if the connected A/V receiver does
not support it. The HDMI fuckup is of course not ALSA's fault, but other
audio APIs normally isolate applications from dealing with this and
require the user to globally configure the correct output layout.
This will help with other AOs too. ao_lavc (encoding) is changed to the
new semantics as well, because it used to force stereo (perhaps because
encoding mode is supposed to produce safe files for crap devices?).
Exclusive mode output on Windows might need to be adjusted accordingly,
as it grants the same kind of low level access as ALSA (requires more
research).
In addition to the things mentioned above, the --audio-channels option
is extended to accept a set of channel layouts. This is supposed to be
the correct way to configure mpv ALSA multichannel output. You need to
put a list of channel layouts that your A/V receiver supports.
Pointless anyway. With superficial checking I couldn't find any decoder
which actually outputs this, and AO chmap negotiation would properly
ignore them anyway in most cases.
We send a refcounted frame to the encoder, but then disrespect
refcounting rules and write to the frame data without making sure the
buffer is really writeable.
In theory this can lead to reallocation on every frame is the encoder
really keeps a reference. If we really cared, we could fix this by
providing a buffer pool. But then again, we don't care.
This is logical: the function makes sense only in situations where you
are going to write to the audio data. To make it worse,
av_buffer_realloc() also handles this situation, but only if the buffer
size changes (simply because it can't realloc memory in use), so we have
to explicitly force reallocation by unreffing the buffers first.
The FFmpeg API is incredibly weird and inconsistent about this. This is
also a FFmpeg-only issue and nothing like this is in Libav - which
doesn't really show FFmpeg in a very positive light.
(To make it even worse: this is a full-blown Libav API incompatibility,
even though this crap was added for Libav ABI-compatibility. It's
absurd.)
Quoting the FFmpeg header for the AVFrame.channels field:
/**
* number of audio channels, only used for audio.
* Code outside libavutil should access this field using:
* av_frame_get_channels(frame)
* - encoding: unused
* - decoding: Read by user.
*/
int channels;
It says "should" not must, and it doesn't even mention
av_frame_set_channels(). It's also in the section for public fields (not
below a marker that indicates private fields in a public struct, like
it's done e.g. in AVCodecContext).
But not using the accessor will cause silent failures on ABI changes.
The failure that happened due to this code didn't even make it apparent
what was wrong. So just use the idiotic accessor.
Also harmonize the FFmpeg-cursing in the code. (It's fully justified.)
Fixes#3295.
Note that mpv will still check the exact library version numbers, and
reject mismatches - to protect itself from such issues in the future.
mixer.c didn't really deserve to be separate anymore, as half of its
contents were unnecessary glue code after recent changes. It also
created a weird split between audio.c and af.c due to the fact that
mixer.c could insert audio filters. With the code being in audio.c
directly, together with other code that unserts filters during runtime,
it will be possible to cleanup this code a bit and make it work like the
video filter code.
As part of this change, make the balance code work like the volume code,
and add an option to back the current balance value. Also, since the
balance semantics are unexpected for most users (panning between the
audio channels, instead of just changing the relative volume), and there
are some other volumes, formally deprecate both the old property and the
new option.
Since mixer->ao is always NULL now (it was really just forgotten to be
removed), the uninit call never actually cleared the af field, leaving
a dangling pointer that could be accessed by volume control.
This code was supposed to adjust existing conversion filters (to make
them output a different format). But the code was just broken,
apparently a refactoring accident. It accessed af instead of af->prev.
The bug tended to add new conversion filters, even if an existing one
could have been used. (Can be tested by inserting a dummy lavrresample
filter followed by a format filter which forces conversion.)
In addition, it's probably better to return the actual error code if
reinitializing the filter fails. It would then respect an AF_FALSE
return value, which means format negotiation failed, instead of a
generic error.
af_volume has a volumedb sub-option, which allows the user to set an
explicit volume. Until recently, the player read back this value and
used it as initial softvol volume. But now it just overwrites it.
Instead of overwriting it, multiply the different gain values. Above
all, this will do the right thing if only softvol is used, or if the
user only adds the af_volume filter manually.
Normally, you want downmixing to happen first thing in the filter chain.
This is reflected in codec downmixing, which feeds the filter chain
downmixed audio in the first place. Doing this has the advantage of
needing less data to process. But the main motivation is that if there
is a drc filter in the chain, you want to process it the downmixed
audio.
Add an idiotic heuristic to achieve this. It tries to detect whether the
audio was indeed automatically downmixed (or upmixed). To detect what
the output format is going to be, it builds the filter chain normally,
and then retries with the heuristic applied (and for extra paranoia,
retries without the heuristic again if it fails to successfully rebuild
the filter chain for unknown reasons). This is simple and will work in
almost all cases.
Doing it in a more complete way is rather hard, because filters are so
generic. For example, we know absolutely nothing about the behavior of
af_lavfi, which creates an opaque filter graph with libavfilter. We
don't know why a filter would e.g. change the channel layout on its
output. (Our heuristic bails out in this case.) We're also slave to the
lowest common denominator of how our format negotiation works, and how
libavfilter's works.
In theory, we could make this mechanism explicit by introducing a
special dummy filter. The filter chain would then try to convert between
input and output formats at the dummy filter, which would give the user
more control over how downmix happens. On the other hand, the user could
just insert explicit conversion filters instead, so this would probably
have questionable value.
The algorithm and functionality is the same, but the code becomes much
simpler and easier to follow.
The assumption that there is only 1 conversion filter (lavrresample)
helps with the simplification, but the main change is to use the same
code for format/channels/rate. Get rid of the different AF_CONTROL_SET_*
controls, and change the af->data parameters directly. (af->data is
badly named, but essentially is a placeholder for the output format.)
Also, instead of trying to use the af_reinit() loop to init inserted
conversion filters or filters with changed output formats, do it inline,
and move the common code to a filter_reinit() function. This gets rid of
the awful retry variable.
In general, this should not change any runtime behavior.
This happens to be better for the af_volume filter (for softvol), and
saves some code too. It's "better" because you want to affect the
final filtered audio, such as after a manually inserted drc filter.
Drop the code for switching the volume options and properties between
af_volume and AO volume controls. interface-changes.rst mentions the
changes in detail.
Do this because this was exceedingly complex and had other problems as
well. It was also very hard to test. It's just not worth the trouble.
Some leftovers like AOCONTROL_HAS_PER_APP_VOLUME will be removed at a
later point.
Fixes#3322.
When selecting a device that simply doesn't exist with --audio-device,
AudioUnit will still initialize and start playback without complaining.
But it will never call the audio render callback, which leads to audio
playback simply not progressing.
I couldn't find a way to get AudioUnit to report an error at all, so
here's a crappy hack that takes care of this in most cases. We assume
that all devices have a kAudioDevicePropertyDeviceIsAlive property.
Invalid devices will error when querying the property (with 'obj!' as
status code).
This is not the correct fix, because we try to double-guess AudioUnit's
behavior by accessing a lower label API. Suggestions welcome.
The libavcodec wmapro decoder will skip some bytes at the start of the
first packet and return each time. It will not return any audio data in
this state.
Our own code as well as libavcodec's new API handling
(avcodec_send_packet() etc.) discard the PTS on the first return, which
means the PTS is never known for the first packet. This results in a
"Failed audio resync." message.
Fixy it by remember the PTS in next_pts. This field is used only if the
decoder outputs no PTS, and is updated after each frame - and thus
should be safe to set.
(Possibly this should be fixed in libavcodec new API handling by not
setting the PTS to NOPTS as long as no real data has been output. It
could even interpolate the PTS if the timebase is known.)
Fixes the failure message seen in #3297.
Some bugs in this code are exposed by e.g. playing lossless audio files
with --ad-lavc-threads=16. (libavcodec doesn't really support threaded
audio decoding, except for lossless files.) In these cases, a major
amount of audio can be buffered, which makes incorrect handling of this
buffering obvious.
For one, draining the decoder can take a while, so if there's a new
segment, we shouldn't read audio.
The segment end check was completely wrong, and used the start value.
Instead of hardcoding what the libavcodec ac3 encoder expects, configure
it based on the AVCodec fields.
Unfortunately, it doesn't export the list of sample rates, so that is
done manually. This commit actually fixes the rate always to 48Khz. I
don't even know whether the other rates worked. (Possibly did, but
they'd still change the spdif parameters, and would work differently
from ad_spdif.c.)
wm4
Paul B Mahol
Rostislav Pehlivanov
Rudolf Polzer
stepshal