mirror of https://github.com/mpv-player/mpv
5081 lines
214 KiB
ReStructuredText
5081 lines
214 KiB
ReStructuredText
OPTIONS
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=======
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Track Selection
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---------------
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``--alang=<languagecode[,languagecode,...]>``
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Specify a priority list of audio languages to use. Different container
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formats employ different language codes. DVDs use ISO 639-1 two-letter
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language codes, Matroska, MPEG-TS and NUT use ISO 639-2 three-letter
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language codes, while OGM uses a free-form identifier. See also ``--aid``.
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.. admonition:: Examples
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``mpv dvd://1 --alang=hu,en``
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Chooses the Hungarian language track on a DVD and falls back on
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English if Hungarian is not available.
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``mpv --alang=jpn example.mkv``
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Plays a Matroska file in Japanese.
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``--slang=<languagecode[,languagecode,...]>``
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Specify a priority list of subtitle languages to use. Different container
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formats employ different language codes. DVDs use ISO 639-1 two letter
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language codes, Matroska uses ISO 639-2 three letter language codes while
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OGM uses a free-form identifier. See also ``--sid``.
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.. admonition:: Examples
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- ``mpv dvd://1 --slang=hu,en`` chooses the Hungarian subtitle track on
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a DVD and falls back on English if Hungarian is not available.
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- ``mpv --slang=jpn example.mkv`` plays a Matroska file with Japanese
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subtitles.
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``--aid=<ID|auto|no>``
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Select audio track. ``auto`` selects the default, ``no`` disables audio.
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See also ``--alang``. mpv normally prints available audio tracks on the
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terminal when starting playback of a file.
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``--audio`` is an alias for ``--aid``.
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``--aid=no`` or ``--audio=no`` or ``--no-audio`` disables audio playback.
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(The latter variant does not work with the client API.)
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``--sid=<ID|auto|no>``
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Display the subtitle stream specified by ``<ID>``. ``auto`` selects
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the default, ``no`` disables subtitles.
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``--sub`` is an alias for ``--sid``.
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``--sid=no`` or ``--sub=no`` or ``--no-sub`` disables subtitle decoding.
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(The latter variant does not work with the client API.)
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``--vid=<ID|auto|no>``
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Select video channel. ``auto`` selects the default, ``no`` disables video.
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``--video`` is an alias for ``--vid``.
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``--vid=no`` or ``--video=no`` or ``--no-video`` disables video playback.
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(The latter variant does not work with the client API.)
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If video is disabled, mpv will try to download the audio only if media is
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streamed with youtube-dl, because it saves bandwidth. This is done by
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setting the ytdl_format to "bestaudio/best" in the ytdl_hook.lua script.
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``--ff-aid=<ID|auto|no>``, ``--ff-sid=<ID|auto|no>``, ``--ff-vid=<ID|auto|no>``
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Select audio/subtitle/video streams by the FFmpeg stream index. The FFmpeg
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stream index is relatively arbitrary, but useful when interacting with
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other software using FFmpeg (consider ``ffprobe``).
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Note that with external tracks (added with ``--sub-file`` and similar
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options), there will be streams with duplicate IDs. In this case, the
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first stream in order is selected.
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``--edition=<ID|auto>``
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(Matroska files only)
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Specify the edition (set of chapters) to use, where 0 is the first. If set
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to ``auto`` (the default), mpv will choose the first edition declared as a
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default, or if there is no default, the first edition defined.
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Playback Control
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----------------
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``--start=<relative time>``
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Seek to given time position.
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The general format for absolute times is ``[[hh:]mm:]ss[.ms]``. If the time
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is given with a prefix of ``+`` or ``-``, the seek is relative from the start
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or end of the file. (Since mpv 0.14, the start of the file is always
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considered 0.)
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``pp%`` seeks to percent position pp (0-100).
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``#c`` seeks to chapter number c. (Chapters start from 1.)
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.. admonition:: Examples
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``--start=+56``, ``--start=+00:56``
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Seeks to the start time + 56 seconds.
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``--start=-56``, ``--start=-00:56``
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Seeks to the end time - 56 seconds.
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``--start=01:10:00``
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Seeks to 1 hour 10 min.
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``--start=50%``
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Seeks to the middle of the file.
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``--start=30 --end=40``
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Seeks to 30 seconds, plays 10 seconds, and exits.
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``--start=-3:20 --length=10``
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Seeks to 3 minutes and 20 seconds before the end of the file, plays
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10 seconds, and exits.
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``--start='#2' --end='#4'``
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Plays chapters 2 and 3, and exits.
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``--end=<time>``
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Stop at given absolute time. Use ``--length`` if the time should be relative
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to ``--start``. See ``--start`` for valid option values and examples.
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``--length=<relative time>``
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Stop after a given time relative to the start time.
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See ``--start`` for valid option values and examples.
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``--rebase-start-time=<yes|no>``
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Whether to move the file start time to ``00:00:00`` (default: yes). This
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is less awkward for files which start at a random timestamp, such as
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transport streams. On the other hand, if there are timestamp resets, the
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resulting behavior can be rather weird. For this reason, and in case you
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are actually interested in the real timestamps, this behavior can be
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disabled with ``no``.
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``--speed=<0.01-100>``
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Slow down or speed up playback by the factor given as parameter.
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If ``--audio-pitch-correction`` (on by default) is used, playing with a
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speed higher than normal automatically inserts the ``scaletempo`` audio
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filter.
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``--pause``
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Start the player in paused state.
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``--shuffle``
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Play files in random order.
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``--chapter=<start[-end]>``
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Specify which chapter to start playing at. Optionally specify which
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chapter to end playing at.
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See also: ``--start``.
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``--playlist-start=<auto|index>``
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Set which file on the internal playlist to start playback with. The index
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is an integer, with 0 meaning the first file. The value ``auto`` means that
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the selection of the entry to play is left to the playback resume mechanism
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(default). If an entry with the given index doesn't exist, the behavior is
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unspecified and might change in future mpv versions. The same applies if
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the playlist contains further playlists (don't expect any reasonable
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behavior). Passing a playlist file to mpv should work with this option,
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though. E.g. ``mpv playlist.m3u --playlist-start=123`` will work as expected,
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as long as ``playlist.m3u`` does not link to further playlists.
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The value ``no`` is a deprecated alias for ``auto``.
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``--playlist=<filename>``
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Play files according to a playlist file (Supports some common formats. If
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no format is detected, it will be treated as list of files, separated by
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newline characters. Note that XML playlist formats are not supported.)
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You can play playlists directly and without this option, however, this
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option disables any security mechanisms that might be in place. You may
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also need this option to load plaintext files as playlist.
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.. warning::
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The way mpv uses playlist files via ``--playlist`` is not safe against
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maliciously constructed files. Such files may trigger harmful actions.
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This has been the case for all mpv and MPlayer versions, but
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unfortunately this fact was not well documented earlier, and some people
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have even misguidedly recommended use of ``--playlist`` with untrusted
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sources. Do NOT use ``--playlist`` with random internet sources or files
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you do not trust!
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Playlist can contain entries using other protocols, such as local files,
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or (most severely), special protocols like ``avdevice://``, which are
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inherently unsafe.
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``--chapter-merge-threshold=<number>``
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Threshold for merging almost consecutive ordered chapter parts in
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milliseconds (default: 100). Some Matroska files with ordered chapters
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have inaccurate chapter end timestamps, causing a small gap between the
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end of one chapter and the start of the next one when they should match.
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If the end of one playback part is less than the given threshold away from
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the start of the next one then keep playing video normally over the
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chapter change instead of doing a seek.
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``--chapter-seek-threshold=<seconds>``
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Distance in seconds from the beginning of a chapter within which a backward
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chapter seek will go to the previous chapter (default: 5.0). Past this
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threshold, a backward chapter seek will go to the beginning of the current
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chapter instead. A negative value means always go back to the previous
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chapter.
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``--hr-seek=<no|absolute|yes>``
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Select when to use precise seeks that are not limited to keyframes. Such
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seeks require decoding video from the previous keyframe up to the target
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position and so can take some time depending on decoding performance. For
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some video formats, precise seeks are disabled. This option selects the
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default choice to use for seeks; it is possible to explicitly override that
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default in the definition of key bindings and in input commands.
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:no: Never use precise seeks.
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:absolute: Use precise seeks if the seek is to an absolute position in the
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file, such as a chapter seek, but not for relative seeks like
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the default behavior of arrow keys (default).
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:yes: Use precise seeks whenever possible.
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:always: Same as ``yes`` (for compatibility).
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``--hr-seek-demuxer-offset=<seconds>``
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This option exists to work around failures to do precise seeks (as in
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``--hr-seek``) caused by bugs or limitations in the demuxers for some file
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formats. Some demuxers fail to seek to a keyframe before the given target
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position, going to a later position instead. The value of this option is
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subtracted from the time stamp given to the demuxer. Thus, if you set this
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option to 1.5 and try to do a precise seek to 60 seconds, the demuxer is
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told to seek to time 58.5, which hopefully reduces the chance that it
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erroneously goes to some time later than 60 seconds. The downside of
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setting this option is that precise seeks become slower, as video between
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the earlier demuxer position and the real target may be unnecessarily
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decoded.
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``--hr-seek-framedrop=<yes|no>``
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Allow the video decoder to drop frames during seek, if these frames are
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before the seek target. If this is enabled, precise seeking can be faster,
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but if you're using video filters which modify timestamps or add new
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frames, it can lead to precise seeking skipping the target frame. This
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e.g. can break frame backstepping when deinterlacing is enabled.
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Default: ``yes``
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``--index=<mode>``
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Controls how to seek in files. Note that if the index is missing from a
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file, it will be built on the fly by default, so you don't need to change
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this. But it might help with some broken files.
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:default: use an index if the file has one, or build it if missing
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:recreate: don't read or use the file's index
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.. note::
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This option only works if the underlying media supports seeking
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(i.e. not with stdin, pipe, etc).
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``--load-unsafe-playlists``
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Load URLs from playlists which are considered unsafe (default: no). This
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includes special protocols and anything that doesn't refer to normal files.
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Local files and HTTP links on the other hand are always considered safe.
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Note that ``--playlist`` always loads all entries, so you use that instead
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if you really have the need for this functionality.
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``--access-references=<yes|no>``
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Follow any references in the file being opened (default: yes). Disabling
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this is helpful if the file is automatically scanned (e.g. thumbnail
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generation). If the thumbnail scanner for example encounters a playlist
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file, which contains network URLs, and the scanner should not open these,
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enabling this option will prevent it. This option also disables ordered
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chapters, mov reference files, opening of archives, and a number of other
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features.
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On older FFmpeg versions, this will not work in some cases. Some FFmpeg
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demuxers might not respect this option.
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This option does not prevent opening of paired subtitle files and such. Use
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``--autoload-files=no`` to prevent this.
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This option does not always work if you open non-files (for example using
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``dvd://directory`` would open a whole bunch of files in the given
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directory). Prefixing the filename with ``./`` if it doesn't start with
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a ``/`` will avoid this.
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``--loop-playlist=<N|inf|force|no>``, ``--loop-playlist``
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Loops playback ``N`` times. A value of ``1`` plays it one time (default),
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``2`` two times, etc. ``inf`` means forever. ``no`` is the same as ``1`` and
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disables looping. If several files are specified on command line, the
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entire playlist is looped. ``--loop-playlist`` is the same as
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``--loop-playlist=inf``.
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The ``force`` mode is like ``inf``, but does not skip playlist entries
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which have been marked as failing. This means the player might waste CPU
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time trying to loop a file that doesn't exist. But it might be useful for
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playing webradios under very bad network conditions.
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``--loop``
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Currently a deprecated alias to ``--loop-playlist``. After a deprecation
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period, it will be undeprecated, but changed to alias ``--loop-file``.
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``--loop-file=<N|inf|no>``
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Loop a single file N times. ``inf`` means forever, ``no`` means normal
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playback. For compatibility, ``--loop-file`` and ``--loop-file=yes`` are
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also accepted, and are the same as ``--loop-file=inf``.
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The difference to ``--loop-playlist`` is that this doesn't loop the playlist,
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just the file itself. If the playlist contains only a single file, the
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difference between the two option is that this option performs a seek on
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loop, instead of reloading the file.
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``--ab-loop-a=<time>``, ``--ab-loop-b=<time>``
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Set loop points. If playback passes the ``b`` timestamp, it will seek to
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the ``a`` timestamp. Seeking past the ``b`` point doesn't loop (this is
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intentional).
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If both options are set to ``no``, looping is disabled. Otherwise, the
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start/end of the file is used if one of the options is set to ``no``.
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The loop-points can be adjusted at runtime with the corresponding
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properties. See also ``ab-loop`` command.
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``--ordered-chapters``, ``--no-ordered-chapters``
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Enabled by default.
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Disable support for Matroska ordered chapters. mpv will not load or
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search for video segments from other files, and will also ignore any
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chapter order specified for the main file.
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``--ordered-chapters-files=<playlist-file>``
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Loads the given file as playlist, and tries to use the files contained in
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it as reference files when opening a Matroska file that uses ordered
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chapters. This overrides the normal mechanism for loading referenced
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files by scanning the same directory the main file is located in.
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Useful for loading ordered chapter files that are not located on the local
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filesystem, or if the referenced files are in different directories.
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Note: a playlist can be as simple as a text file containing filenames
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separated by newlines.
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``--chapters-file=<filename>``
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Load chapters from this file, instead of using the chapter metadata found
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in the main file.
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This accepts a media file (like mkv) or even a pseudo-format like ffmetadata
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and uses its chapters to replace the current file's chapters. This doesn't
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work with OGM or XML chapters directly.
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``--sstep=<sec>``
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Skip <sec> seconds after every frame.
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.. note::
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Without ``--hr-seek``, skipping will snap to keyframes.
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``--stop-playback-on-init-failure=<yes|no>``
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Stop playback if either audio or video fails to initialize. Currently,
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the default behavior is ``no`` for the command line player, but ``yes``
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for libmpv. With ``no``, playback will continue in video-only or audio-only
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mode if one of them fails. This doesn't affect playback of audio-only or
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video-only files.
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Program Behavior
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----------------
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``--help``, ``--h``
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Show short summary of options.
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You can also pass a string to this option, which will list all top-level
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options which contain the string in the name, e.g. ``--h=scale`` for all
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options that contain the word ``scale``. The special string ``*`` lists
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all top-level options.
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``-v``
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Increment verbosity level, one level for each ``-v`` found on the command
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line.
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``--version, -V``
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Print version string and exit.
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``--no-config``
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Do not load default configuration files. This prevents loading of both the
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user-level and system-wide ``mpv.conf`` and ``input.conf`` files. Other
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configuration files are blocked as well, such as resume playback files.
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.. note::
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Files explicitly requested by command line options, like
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``--include`` or ``--use-filedir-conf``, will still be loaded.
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See also: ``--config-dir``.
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``--list-options``
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Prints all available options.
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``--list-properties``
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Print a list of the available properties.
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``--list-protocols``
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Print a list of the supported protocols.
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``--log-file=<path>``
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Opens the given path for writing, and print log messages to it. Existing
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files will be truncated. The log level always corresponds to ``-v``,
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regardless of terminal verbosity levels.
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``--config-dir=<path>``
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Force a different configuration directory. If this is set, the given
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directory is used to load configuration files, and all other configuration
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directories are ignored. This means the global mpv configuration directory
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as well as per-user directories are ignored, and overrides through
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environment variables (``MPV_HOME``) are also ignored.
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Note that the ``--no-config`` option takes precedence over this option.
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``--save-position-on-quit``
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Always save the current playback position on quit. When this file is
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played again later, the player will seek to the old playback position on
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start. This does not happen if playback of a file is stopped in any other
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way than quitting. For example, going to the next file in the playlist
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will not save the position, and start playback at beginning the next time
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the file is played.
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This behavior is disabled by default, but is always available when quitting
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the player with Shift+Q.
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``--watch-later-directory=<path>``
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The directory in which to store the "watch later" temporary files.
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The default is a subdirectory named "watch_later" underneath the
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config directory (usually ``~/.config/mpv/``).
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``--dump-stats=<filename>``
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Write certain statistics to the given file. The file is truncated on
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opening. The file will contain raw samples, each with a timestamp. To
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make this file into a readable, the script ``TOOLS/stats-conv.py`` can be
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used (which currently displays it as a graph).
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This option is useful for debugging only.
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``--idle=<no|yes|once>``
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Makes mpv wait idly instead of quitting when there is no file to play.
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Mostly useful in input mode, where mpv can be controlled through input
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commands.
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``once`` will only idle at start and let the player close once the
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first playlist has finished playing back.
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``--include=<configuration-file>``
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Specify configuration file to be parsed after the default ones.
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``--load-scripts=<yes|no>``
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If set to ``no``, don't auto-load scripts from the ``scripts``
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configuration subdirectory (usually ``~/.config/mpv/scripts/``).
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(Default: ``yes``)
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``--script=<filename>``
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Load a Lua script. You can load multiple scripts by separating them with
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commas (``,``).
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``--script-opts=key1=value1,key2=value2,...``
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Set options for scripts. A script can query an option by key. If an
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option is used and what semantics the option value has depends entirely on
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the loaded scripts. Values not claimed by any scripts are ignored.
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``--merge-files``
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Pretend that all files passed to mpv are concatenated into a single, big
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file. This uses timeline/EDL support internally.
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``--no-resume-playback``
|
|
Do not restore playback position from the ``watch_later`` configuration
|
|
subdirectory (usually ``~/.config/mpv/watch_later/``).
|
|
See ``quit-watch-later`` input command.
|
|
|
|
``--profile=<profile1,profile2,...>``
|
|
Use the given profile(s), ``--profile=help`` displays a list of the
|
|
defined profiles.
|
|
|
|
``--reset-on-next-file=<all|option1,option2,...>``
|
|
Normally, mpv will try to keep all settings when playing the next file on
|
|
the playlist, even if they were changed by the user during playback. (This
|
|
behavior is the opposite of MPlayer's, which tries to reset all settings
|
|
when starting next file.)
|
|
|
|
Default: Do not reset anything.
|
|
|
|
This can be changed with this option. It accepts a list of options, and
|
|
mpv will reset the value of these options on playback start to the initial
|
|
value. The initial value is either the default value, or as set by the
|
|
config file or command line.
|
|
|
|
In some cases, this might not work as expected. For example, ``--volume``
|
|
will only be reset if it is explicitly set in the config file or the
|
|
command line.
|
|
|
|
The special name ``all`` resets as many options as possible.
|
|
|
|
.. admonition:: Examples
|
|
|
|
- ``--reset-on-next-file=pause``
|
|
Reset pause mode when switching to the next file.
|
|
- ``--reset-on-next-file=fullscreen,speed``
|
|
Reset fullscreen and playback speed settings if they were changed
|
|
during playback.
|
|
- ``--reset-on-next-file=all``
|
|
Try to reset all settings that were changed during playback.
|
|
|
|
``--write-filename-in-watch-later-config``
|
|
Prepend the watch later config files with the name of the file they refer
|
|
to. This is simply written as comment on the top of the file.
|
|
|
|
.. warning::
|
|
|
|
This option may expose privacy-sensitive information and is thus
|
|
disabled by default.
|
|
|
|
``--ignore-path-in-watch-later-config``
|
|
Ignore path (i.e. use filename only) when using watch later feature.
|
|
|
|
``--show-profile=<profile>``
|
|
Show the description and content of a profile.
|
|
|
|
``--use-filedir-conf``
|
|
Look for a file-specific configuration file in the same directory as the
|
|
file that is being played. See `File-specific Configuration Files`_.
|
|
|
|
.. warning::
|
|
|
|
May be dangerous if playing from untrusted media.
|
|
|
|
``--ytdl``, ``--no-ytdl``
|
|
Enable the youtube-dl hook-script. It will look at the input URL, and will
|
|
play the video located on the website. This works with many streaming sites,
|
|
not just the one that the script is named after. This requires a recent
|
|
version of youtube-dl to be installed on the system. (Enabled by default,
|
|
except when the client API / libmpv is used.)
|
|
|
|
If the script can't do anything with an URL, it will do nothing.
|
|
|
|
``--ytdl-format=<best|worst|mp4|webm|...>``
|
|
Video format/quality that is directly passed to youtube-dl. The possible
|
|
values are specific to the website and the video, for a given url the
|
|
available formats can be found with the command
|
|
``youtube-dl --list-formats URL``. See youtube-dl's documentation for
|
|
available aliases.
|
|
(Default: youtube-dl's default, currently ``bestvideo+bestaudio/best``)
|
|
|
|
``--ytdl-raw-options=<key>=<value>[,<key>=<value>[,...]]``
|
|
Pass arbitrary options to youtube-dl. Parameter and argument should be
|
|
passed as a key-value pair. Options without argument must include ``=``.
|
|
|
|
There is no sanity checking so it's possible to break things (i.e.
|
|
passing invalid parameters to youtube-dl).
|
|
|
|
.. admonition:: Example
|
|
|
|
``--ytdl-raw-options=username=user,password=pass``
|
|
``--ytdl-raw-options=force-ipv6=``
|
|
|
|
``--player-operation-mode=<cplayer|pseudo-gui>``
|
|
For enabling "pseudo GUI mode", which means that the defaults for some
|
|
options are changed. This option should not normally be used directly, but
|
|
only by mpv internally, or mpv-provided scripts, config files, or .desktop
|
|
files.
|
|
|
|
Video
|
|
-----
|
|
|
|
``--vo=<driver>``
|
|
Specify the video output backend to be used. See `VIDEO OUTPUT DRIVERS`_ for
|
|
details and descriptions of available drivers.
|
|
|
|
``--vd=<...>``
|
|
Specify a priority list of video decoders to be used, according to their
|
|
family and name. See ``--ad`` for further details. Both of these options
|
|
use the same syntax and semantics; the only difference is that they
|
|
operate on different codec lists.
|
|
|
|
.. note::
|
|
|
|
See ``--vd=help`` for a full list of available decoders.
|
|
|
|
``--vf=<filter1[=parameter1:parameter2:...],filter2,...>``
|
|
Specify a list of video filters to apply to the video stream. See
|
|
`VIDEO FILTERS`_ for details and descriptions of the available filters.
|
|
The option variants ``--vf-add``, ``--vf-pre``, ``--vf-del`` and
|
|
``--vf-clr`` exist to modify a previously specified list, but you
|
|
should not need these for typical use.
|
|
|
|
``--untimed``
|
|
Do not sleep when outputting video frames. Useful for benchmarks when used
|
|
with ``--no-audio.``
|
|
|
|
``--framedrop=<mode>``
|
|
Skip displaying some frames to maintain A/V sync on slow systems, or
|
|
playing high framerate video on video outputs that have an upper framerate
|
|
limit.
|
|
|
|
The argument selects the drop methods, and can be one of the following:
|
|
|
|
<no>
|
|
Disable any framedropping.
|
|
<vo>
|
|
Drop late frames on video output (default). This still decodes and
|
|
filters all frames, but doesn't render them on the VO. It tries to query
|
|
the display FPS (X11 only, not correct on multi-monitor systems), or
|
|
assumes infinite display FPS if that fails. Drops are indicated in
|
|
the terminal status line as ``Dropped:`` field. If the decoder is too slow,
|
|
in theory all frames would have to be dropped (because all frames are
|
|
too late) - to avoid this, frame dropping stops if the effective
|
|
framerate is below 10 FPS.
|
|
<decoder>
|
|
Old, decoder-based framedrop mode. (This is the same as ``--framedrop=yes``
|
|
in mpv 0.5.x and before.) This tells the decoder to skip frames (unless
|
|
they are needed to decode future frames). May help with slow systems,
|
|
but can produce unwatchable choppy output, or even freeze the display
|
|
completely. Not recommended.
|
|
The ``--vd-lavc-framedrop`` option controls what frames to drop.
|
|
<decoder+vo>
|
|
Enable both modes. Not recommended.
|
|
|
|
.. note::
|
|
|
|
``--vo=vdpau`` has its own code for the ``vo`` framedrop mode. Slight
|
|
differences to other VOs are possible.
|
|
|
|
``--display-fps=<fps>``
|
|
Set the display FPS used with the ``--video-sync=display-*`` modes. By
|
|
default, a detected value is used. Keep in mind that setting an incorrect
|
|
value (even if slightly incorrect) can ruin video playback. On multi-monitor
|
|
systems, there is a chance that the detected value is from the wrong
|
|
monitor.
|
|
|
|
Set this option only if you have reason to believe the automatically
|
|
determined value is wrong.
|
|
|
|
``--hwdec=<api>``
|
|
Specify the hardware video decoding API that should be used if possible.
|
|
Whether hardware decoding is actually done depends on the video codec. If
|
|
hardware decoding is not possible, mpv will fall back on software decoding.
|
|
|
|
``<api>`` can be one of the following:
|
|
|
|
:no: always use software decoding (default)
|
|
:auto: enable best hw decoder (see below)
|
|
:yes: exactly the same as ``auto``
|
|
:auto-copy: enable best hw decoder with copy-back (see below)
|
|
:vdpau: requires ``--vo=vdpau`` or ``--vo=opengl`` (Linux only)
|
|
:vdpau-copy: copies video back into system RAM (Linux with some GPUs only)
|
|
:vaapi: requires ``--vo=opengl`` or ``--vo=vaapi`` (Linux only)
|
|
:vaapi-copy: copies video back into system RAM (Linux with Intel GPUs only)
|
|
:videotoolbox: requires ``--vo=opengl`` (OS X 10.8 and up),
|
|
or ``--vo=opengl-cb`` (iOS 9.0 and up)
|
|
:videotoolbox-copy: copies video back into system RAM (OS X 10.8 or iOS 9.0 and up)
|
|
:dxva2: requires ``--vo=opengl`` with ``--opengl-backend=angle`` or
|
|
``--opengl-backend=dxinterop`` (Windows only)
|
|
:dxva2-copy: copies video back to system RAM (Windows only)
|
|
:d3d11va: requires ``--vo=opengl`` with ``--opengl-backend=angle``
|
|
(Windows 8+ only)
|
|
:d3d11va-copy: copies video back to system RAM (Windows 8+ only)
|
|
:mediacodec: copies video back to system RAM (Android only)
|
|
:rpi: requires ``--vo=opengl`` (Raspberry Pi only - default if available)
|
|
:rpi-copy: copies video back to system RAM (Raspberry Pi only)
|
|
:cuda: requires ``--vo=opengl`` (Any platform CUDA is available)
|
|
:cuda-copy: copies video back to system RAM (Any platform CUDA is available)
|
|
:crystalhd: copies video back to system RAM (Any platform supported by hardware)
|
|
|
|
``auto`` tries to automatically enable hardware decoding using the first
|
|
available method. This still depends what VO you are using. For example,
|
|
if you are not using ``--vo=vdpau`` or ``--vo=opengl``, vdpau decoding will
|
|
never be enabled. Also note that if the first found method doesn't actually
|
|
work, it will always fall back to software decoding, instead of trying the
|
|
next method (might matter on some Linux systems).
|
|
|
|
``auto-copy`` selects only modes that copy the video data back to system
|
|
memory after decoding. Currently, this selects only one of the following
|
|
modes: ``vaapi-copy``, ``dxva2-copy``, ``d3d11va-copy``, ``mediacodec``.
|
|
If none of these work, hardware decoding is disabled. This mode is always
|
|
guaranteed to incur no additional loss compared to software decoding, and
|
|
will allow CPU processing with video filters.
|
|
|
|
The ``vaapi`` mode, if used with ``--vo=opengl``, requires Mesa 11 and most
|
|
likely works with Intel GPUs only. It also requires the opengl EGL backend
|
|
(automatically used if available). You can also try the old GLX backend by
|
|
forcing it with ``--opengl-backend=x11``, but the vaapi/GLX interop is
|
|
said to be slower than ``vaapi-copy``.
|
|
|
|
The ``cuda`` and ``cuda-copy`` modes provides deinterlacing in the decoder
|
|
which is useful as there is no other deinterlacing mechanism in the opengl
|
|
output path. To use this deinterlacing you must pass the option:
|
|
``vd-lavc-o=deint=[weave|bob|adaptive]``.
|
|
Pass ``weave`` (or leave the option unset) to not attempt any
|
|
deinterlacing. ``cuda`` should always be preferred unless the ``opengl``
|
|
vo is not being used or filters are required.
|
|
|
|
Most video filters will not work with hardware decoding as they are
|
|
primarily implemented on the CPU. Some exceptions are ``vdpaupp``,
|
|
``vdpaurb`` and ``vavpp``. See `VIDEO FILTERS`_ for more details.
|
|
|
|
The ``...-copy`` modes (e.g. ``dxva2-copy``) allow you to use hardware
|
|
decoding with any VO, backend or filter. Because these copy the decoded
|
|
video back to system RAM, they're likely less efficient than the direct
|
|
modes (like e.g. ``dxva2``).
|
|
|
|
.. note::
|
|
|
|
When using this switch, hardware decoding is still only done for some
|
|
codecs. See ``--hwdec-codecs`` to enable hardware decoding for more
|
|
codecs.
|
|
|
|
.. admonition:: Quality reduction with hardware decoding
|
|
|
|
Normally, hardware decoding does not reduce video quality (at least for
|
|
the codecs h264 and HEVC). However, due to restrictions in video output
|
|
APIs, there can be some loss, or blatantly incorrect results.
|
|
|
|
In some cases, RGB conversion is forced, which means the RGB conversion
|
|
is performed by the hardware decoding API, instead of the OpenGL code
|
|
used by ``--vo=opengl``. This means certain obscure colorspaces may
|
|
not display correctly, not certain filtering (such as debanding)
|
|
cannot be applied in an ideal way.
|
|
|
|
``vdpau`` is usually safe. If deinterlacing enabled (or the ``vdpaupp``
|
|
video filter is active in general), it forces RGB conversion. The latter
|
|
currently does not treat certain colorspaces like BT.2020 correctly
|
|
(which is mostly a mpv-specific restriction). The ``vdpauprb`` video
|
|
filter retrieves image data without RGB conversion and is safe (but
|
|
precludes use of vdpau postprocessing).
|
|
|
|
``vaapi`` is safe if the ``vaapi-egl`` backend is indicated in the logs.
|
|
If ``vaapi-glx`` is indicated, and the video colorspace is either BT.601
|
|
or BT.709, a forced but correct RGB conversion is performed. Otherwise,
|
|
the result will be incorrect.
|
|
|
|
``d3d11va`` is usually safe (if used with ANGLE builds that support
|
|
``EGL_KHR_stream path`` - otherwise, it converts to RGB), except that
|
|
10 bit input (HEVC main 10 profiles) will be rounded down to 8 bits.
|
|
|
|
``dxva2`` is not safe. It appears to always use BT.601 for forced RGB
|
|
conversion, but actual behavior depends on the GPU drivers. Some drivers
|
|
appear to convert to limited range RGB, which gives a faded appearance.
|
|
In addition to driver-specific behavior, global system settings might
|
|
affect this additionally. This can give incorrect results even with
|
|
completely ordinary video sources.
|
|
|
|
``rpi`` always uses the hardware overlay renderer, even with
|
|
``--vo=opengl``.
|
|
|
|
``crystalhd`` is not safe. It always converts to 4:2:2 YUV, which
|
|
may be lossy, depending on how chroma sub-sampling is done during
|
|
conversion. It also discards the top left pixel of each frame for
|
|
some reason.
|
|
|
|
All other methods, in particular the copy-back methods (like
|
|
``dxva2-copy`` etc.) are either fully safe, or not worse than software
|
|
decoding.
|
|
|
|
In particular, ``auto-copy`` will only select safe modes
|
|
(although potentially slower than other methods).
|
|
|
|
``--opengl-hwdec-interop=<name>``
|
|
This is useful for the ``opengl`` and ``opengl-cb`` VOs for creating the
|
|
hardware decoding OpenGL interop context, but without actually enabling
|
|
hardware decoding itself (like ``--hwdec`` does).
|
|
|
|
If set to an empty string (default), the ``--hwdec`` option is used.
|
|
|
|
For ``opengl``, if set, do not create the interop context on demand, but
|
|
when the VO is created.
|
|
|
|
For ``opengl-cb``, if set, load the interop context as soon as the OpenGL
|
|
context is created. Since ``opengl-cb`` has no on-demand loading, this
|
|
allows enabling hardware decoding at runtime at all, without having
|
|
to temporarily set the ``hwdec`` option just during OpenGL context
|
|
initialization with ``mpv_opengl_cb_init_gl()``.
|
|
|
|
See ``--opengl-hwdec-interop=help`` for accepted values. This lists the
|
|
interop backend, with the ``--hwdec`` alias after it in ``[...]``. Consider
|
|
all values except the proper interop backend name, ``auto``, and ``no`` as
|
|
silently deprecated and subject to change. Also, if you use this in
|
|
application code (e.g. via libmpv), any value other than ``auto`` and ``no``
|
|
should be avoided, as backends can change.
|
|
|
|
Currently the option sets a single value. It is possible that the option
|
|
type changes to a list in the future.
|
|
|
|
The old alias ``--hwdec-preload`` has different behavior if the option value
|
|
is ``no``.
|
|
|
|
``--videotoolbox-format=<name>``
|
|
Set the internal pixel format used by ``--hwdec=videotoolbox`` on OSX. The
|
|
choice of the format can influence performance considerably. On the other
|
|
hand, there doesn't appear to be a good way to detect the best format for
|
|
the given hardware. ``nv12``, the default, works better on modern hardware,
|
|
while ``uyvy422`` appears to be better for old hardware. ``yuv420p`` also
|
|
works.
|
|
Since mpv 0.25.0, ``no`` is an accepted value, which lets the decoder pick
|
|
the format on newer FFmpeg versions (will use ``nv12`` on older versions).
|
|
|
|
``--panscan=<0.0-1.0>``
|
|
Enables pan-and-scan functionality (cropping the sides of e.g. a 16:9
|
|
video to make it fit a 4:3 display without black bands). The range
|
|
controls how much of the image is cropped. May not work with all video
|
|
output drivers.
|
|
|
|
This option has no effect if ``--video-unscaled`` option is used.
|
|
|
|
``--video-aspect=<ratio|no>``
|
|
Override video aspect ratio, in case aspect information is incorrect or
|
|
missing in the file being played. See also ``--no-video-aspect``.
|
|
|
|
These values have special meaning:
|
|
|
|
:0: disable aspect ratio handling, pretend the video has square pixels
|
|
:no: same as ``0``
|
|
:-1: use the video stream or container aspect (default)
|
|
|
|
But note that handling of these special values might change in the future.
|
|
|
|
.. admonition:: Examples
|
|
|
|
- ``--video-aspect=4:3`` or ``--video-aspect=1.3333``
|
|
- ``--video-aspect=16:9`` or ``--video-aspect=1.7777``
|
|
- ``--no-video-aspect`` or ``--video-aspect=no``
|
|
|
|
``--video-aspect-method=<hybrid|bitstream|container>``
|
|
This sets the default video aspect determination method (if the aspect is
|
|
_not_ overridden by the user with ``--video-aspect`` or others).
|
|
|
|
:hybrid: Prefer the container aspect ratio. If the bitstream aspect
|
|
switches mid-stream, switch to preferring the bitstream aspect.
|
|
This is the default behavior in mpv and mplayer2.
|
|
:container: Strictly prefer the container aspect ratio. This is apparently
|
|
the default behavior with VLC, at least with Matroska.
|
|
:bitstream: Strictly prefer the bitstream aspect ratio, unless the bitstream
|
|
aspect ratio is not set. This is apparently the default behavior
|
|
with XBMC/kodi, at least with Matroska.
|
|
|
|
Normally you should not set this. Try the ``container`` and ``bitstream``
|
|
choices if you encounter video that has the wrong aspect ratio in mpv,
|
|
but seems to be correct in other players.
|
|
|
|
``--video-unscaled=<no|yes|downscale-big>``
|
|
Disable scaling of the video. If the window is larger than the video,
|
|
black bars are added. Otherwise, the video is cropped, unless the option
|
|
is set to ``downscale-big``, in which case the video is fit to window. The
|
|
video still can be influenced by the other ``--video-...`` options. This
|
|
option disables the effect of ``--panscan``.
|
|
|
|
Note that the scaler algorithm may still be used, even if the video isn't
|
|
scaled. For example, this can influence chroma conversion. The video will
|
|
also still be scaled in one dimension if the source uses non-square pixels
|
|
(e.g. anamorphic widescreen DVDs).
|
|
|
|
This option is disabled if the ``--no-keepaspect`` option is used.
|
|
|
|
``--video-pan-x=<value>``, ``--video-pan-y=<value>``
|
|
Moves the displayed video rectangle by the given value in the X or Y
|
|
direction. The unit is in fractions of the size of the scaled video (the
|
|
full size, even if parts of the video are not visible due to panscan or
|
|
other options).
|
|
|
|
For example, displaying a 1280x720 video fullscreen on a 1680x1050 screen
|
|
with ``--video-pan-x=-0.1`` would move the video 168 pixels to the left
|
|
(making 128 pixels of the source video invisible).
|
|
|
|
This option is disabled if the ``--no-keepaspect`` option is used.
|
|
|
|
``--video-rotate=<0-359|no>``
|
|
Rotate the video clockwise, in degrees. Currently supports 90° steps only.
|
|
If ``no`` is given, the video is never rotated, even if the file has
|
|
rotation metadata. (The rotation value is added to the rotation metadata,
|
|
which means the value ``0`` would rotate the video according to the
|
|
rotation metadata.)
|
|
|
|
``--video-stereo-mode=<no|mode>``
|
|
Set the stereo 3D output mode (default: ``mono``). This is done by inserting
|
|
the ``stereo3d`` conversion filter.
|
|
|
|
The pseudo-mode ``no`` disables automatic conversion completely.
|
|
|
|
The mode ``mono`` is an alias to ``ml``, which refers to the left frame in
|
|
2D. This is the default, which means mpv will try to show 3D movies in 2D,
|
|
instead of the mangled 3D image not intended for consumption (such as
|
|
showing the left and right frame side by side, etc.).
|
|
|
|
Use ``--video-stereo-mode=help`` to list all available modes. Check with
|
|
the ``stereo3d`` filter documentation to see what the names mean. Note that
|
|
some names refer to modes not supported by ``stereo3d`` - these modes can
|
|
appear in files, but can't be handled properly by mpv.
|
|
|
|
``--video-zoom=<value>``
|
|
Adjust the video display scale factor by the given value. The parameter is
|
|
given log 2. For example, ``--video-zoom=0`` is unscaled,
|
|
``--video-zoom=1`` is twice the size, ``--video-zoom=-2`` is one fourth of
|
|
the size, and so on.
|
|
|
|
This option is disabled if the ``--no-keepaspect`` option is used.
|
|
|
|
``--video-align-x=<-1-1>``, ``--video-align-y=<-1-1>``
|
|
Moves the video rectangle within the black borders, which are usually added
|
|
to pad the video to screen if video and screen aspect ratios are different.
|
|
``--video-align-y=-1`` would move the video to the top of the screen
|
|
(leaving a border only on the bottom), a value of ``0`` centers it
|
|
(default), and a value of ``1`` would put the video at the bottom of the
|
|
screen.
|
|
|
|
If video and screen aspect match perfectly, these options do nothing.
|
|
|
|
This option is disabled if the ``--no-keepaspect`` option is used.
|
|
|
|
``--correct-pts``, ``--no-correct-pts``
|
|
``--no-correct-pts`` switches mpv to a mode where video timing is
|
|
determined using a fixed framerate value (either using the ``--fps``
|
|
option, or using file information). Sometimes, files with very broken
|
|
timestamps can be played somewhat well in this mode. Note that video
|
|
filters, subtitle rendering and audio synchronization can be completely
|
|
broken in this mode.
|
|
|
|
``--fps=<float>``
|
|
Override video framerate. Useful if the original value is wrong or missing.
|
|
|
|
.. note::
|
|
|
|
Works in ``--no-correct-pts`` mode only.
|
|
|
|
``--deinterlace=<yes|no|auto>``
|
|
Enable or disable interlacing (default: auto, which usually means no).
|
|
Interlaced video shows ugly comb-like artifacts, which are visible on
|
|
fast movement. Enabling this typically inserts the yadif video filter in
|
|
order to deinterlace the video, or lets the video output apply deinterlacing
|
|
if supported.
|
|
|
|
This behaves exactly like the ``deinterlace`` input property (usually
|
|
mapped to ``d``).
|
|
|
|
``auto`` is a technicality. Strictly speaking, the default for this option
|
|
is deinterlacing disabled, but the ``auto`` case is needed if ``yadif`` was
|
|
added to the filter chain manually with ``--vf``. Then the core shouldn't
|
|
disable deinterlacing just because the ``--deinterlace`` was not set.
|
|
|
|
``--field-dominance=<auto|top|bottom>``
|
|
Set first field for interlaced content.
|
|
|
|
:auto: (default) If the decoder does not export the appropriate
|
|
information, it falls back on ``top`` (top field first).
|
|
:top: top field first
|
|
:bottom: bottom field first
|
|
|
|
.. note::
|
|
|
|
Setting either ``top`` or ``bottom`` will flag all frames as interlaced.
|
|
|
|
``--frames=<number>``
|
|
Play/convert only first ``<number>`` video frames, then quit.
|
|
|
|
``--frames=0`` loads the file, but immediately quits before initializing
|
|
playback. (Might be useful for scripts which just want to determine some
|
|
file properties.)
|
|
|
|
For audio-only playback, any value greater than 0 will quit playback
|
|
immediately after initialization. The value 0 works as with video.
|
|
|
|
``--video-output-levels=<outputlevels>``
|
|
RGB color levels used with YUV to RGB conversion. Normally, output devices
|
|
such as PC monitors use full range color levels. However, some TVs and
|
|
video monitors expect studio RGB levels. Providing full range output to a
|
|
device expecting studio level input results in crushed blacks and whites,
|
|
the reverse in dim gray blacks and dim whites.
|
|
|
|
Not all VOs support this option. Some will silently ignore it.
|
|
|
|
Available color ranges are:
|
|
|
|
:auto: automatic selection (equals to full range) (default)
|
|
:limited: limited range (16-235 per component), studio levels
|
|
:full: full range (0-255 per component), PC levels
|
|
|
|
.. note::
|
|
|
|
It is advisable to use your graphics driver's color range option
|
|
instead, if available.
|
|
|
|
``--hwdec-codecs=<codec1,codec2,...|all>``
|
|
Allow hardware decoding for a given list of codecs only. The special value
|
|
``all`` always allows all codecs.
|
|
|
|
You can get the list of allowed codecs with ``mpv --vd=help``. Remove the
|
|
prefix, e.g. instead of ``lavc:h264`` use ``h264``.
|
|
|
|
By default, this is set to ``h264,vc1,wmv3,hevc,mpeg2video,vp9``. Note that
|
|
the hardware acceleration special codecs like ``h264_vdpau`` are not
|
|
relevant anymore, and in fact have been removed from Libav in this form.
|
|
|
|
This is usually only needed with broken GPUs, where a codec is reported
|
|
as supported, but decoding causes more problems than it solves.
|
|
|
|
.. admonition:: Example
|
|
|
|
``mpv --hwdec=vdpau --vo=vdpau --hwdec-codecs=h264,mpeg2video``
|
|
Enable vdpau decoding for h264 and mpeg2 only.
|
|
|
|
``--vd-lavc-check-hw-profile=<yes|no>``
|
|
Check hardware decoder profile (default: yes). If ``no`` is set, the
|
|
highest profile of the hardware decoder is unconditionally selected, and
|
|
decoding is forced even if the profile of the video is higher than that.
|
|
The result is most likely broken decoding, but may also help if the
|
|
detected or reported profiles are somehow incorrect.
|
|
|
|
``--vd-lavc-software-fallback=<yes|no|N>``
|
|
Fallback to software decoding if the hardware-accelerated decoder fails
|
|
(default: 3). If this is a number, then fallback will be triggered if
|
|
N frames fail to decode in a row. 1 is equivalent to ``yes``.
|
|
|
|
``--vd-lavc-bitexact``
|
|
Only use bit-exact algorithms in all decoding steps (for codec testing).
|
|
|
|
``--vd-lavc-fast`` (MPEG-2, MPEG-4, and H.264 only)
|
|
Enable optimizations which do not comply with the format specification and
|
|
potentially cause problems, like simpler dequantization, simpler motion
|
|
compensation, assuming use of the default quantization matrix, assuming YUV
|
|
4:2:0 and skipping a few checks to detect damaged bitstreams.
|
|
|
|
``--vd-lavc-o=<key>=<value>[,<key>=<value>[,...]]``
|
|
Pass AVOptions to libavcodec decoder. Note, a patch to make the ``o=``
|
|
unneeded and pass all unknown options through the AVOption system is
|
|
welcome. A full list of AVOptions can be found in the FFmpeg manual.
|
|
|
|
Some options which used to be direct options can be set with this
|
|
mechanism, like ``bug``, ``gray``, ``idct``, ``ec``, ``vismv``,
|
|
``skip_top`` (was ``st``), ``skip_bottom`` (was ``sb``), ``debug``.
|
|
|
|
.. admonition:: Example
|
|
|
|
``--vd-lavc-o=debug=pict``
|
|
|
|
``--vd-lavc-show-all=<yes|no>``
|
|
Show even broken/corrupt frames (default: no). If this option is set to
|
|
no, libavcodec won't output frames that were either decoded before an
|
|
initial keyframe was decoded, or frames that are recognized as corrupted.
|
|
|
|
``--vd-lavc-skiploopfilter=<skipvalue> (H.264 only)``
|
|
Skips the loop filter (AKA deblocking) during H.264 decoding. Since
|
|
the filtered frame is supposed to be used as reference for decoding
|
|
dependent frames, this has a worse effect on quality than not doing
|
|
deblocking on e.g. MPEG-2 video. But at least for high bitrate HDTV,
|
|
this provides a big speedup with little visible quality loss.
|
|
|
|
``<skipvalue>`` can be one of the following:
|
|
|
|
:none: Never skip.
|
|
:default: Skip useless processing steps (e.g. 0 size packets in AVI).
|
|
:nonref: Skip frames that are not referenced (i.e. not used for
|
|
decoding other frames, the error cannot "build up").
|
|
:bidir: Skip B-Frames.
|
|
:nonkey: Skip all frames except keyframes.
|
|
:all: Skip all frames.
|
|
|
|
``--vd-lavc-skipidct=<skipvalue> (MPEG-1/2 only)``
|
|
Skips the IDCT step. This degrades quality a lot in almost all cases
|
|
(see skiploopfilter for available skip values).
|
|
|
|
``--vd-lavc-skipframe=<skipvalue>``
|
|
Skips decoding of frames completely. Big speedup, but jerky motion and
|
|
sometimes bad artifacts (see skiploopfilter for available skip values).
|
|
|
|
``--vd-lavc-framedrop=<skipvalue>``
|
|
Set framedropping mode used with ``--framedrop`` (see skiploopfilter for
|
|
available skip values).
|
|
|
|
``--vd-lavc-threads=<N>``
|
|
Number of threads to use for decoding. Whether threading is actually
|
|
supported depends on codec (default: 0). 0 means autodetect number of cores
|
|
on the machine and use that, up to the maximum of 16. You can set more than
|
|
16 threads manually.
|
|
|
|
|
|
|
|
Audio
|
|
-----
|
|
|
|
``--audio-pitch-correction=<yes|no>``
|
|
If this is enabled (default), playing with a speed different from normal
|
|
automatically inserts the ``scaletempo`` audio filter. For details, see
|
|
audio filter section.
|
|
|
|
``--audio-device=<name>``
|
|
Use the given audio device. This consists of the audio output name, e.g.
|
|
``alsa``, followed by ``/``, followed by the audio output specific device
|
|
name. The default value for this option is ``auto``, which tries every audio
|
|
output in preference order with the default device.
|
|
|
|
You can list audio devices with ``--audio-device=help``. This outputs the
|
|
device name in quotes, followed by a description. The device name is what
|
|
you have to pass to the ``--audio-device`` option. The list of audio devices
|
|
can be retrieved by API by using the ``audio-device-list`` property.
|
|
|
|
While the option normally takes one of the strings as indicated by the
|
|
methods above, you can also force the device for most AOs by building it
|
|
manually. For example ``name/foobar`` forces the AO ``name`` to use the
|
|
device ``foobar``.
|
|
|
|
.. admonition:: Example for ALSA
|
|
|
|
MPlayer and mplayer2 required you to replace any ',' with '.' and
|
|
any ':' with '=' in the ALSA device name. For example, to use the
|
|
device named ``dmix:default``, you had to do:
|
|
|
|
``-ao alsa:device=dmix=default``
|
|
|
|
In mpv you could instead use:
|
|
|
|
``--audio-device=alsa/dmix:default``
|
|
|
|
|
|
``--audio-exclusive=<yes|no>``
|
|
Enable exclusive output mode. In this mode, the system is usually locked
|
|
out, and only mpv will be able to output audio.
|
|
|
|
This only works for some audio outputs, such as ``wasapi`` and
|
|
``coreaudio``. Other audio outputs silently ignore this options. They either
|
|
have no concept of exclusive mode, or the mpv side of the implementation is
|
|
missing.
|
|
|
|
``--audio-fallback-to-null=<yes|no>``
|
|
If no audio device can be opened, behave as if ``--ao=null`` was given. This
|
|
is useful in combination with ``--audio-device``: instead of causing an
|
|
error if the selected device does not exist, the client API user (or a
|
|
Lua script) could let playback continue normally, and check the
|
|
``current-ao`` and ``audio-device-list`` properties to make high-level
|
|
decisions about how to continue.
|
|
|
|
``--ao=<driver>``
|
|
Specify the audio output drivers to be used. See `AUDIO OUTPUT DRIVERS`_ for
|
|
details and descriptions of available drivers.
|
|
|
|
``--af=<filter1[=parameter1:parameter2:...],filter2,...>``
|
|
Specify a list of audio filters to apply to the audio stream. See
|
|
`AUDIO FILTERS`_ for details and descriptions of the available filters.
|
|
The option variants ``--af-add``, ``--af-pre``, ``--af-del`` and
|
|
``--af-clr`` exist to modify a previously specified list, but you
|
|
should not need these for typical use.
|
|
|
|
``--audio-spdif=<codecs>``
|
|
List of codecs for which compressed audio passthrough should be used. This
|
|
works for both classic S/PDIF and HDMI.
|
|
|
|
Possible codecs are ``ac3``, ``dts``, ``dts-hd``. Multiple codecs can be
|
|
specified by separating them with ``,``. ``dts`` refers to low bitrate DTS
|
|
core, while ``dts-hd`` refers to DTS MA (receiver and OS support varies).
|
|
If both ``dts`` and ``dts-hd`` are specified, it behaves equivalent to
|
|
specifying ``dts-hd`` only.
|
|
|
|
In earlier mpv versions
|
|
|
|
.. admonition:: Warning
|
|
|
|
There is not much reason to use this. HDMI supports uncompressed
|
|
multichannel PCM, and mpv supports lossless DTS-HD decoding via
|
|
FFmpeg's new DCA decoder (based on libdcadec).
|
|
|
|
``--ad=<decoder1,decoder2,...[-]>``
|
|
Specify a priority list of audio decoders to be used, according to their
|
|
decoder name. When determining which decoder to use, the first decoder that
|
|
matches the audio format is selected. If that is unavailable, the next
|
|
decoder is used. Finally, it tries all other decoders that are not
|
|
explicitly selected or rejected by the option.
|
|
|
|
``-`` at the end of the list suppresses fallback on other available
|
|
decoders not on the ``--ad`` list. ``+`` in front of an entry forces the
|
|
decoder. Both of these should not normally be used, because they break
|
|
normal decoder auto-selection! Both of these methods are deprecated.
|
|
|
|
.. admonition:: Examples
|
|
|
|
``--ad=mp3float``
|
|
Prefer the FFmpeg/Libav ``mp3float`` decoder over all other MP3
|
|
decoders.
|
|
|
|
``--ad=help``
|
|
List all available decoders.
|
|
|
|
.. admonition:: Warning
|
|
|
|
Enabling compressed audio passthrough (AC3 and DTS via SPDIF/HDMI) with
|
|
this option is not possible. Use ``--audio-spdif`` instead.
|
|
|
|
``--volume=<value>``
|
|
Set the startup volume. 0 means silence, 100 means no volume reduction or
|
|
amplification. Negative values can be passed for compatibility, but are
|
|
treated as 0.
|
|
|
|
Since mpv 0.18.1, this always controls the internal mixer (aka "softvol").
|
|
|
|
``--replaygain=<no|track|album>``
|
|
Adjust volume gain according to the track-gain or album-gain replaygain
|
|
value stored in the file metadata (default: no replaygain).
|
|
|
|
``--replaygain-preamp=<db>``
|
|
Pre-amplification gain in dB to apply to the selected replaygain gain
|
|
(default: 0).
|
|
|
|
``--replaygain-clip=<yes|no>``
|
|
Prevent clipping caused by replaygain by automatically lowering the
|
|
gain (default). Use ``--replaygain-clip=no`` to disable this.
|
|
|
|
``--replaygain-fallback=<db>``
|
|
Gain in dB to apply if the file has no replay gain tags. This option
|
|
is always applied if the replaygain logic is somehow inactive. If this
|
|
is applied, no other replaygain options are applied.
|
|
|
|
``--balance=<value>``
|
|
How much left/right channels contribute to the audio. (The implementation
|
|
of this feature is rather odd. It doesn't change the volumes of each
|
|
channel, but instead sets up a pan matrix to mix the left and right
|
|
channels.)
|
|
|
|
Deprecated.
|
|
|
|
``--audio-delay=<sec>``
|
|
Audio delay in seconds (positive or negative float value). Positive values
|
|
delay the audio, and negative values delay the video.
|
|
|
|
``--mute=<yes|no|auto>``
|
|
Set startup audio mute status (default: no).
|
|
|
|
``auto`` is a deprecated possible value that is equivalent to ``no``.
|
|
|
|
See also: ``--volume``.
|
|
|
|
``--softvol=<no|yes|auto>``
|
|
Deprecated/unfunctional. Before mpv 0.18.1, this used to control whether
|
|
to use the volume controls of the audio output driver or the internal mpv
|
|
volume filter.
|
|
|
|
The current behavior is that softvol is always enabled, i.e. as if this
|
|
option is set to ``yes``. The other behaviors are not available anymore,
|
|
although ``auto`` almost matches current behavior in most cases.
|
|
|
|
The ``no`` behavior is still partially available through the ``ao-volume``
|
|
and ``ao-mute`` properties. But there are no options to reset these.
|
|
|
|
``--audio-demuxer=<[+]name>``
|
|
Use this audio demuxer type when using ``--audio-file``. Use a '+' before
|
|
the name to force it; this will skip some checks. Give the demuxer name as
|
|
printed by ``--audio-demuxer=help``.
|
|
|
|
``--ad-lavc-ac3drc=<level>``
|
|
Select the Dynamic Range Compression level for AC-3 audio streams.
|
|
``<level>`` is a float value ranging from 0 to 1, where 0 means no
|
|
compression (which is the default) and 1 means full compression (make loud
|
|
passages more silent and vice versa). Values up to 6 are also accepted, but
|
|
are purely experimental. This option only shows an effect if the AC-3 stream
|
|
contains the required range compression information.
|
|
|
|
The standard mandates that DRC is enabled by default, but mpv (and some
|
|
other players) ignore this for the sake of better audio quality.
|
|
|
|
``--ad-lavc-downmix=<yes|no>``
|
|
Whether to request audio channel downmixing from the decoder (default: yes).
|
|
Some decoders, like AC-3, AAC and DTS, can remix audio on decoding. The
|
|
requested number of output channels is set with the ``--audio-channels`` option.
|
|
Useful for playing surround audio on a stereo system.
|
|
|
|
``--ad-lavc-threads=<0-16>``
|
|
Number of threads to use for decoding. Whether threading is actually
|
|
supported depends on codec. As of this writing, it's supported for some
|
|
lossless codecs only. 0 means autodetect number of cores on the
|
|
machine and use that, up to the maximum of 16 (default: 1).
|
|
|
|
``--ad-lavc-o=<key>=<value>[,<key>=<value>[,...]]``
|
|
Pass AVOptions to libavcodec decoder. Note, a patch to make the o=
|
|
unneeded and pass all unknown options through the AVOption system is
|
|
welcome. A full list of AVOptions can be found in the FFmpeg manual.
|
|
|
|
``--ad-spdif-dtshd=<yes|no>``, ``--dtshd``, ``--no-dtshd``
|
|
If DTS is passed through, use DTS-HD.
|
|
|
|
.. admonition:: Warning
|
|
|
|
This and enabling passthrough via ``--ad`` are deprecated in favor of
|
|
using ``--audio-spdif=dts-hd``.
|
|
|
|
``--audio-channels=<auto-safe|auto|layouts>``
|
|
Control which audio channels are output (e.g. surround vs. stereo). There
|
|
are the following possibilities:
|
|
|
|
- ``--audio-channels=auto-safe``
|
|
Use the system's preferred channel layout. If there is none (such
|
|
as when accessing a hardware device instead of the system mixer),
|
|
force stereo. Some audio outputs might simply accept any layout and
|
|
do downmixing on their own.
|
|
|
|
This is the default.
|
|
- ``--audio-channels=auto``
|
|
Send the audio device whatever it accepts, preferring the audio's
|
|
original channel layout. Can cause issues with HDMI (see the warning
|
|
below).
|
|
- ``--audio-channels=layout1,layout2,...``
|
|
List of ``,``-separated channel layouts which should be allowed.
|
|
Technically, this only adjusts the filter chain output to the best
|
|
matching layout in the list, and passes the result to the audio API.
|
|
It's possible that the audio API will select a different channel
|
|
layout.
|
|
|
|
Using this mode is recommended for direct hardware output, especially
|
|
over HDMI (see HDMI warning below).
|
|
- ``--audio-channels=stereo``
|
|
Force a plain stereo downmix. This is a special-case of the previous
|
|
item. (See paragraphs below for implications.)
|
|
|
|
If a list of layouts is given, each item can be either an explicit channel
|
|
layout name (like ``5.1``), or a channel number. Channel numbers refer to
|
|
default layouts, e.g. 2 channels refer to stereo, 6 refers to 5.1.
|
|
|
|
See ``--audio-channels=help`` output for defined default layouts. This also
|
|
lists speaker names, which can be used to express arbitrary channel
|
|
layouts (e.g. ``fl-fr-lfe`` is 2.1).
|
|
|
|
If the list of channel layouts has only 1 item, the decoder is asked to
|
|
produce according output. This sometimes triggers decoder-downmix, which
|
|
might be different from the normal mpv downmix. (Only some decoders support
|
|
remixing audio, like AC-3, AAC or DTS. You can use ``--ad-lavc-downmix=no``
|
|
to make the decoder always output its native layout.) One consequence is
|
|
that ``--audio-channels=stereo`` triggers decoder downmix, while ``auto``
|
|
or ``auto-safe`` never will, even if they end up selecting stereo. This
|
|
happens because the decision whether to use decoder downmix happens long
|
|
before the audio device is opened.
|
|
|
|
If the channel layout of the media file (i.e. the decoder) and the AO's
|
|
channel layout don't match, mpv will attempt to insert a conversion filter.
|
|
|
|
.. admonition:: Warning
|
|
|
|
Using ``auto`` can cause issues when using audio over HDMI. The OS will
|
|
typically report all channel layouts that _can_ go over HDMI, even if
|
|
the receiver does not support them. If a receiver gets an unsupported
|
|
channel layout, random things can happen, such as dropping the
|
|
additional channels, or adding noise.
|
|
|
|
You are recommended to set an explicit whitelist of the layouts you
|
|
want. For example, most A/V receivers connected via HDMI and that can
|
|
do 7.1 would be served by: ``--audio-channels=7.1,5.1,stereo``
|
|
|
|
``--audio-normalize-downmix=<yes|no>``
|
|
Enable/disable normalization if surround audio is downmixed to stereo
|
|
(default: no). If this is disabled, downmix can cause clipping. If it's
|
|
enabled, the output might be too silent. It depends on the source audio.
|
|
|
|
Technically, this changes the ``normalize`` suboption of the
|
|
``lavrresample`` audio filter, which performs the downmixing.
|
|
|
|
If downmix happens outside of mpv for some reason, this has no effect.
|
|
|
|
``--audio-display=<no|attachment>``
|
|
Setting this option to ``attachment`` (default) will display image
|
|
attachments (e.g. album cover art) when playing audio files. It will
|
|
display the first image found, and additional images are available as
|
|
video tracks.
|
|
|
|
Setting this option to ``no`` disables display of video entirely when
|
|
playing audio files.
|
|
|
|
This option has no influence on files with normal video tracks.
|
|
|
|
``--audio-file=<filename>``
|
|
Play audio from an external file while viewing a video. Each use of this
|
|
option will add a new audio track. The details are similar to how
|
|
``--sub-file`` works.
|
|
|
|
``--audio-format=<format>``
|
|
Select the sample format used for output from the audio filter layer to
|
|
the sound card. The values that ``<format>`` can adopt are listed below in
|
|
the description of the ``format`` audio filter.
|
|
|
|
``--audio-samplerate=<Hz>``
|
|
Select the output sample rate to be used (of course sound cards have
|
|
limits on this). If the sample frequency selected is different from that
|
|
of the current media, the lavrresample audio filter will be inserted into
|
|
the audio filter layer to compensate for the difference.
|
|
|
|
``--gapless-audio=<no|yes|weak>``
|
|
Try to play consecutive audio files with no silence or disruption at the
|
|
point of file change. Default: ``weak``.
|
|
|
|
:no: Disable gapless audio.
|
|
:yes: The audio device is opened using parameters chosen for the first
|
|
file played and is then kept open for gapless playback. This
|
|
means that if the first file for example has a low sample rate, then
|
|
the following files may get resampled to the same low sample rate,
|
|
resulting in reduced sound quality. If you play files with different
|
|
parameters, consider using options such as ``--audio-samplerate``
|
|
and ``--audio-format`` to explicitly select what the shared output
|
|
format will be.
|
|
:weak: Normally, the audio device is kept open (using the format it was
|
|
first initialized with). If the audio format the decoder output
|
|
changes, the audio device is closed and reopened. This means that
|
|
you will normally get gapless audio with files that were encoded
|
|
using the same settings, but might not be gapless in other cases.
|
|
(Unlike with ``yes``, you don't have to worry about corner cases
|
|
like the first file setting a very low quality output format, and
|
|
ruining the playback of higher quality files that follow.)
|
|
|
|
.. note::
|
|
|
|
This feature is implemented in a simple manner and relies on audio
|
|
output device buffering to continue playback while moving from one file
|
|
to another. If playback of the new file starts slowly, for example
|
|
because it is played from a remote network location or because you have
|
|
specified cache settings that require time for the initial cache fill,
|
|
then the buffered audio may run out before playback of the new file
|
|
can start.
|
|
|
|
``--initial-audio-sync``, ``--no-initial-audio-sync``
|
|
When starting a video file or after events such as seeking, mpv will by
|
|
default modify the audio stream to make it start from the same timestamp
|
|
as video, by either inserting silence at the start or cutting away the
|
|
first samples. Disabling this option makes the player behave like older
|
|
mpv versions did: video and audio are both started immediately even if
|
|
their start timestamps differ, and then video timing is gradually adjusted
|
|
if necessary to reach correct synchronization later.
|
|
|
|
``--volume-max=<100.0-1000.0>``, ``--softvol-max=<...>``
|
|
Set the maximum amplification level in percent (default: 130). A value of
|
|
130 will allow you to adjust the volume up to about double the normal level.
|
|
|
|
``--softvol-max`` is a deprecated alias and should not be used.
|
|
|
|
``--audio-file-auto=<no|exact|fuzzy|all>``, ``--no-audio-file-auto``
|
|
Load additional audio files matching the video filename. The parameter
|
|
specifies how external audio files are matched. ``exact`` is enabled by
|
|
default.
|
|
|
|
:no: Don't automatically load external audio files.
|
|
:exact: Load the media filename with audio file extension (default).
|
|
:fuzzy: Load all audio files containing media filename.
|
|
:all: Load all audio files in the current and ``--audio-file-paths``
|
|
directories.
|
|
|
|
``--audio-file-paths=<path1:path2:...>``
|
|
Equivalent to ``--sub-paths`` option, but for auto-loaded audio files.
|
|
|
|
``--audio-client-name=<name>``
|
|
The application name the player reports to the audio API. Can be useful
|
|
if you want to force a different audio profile (e.g. with PulseAudio),
|
|
or to set your own application name when using libmpv.
|
|
|
|
``--audio-buffer=<seconds>``
|
|
Set the audio output minimum buffer. The audio device might actually create
|
|
a larger buffer if it pleases. If the device creates a smaller buffer,
|
|
additional audio is buffered in an additional software buffer.
|
|
|
|
Making this larger will make soft-volume and other filters react slower,
|
|
introduce additional issues on playback speed change, and block the
|
|
player on audio format changes. A smaller buffer might lead to audio
|
|
dropouts.
|
|
|
|
This option should be used for testing only. If a non-default value helps
|
|
significantly, the mpv developers should be contacted.
|
|
|
|
Default: 0.2 (200 ms).
|
|
|
|
``--audio-stream-silence=<yes|no>``
|
|
Cash-grab consumer audio hardware (such as A/V receivers) often ignore
|
|
initial audio sent over HDMI. This can happen every time audio over HDMI
|
|
is stopped and resumed. In order to compensate for this, you can enable
|
|
this option to not to stop and restart audio on seeks, and fill the gaps
|
|
with silence. Likewise, when pausing playback, audio is not stopped, and
|
|
silence is played while paused. Note that if no audio track is selected,
|
|
the audio device will still be closed immediately.
|
|
|
|
Not all AOs support this.
|
|
|
|
``--audio-wait-open=<secs>``
|
|
This makes sense for use with ``--audio-stream-silence=yes``. If this option
|
|
is given, the player will wait for the given amount of seconds after opening
|
|
the audio device before sending actual audio data to it. Useful if your
|
|
expensive hardware discards the first 1 or 2 seconds of audio data sent to
|
|
it. If ``--audio-stream-silence=yes`` is not set, this option will likely
|
|
just waste time.
|
|
|
|
Subtitles
|
|
---------
|
|
|
|
.. note::
|
|
|
|
Changing styling and position does not work with all subtitles. Image-based
|
|
subtitles (DVD, Bluray/PGS, DVB) cannot changed for fundamental reasons.
|
|
Subtitles in ASS format are normally not changed intentionally, but
|
|
overriding them can be controlled with ``--sub-ass-override``.
|
|
|
|
Previously some options working on text subtitles were called
|
|
``--sub-text-*``, they are now named ``--sub-*``, and those specifically
|
|
for ASS have been renamed from ``--ass-*`` to ``--sub-ass-*``.
|
|
They are now all in this section.
|
|
|
|
``--sub-demuxer=<[+]name>``
|
|
Force subtitle demuxer type for ``--sub-file``. Give the demuxer name as
|
|
printed by ``--sub-demuxer=help``.
|
|
|
|
``--sub-delay=<sec>``
|
|
Delays subtitles by ``<sec>`` seconds. Can be negative.
|
|
|
|
``--sub-file=subtitlefile``
|
|
Add a subtitle file to the list of external subtitles.
|
|
|
|
If you use ``--sub-file`` only once, this subtitle file is displayed by
|
|
default.
|
|
|
|
If ``--sub-file`` is used multiple times, the subtitle to use can be
|
|
switched at runtime by cycling subtitle tracks. It's possible to show
|
|
two subtitles at once: use ``--sid`` to select the first subtitle index,
|
|
and ``--secondary-sid`` to select the second index. (The index is printed
|
|
on the terminal output after the ``--sid=`` in the list of streams.)
|
|
|
|
``--secondary-sid=<ID|auto|no>``
|
|
Select a secondary subtitle stream. This is similar to ``--sid``. If a
|
|
secondary subtitle is selected, it will be rendered as toptitle (i.e. on
|
|
the top of the screen) alongside the normal subtitle, and provides a way
|
|
to render two subtitles at once.
|
|
|
|
There are some caveats associated with this feature. For example, bitmap
|
|
subtitles will always be rendered in their usual position, so selecting a
|
|
bitmap subtitle as secondary subtitle will result in overlapping subtitles.
|
|
Secondary subtitles are never shown on the terminal if video is disabled.
|
|
|
|
.. note::
|
|
|
|
Styling and interpretation of any formatting tags is disabled for the
|
|
secondary subtitle. Internally, the same mechanism as ``--no-sub-ass``
|
|
is used to strip the styling.
|
|
|
|
.. note::
|
|
|
|
If the main subtitle stream contains formatting tags which display the
|
|
subtitle at the top of the screen, it will overlap with the secondary
|
|
subtitle. To prevent this, you could use ``--no-sub-ass`` to disable
|
|
styling in the main subtitle stream.
|
|
|
|
``--sub-scale=<0-100>``
|
|
Factor for the text subtitle font size (default: 1).
|
|
|
|
.. note::
|
|
|
|
This affects ASS subtitles as well, and may lead to incorrect subtitle
|
|
rendering. Use with care, or use ``--sub-font-size`` instead.
|
|
|
|
``--sub-scale-by-window=<yes|no>``
|
|
Whether to scale subtitles with the window size (default: yes). If this is
|
|
disabled, changing the window size won't change the subtitle font size.
|
|
|
|
Like ``--sub-scale``, this can break ASS subtitles.
|
|
|
|
``--sub-scale-with-window=<yes|no>``
|
|
Make the subtitle font size relative to the window, instead of the video.
|
|
This is useful if you always want the same font size, even if the video
|
|
doesn't cover the window fully, e.g. because screen aspect and window
|
|
aspect mismatch (and the player adds black bars).
|
|
|
|
Default: yes.
|
|
|
|
This option is misnamed. The difference to the confusingly similar sounding
|
|
option ``--sub-scale-by-window`` is that ``--sub-scale-with-window`` still
|
|
scales with the approximate window size, while the other option disables
|
|
this scaling.
|
|
|
|
Affects plain text subtitles only (or ASS if ``--sub-ass-override`` is set
|
|
high enough).
|
|
|
|
``--sub-ass-scale-with-window=<yes|no>``
|
|
Like ``--sub-scale-with-window``, but affects subtitles in ASS format only.
|
|
Like ``--sub-scale``, this can break ASS subtitles.
|
|
|
|
Default: no.
|
|
|
|
``--embeddedfonts``, ``--no-embeddedfonts``
|
|
Use fonts embedded in Matroska container files and ASS scripts (default:
|
|
enabled). These fonts can be used for SSA/ASS subtitle rendering.
|
|
|
|
``--sub-pos=<0-100>``
|
|
Specify the position of subtitles on the screen. The value is the vertical
|
|
position of the subtitle in % of the screen height.
|
|
|
|
.. note::
|
|
|
|
This affects ASS subtitles as well, and may lead to incorrect subtitle
|
|
rendering. Use with care, or use ``--sub-margin-y`` instead.
|
|
|
|
``--sub-speed=<0.1-10.0>``
|
|
Multiply the subtitle event timestamps with the given value. Can be used
|
|
to fix the playback speed for frame-based subtitle formats. Affects text
|
|
subtitles only.
|
|
|
|
.. admonition:: Example
|
|
|
|
`--sub-speed=25/23.976`` plays frame based subtitles which have been
|
|
loaded assuming a framerate of 23.976 at 25 FPS.
|
|
|
|
``--sub-ass-force-style=<[Style.]Param=Value[,...]>``
|
|
Override some style or script info parameters.
|
|
|
|
.. admonition:: Examples
|
|
|
|
- ``--sub-ass-force-style=FontName=Arial,Default.Bold=1``
|
|
- ``--sub-ass-force-style=PlayResY=768``
|
|
|
|
.. note::
|
|
|
|
Using this option may lead to incorrect subtitle rendering.
|
|
|
|
``--sub-ass-hinting=<none|light|normal|native>``
|
|
Set font hinting type. <type> can be:
|
|
|
|
:none: no hinting (default)
|
|
:light: FreeType autohinter, light mode
|
|
:normal: FreeType autohinter, normal mode
|
|
:native: font native hinter
|
|
|
|
.. admonition:: Warning
|
|
|
|
Enabling hinting can lead to mispositioned text (in situations it's
|
|
supposed to match up video background), or reduce the smoothness
|
|
of animations with some badly authored ASS scripts. It is recommended
|
|
to not use this option, unless really needed.
|
|
|
|
``--sub-ass-line-spacing=<value>``
|
|
Set line spacing value for SSA/ASS renderer.
|
|
|
|
``--sub-ass-shaper=<simple|complex>``
|
|
Set the text layout engine used by libass.
|
|
|
|
:simple: uses Fribidi only, fast, doesn't render some languages correctly
|
|
:complex: uses HarfBuzz, slower, wider language support
|
|
|
|
``complex`` is the default. If libass hasn't been compiled against HarfBuzz,
|
|
libass silently reverts to ``simple``.
|
|
|
|
``--sub-ass-styles=<filename>``
|
|
Load all SSA/ASS styles found in the specified file and use them for
|
|
rendering text subtitles. The syntax of the file is exactly like the ``[V4
|
|
Styles]`` / ``[V4+ Styles]`` section of SSA/ASS.
|
|
|
|
.. note::
|
|
|
|
Using this option may lead to incorrect subtitle rendering.
|
|
|
|
``--sub-ass-override=<yes|no|force|scale|strip>``
|
|
Control whether user style overrides should be applied. Note that all of
|
|
these overrides try to be somewhat smart about figuring out whether or not
|
|
a subtitle is considered a "sign".
|
|
|
|
:no: Render subtitles as specified by the subtitle scripts, without
|
|
overrides.
|
|
:yes: Apply all the ``--sub-ass-*`` style override options. Changing the
|
|
default for any of these options can lead to incorrect subtitle
|
|
rendering (default).
|
|
:force: Like ``yes``, but also force all ``--sub-*`` options. Can break
|
|
rendering easily.
|
|
:scale: Like ``yes``, but also apply ``--sub-scale``.
|
|
:strip: Radically strip all ASS tags and styles from the subtitle. This
|
|
is equivalent to the old ``--no-ass`` / ``--no-sub-ass`` options.
|
|
|
|
``--sub-ass-force-margins``
|
|
Enables placing toptitles and subtitles in black borders when they are
|
|
available, if the subtitles are in the ASS format.
|
|
|
|
Default: no.
|
|
|
|
``--sub-use-margins``
|
|
Enables placing toptitles and subtitles in black borders when they are
|
|
available, if the subtitles are in a plain text format (or ASS if
|
|
``--sub-ass-override`` is set high enough).
|
|
|
|
Default: yes.
|
|
|
|
Renamed from ``--sub-ass-use-margins``. To place ASS subtitles in the borders
|
|
too (like the old option did), also add ``--sub-ass-force-margins``.
|
|
|
|
``--sub-ass-vsfilter-aspect-compat=<yes|no>``
|
|
Stretch SSA/ASS subtitles when playing anamorphic videos for compatibility
|
|
with traditional VSFilter behavior. This switch has no effect when the
|
|
video is stored with square pixels.
|
|
|
|
The renderer historically most commonly used for the SSA/ASS subtitle
|
|
formats, VSFilter, had questionable behavior that resulted in subtitles
|
|
being stretched too if the video was stored in anamorphic format that
|
|
required scaling for display. This behavior is usually undesirable and
|
|
newer VSFilter versions may behave differently. However, many existing
|
|
scripts compensate for the stretching by modifying things in the opposite
|
|
direction. Thus, if such scripts are displayed "correctly", they will not
|
|
appear as intended. This switch enables emulation of the old VSFilter
|
|
behavior (undesirable but expected by many existing scripts).
|
|
|
|
Enabled by default.
|
|
|
|
``--sub-ass-vsfilter-blur-compat=<yes|no>``
|
|
Scale ``\blur`` tags by video resolution instead of script resolution
|
|
(enabled by default). This is bug in VSFilter, which according to some,
|
|
can't be fixed anymore in the name of compatibility.
|
|
|
|
Note that this uses the actual video resolution for calculating the
|
|
offset scale factor, not what the video filter chain or the video output
|
|
use.
|
|
|
|
``--sub-ass-vsfilter-color-compat=<basic|full|force-601|no>``
|
|
Mangle colors like (xy-)vsfilter do (default: basic). Historically, VSFilter
|
|
was not color space aware. This was no problem as long as the color space
|
|
used for SD video (BT.601) was used. But when everything switched to HD
|
|
(BT.709), VSFilter was still converting RGB colors to BT.601, rendered
|
|
them into the video frame, and handled the frame to the video output, which
|
|
would use BT.709 for conversion to RGB. The result were mangled subtitle
|
|
colors. Later on, bad hacks were added on top of the ASS format to control
|
|
how colors are to be mangled.
|
|
|
|
:basic: Handle only BT.601->BT.709 mangling, if the subtitles seem to
|
|
indicate that this is required (default).
|
|
:full: Handle the full ``YCbCr Matrix`` header with all video color spaces
|
|
supported by libass and mpv. This might lead to bad breakages in
|
|
corner cases and is not strictly needed for compatibility
|
|
(hopefully), which is why this is not default.
|
|
:force-601: Force BT.601->BT.709 mangling, regardless of subtitle headers
|
|
or video color space.
|
|
:no: Disable color mangling completely. All colors are RGB.
|
|
|
|
Choosing anything other than ``no`` will make the subtitle color depend on
|
|
the video color space, and it's for example in theory not possible to reuse
|
|
a subtitle script with another video file. The ``--sub-ass-override``
|
|
option doesn't affect how this option is interpreted.
|
|
|
|
``--stretch-dvd-subs=<yes|no>``
|
|
Stretch DVD subtitles when playing anamorphic videos for better looking
|
|
fonts on badly mastered DVDs. This switch has no effect when the
|
|
video is stored with square pixels - which for DVD input cannot be the case
|
|
though.
|
|
|
|
Many studios tend to use bitmap fonts designed for square pixels when
|
|
authoring DVDs, causing the fonts to look stretched on playback on DVD
|
|
players. This option fixes them, however at the price of possibly
|
|
misaligning some subtitles (e.g. sign translations).
|
|
|
|
Disabled by default.
|
|
|
|
``--stretch-image-subs-to-screen=<yes|no>``
|
|
Stretch DVD and other image subtitles to the screen, ignoring the video
|
|
margins. This has a similar effect as ``--sub-use-margins`` for text
|
|
subtitles, except that the text itself will be stretched, not only just
|
|
repositioned. (At least in general it is unavoidable, as an image bitmap
|
|
can in theory consist of a single bitmap covering the whole screen, and
|
|
the player won't know where exactly the text parts are located.)
|
|
|
|
This option does not display subtitles correctly. Use with care.
|
|
|
|
Disabled by default.
|
|
|
|
``--image-subs-video-resolution=<yes|no>``
|
|
Override the image subtitle resolution with the video resolution
|
|
(default: no). Normally, the subtitle canvas is fit into the video canvas
|
|
(e.g. letterboxed). Setting this option uses the video size as subtitle
|
|
canvas size. Can be useful to test broken subtitles, which often happen
|
|
when the video was trancoded, while attempting to keep the old subtitles.
|
|
|
|
``--sub-ass``, ``--no-sub-ass``
|
|
Render ASS subtitles natively (enabled by default).
|
|
|
|
.. note::
|
|
|
|
This has been deprecated by ``--sub-ass-override=strip``. You also
|
|
may need ``--embeddedfonts=no`` to get the same behavior. Also,
|
|
using ``--sub-ass-override=style`` should give better results
|
|
without breaking subtitles too much.
|
|
|
|
If ``--no-sub-ass`` is specified, all tags and style declarations are
|
|
stripped and ignored on display. The subtitle renderer uses the font style
|
|
as specified by the ``--sub-`` options instead.
|
|
|
|
.. note::
|
|
|
|
Using ``--no-sub-ass`` may lead to incorrect or completely broken
|
|
rendering of ASS/SSA subtitles. It can sometimes be useful to forcibly
|
|
override the styling of ASS subtitles, but should be avoided in general.
|
|
|
|
``--sub-auto=<no|exact|fuzzy|all>``, ``--no-sub-auto``
|
|
Load additional subtitle files matching the video filename. The parameter
|
|
specifies how external subtitle files are matched. ``exact`` is enabled by
|
|
default.
|
|
|
|
:no: Don't automatically load external subtitle files.
|
|
:exact: Load the media filename with subtitle file extension (default).
|
|
:fuzzy: Load all subs containing media filename.
|
|
:all: Load all subs in the current and ``--sub-paths`` directories.
|
|
|
|
``--sub-codepage=<codepage>``
|
|
You can use this option to specify the subtitle codepage. uchardet will be
|
|
used to guess the charset. (If mpv was not compiled with uchardet, then
|
|
``utf-8`` is the effective default.)
|
|
|
|
The default value for this option is ``auto``, which enables autodetection.
|
|
|
|
The following steps are taken to determine the final codepage, in order:
|
|
|
|
- if the specific codepage has a ``+``, use that codepage
|
|
- if the data looks like UTF-8, assume it is UTF-8
|
|
- if ``--sub-codepage`` is set to a specific codepage, use that
|
|
- run uchardet, and if successful, use that
|
|
- otherwise, use ``UTF-8-BROKEN``
|
|
|
|
.. admonition:: Examples
|
|
|
|
- ``--sub-codepage=latin2`` Use Latin 2 if input is not UTF-8.
|
|
- ``--sub-codepage=+cp1250`` Always force recoding to cp1250.
|
|
|
|
The pseudo codepage ``UTF-8-BROKEN`` is used internally. If it's set,
|
|
subtitles are interpreted as UTF-8 with "Latin 1" as fallback for bytes
|
|
which are not valid UTF-8 sequences. iconv is never involved in this mode.
|
|
|
|
This option changed in mpv 0.23.0. Support for the old syntax was fully
|
|
removed in mpv 0.24.0.
|
|
|
|
|
|
``--sub-fix-timing=<yes|no>``
|
|
Adjust subtitle timing is to remove minor gaps or overlaps between
|
|
subtitles (if the difference is smaller than 210 ms, the gap or overlap
|
|
is removed).
|
|
|
|
``--sub-forced-only``
|
|
Display only forced subtitles for the DVD subtitle stream selected by e.g.
|
|
``--slang``.
|
|
|
|
``--sub-fps=<rate>``
|
|
Specify the framerate of the subtitle file (default: video fps). Affects
|
|
text subtitles only.
|
|
|
|
.. note::
|
|
|
|
``<rate>`` > video fps speeds the subtitles up for frame-based
|
|
subtitle files and slows them down for time-based ones.
|
|
|
|
See also: ``--sub-speed``.
|
|
|
|
``--sub-gauss=<0.0-3.0>``
|
|
Apply Gaussian blur to image subtitles (default: 0). This can help to make
|
|
pixelated DVD/Vobsubs look nicer. A value other than 0 also switches to
|
|
software subtitle scaling. Might be slow.
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|
|
|
.. note::
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|
|
|
Never applied to text subtitles.
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|
|
|
``--sub-gray``
|
|
Convert image subtitles to grayscale. Can help to make yellow DVD/Vobsubs
|
|
look nicer.
|
|
|
|
.. note::
|
|
|
|
Never applied to text subtitles.
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|
|
|
``--sub-paths=<path1:path2:...>``
|
|
Specify extra directories to search for subtitles matching the video.
|
|
Multiple directories can be separated by ":" (";" on Windows).
|
|
Paths can be relative or absolute. Relative paths are interpreted relative
|
|
to video file directory.
|
|
If the file is a URL, only absolute paths and ``sub`` configuration
|
|
subdirectory will be scanned.
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|
|
|
.. admonition:: Example
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|
|
|
Assuming that ``/path/to/video/video.avi`` is played and
|
|
``--sub-paths=sub:subtitles:/tmp/subs`` is specified, mpv searches for
|
|
subtitle files in these directories:
|
|
|
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- ``/path/to/video/``
|
|
- ``/path/to/video/sub/``
|
|
- ``/path/to/video/subtitles/``
|
|
- ``/tmp/subs/``
|
|
- the ``sub`` configuration subdirectory (usually ``~/.config/mpv/sub/``)
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|
|
``--sub-visibility``, ``--no-sub-visibility``
|
|
Can be used to disable display of subtitles, but still select and decode
|
|
them.
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|
|
``--sub-clear-on-seek``
|
|
(Obscure, rarely useful.) Can be used to play broken mkv files with
|
|
duplicate ReadOrder fields. ReadOrder is the first field in a
|
|
Matroska-style ASS subtitle packets. It should be unique, and libass
|
|
uses it for fast elimination of duplicates. This option disables caching
|
|
of subtitles across seeks, so after a seek libass can't eliminate subtitle
|
|
packets with the same ReadOrder as earlier packets.
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|
|
``--teletext-page=<1-999>``
|
|
This works for ``dvb_teletext`` subtitle streams, and if FFmpeg has been
|
|
compiled with support for it.
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|
|
``--sub-font=<name>``
|
|
Specify font to use for subtitles that do not themselves
|
|
specify a particular font. The default is ``sans-serif``.
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|
|
.. admonition:: Examples
|
|
|
|
- ``--sub-font='Bitstream Vera Sans'``
|
|
- ``--sub-font='MS Comic Sans'``
|
|
|
|
.. note::
|
|
|
|
The ``--sub-font`` option (and many other style related ``--sub-``
|
|
options) are ignored when ASS-subtitles are rendered, unless the
|
|
``--no-sub-ass`` option is specified.
|
|
|
|
This used to support fontconfig patterns. Starting with libass 0.13.0,
|
|
this stopped working.
|
|
|
|
``--sub-font-size=<size>``
|
|
Specify the sub font size. The unit is the size in scaled pixels at a
|
|
window height of 720. The actual pixel size is scaled with the window
|
|
height: if the window height is larger or smaller than 720, the actual size
|
|
of the text increases or decreases as well.
|
|
|
|
Default: 55.
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|
|
``--sub-back-color=<color>``
|
|
See ``--sub-color``. Color used for sub text background.
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|
|
``--sub-blur=<0..20.0>``
|
|
Gaussian blur factor. 0 means no blur applied (default).
|
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|
|
``--sub-bold=<yes|no>``
|
|
Format text on bold.
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|
|
``--sub-italic=<yes|no>``
|
|
Format text on italic.
|
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|
|
``--sub-border-color=<color>``
|
|
See ``--sub-color``. Color used for the sub font border.
|
|
|
|
.. note::
|
|
|
|
ignored when ``--sub-back-color`` is
|
|
specified (or more exactly: when that option is not set to completely
|
|
transparent).
|
|
|
|
``--sub-border-size=<size>``
|
|
Size of the sub font border in scaled pixels (see ``--sub-font-size``
|
|
for details). A value of 0 disables borders.
|
|
|
|
Default: 3.
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|
|
``--sub-color=<color>``
|
|
Specify the color used for unstyled text subtitles.
|
|
|
|
The color is specified in the form ``r/g/b``, where each color component
|
|
is specified as number in the range 0.0 to 1.0. It's also possible to
|
|
specify the transparency by using ``r/g/b/a``, where the alpha value 0
|
|
means fully transparent, and 1.0 means opaque. If the alpha component is
|
|
not given, the color is 100% opaque.
|
|
|
|
Passing a single number to the option sets the sub to gray, and the form
|
|
``gray/a`` lets you specify alpha additionally.
|
|
|
|
.. admonition:: Examples
|
|
|
|
- ``--sub-color=1.0/0.0/0.0`` set sub to opaque red
|
|
- ``--sub-color=1.0/0.0/0.0/0.75`` set sub to opaque red with 75% alpha
|
|
- ``--sub-color=0.5/0.75`` set sub to 50% gray with 75% alpha
|
|
|
|
Alternatively, the color can be specified as a RGB hex triplet in the form
|
|
``#RRGGBB``, where each 2-digit group expresses a color value in the
|
|
range 0 (``00``) to 255 (``FF``). For example, ``#FF0000`` is red.
|
|
This is similar to web colors. Alpha is given with ``#AARRGGBB``.
|
|
|
|
.. admonition:: Examples
|
|
|
|
- ``--sub-color='#FF0000'`` set sub to opaque red
|
|
- ``--sub-color='#C0808080'`` set sub to 50% gray with 75% alpha
|
|
|
|
``--sub-margin-x=<size>``
|
|
Left and right screen margin for the subs in scaled pixels (see
|
|
``--sub-font-size`` for details).
|
|
|
|
This option specifies the distance of the sub to the left, as well as at
|
|
which distance from the right border long sub text will be broken.
|
|
|
|
Default: 25.
|
|
|
|
``--sub-margin-y=<size>``
|
|
Top and bottom screen margin for the subs in scaled pixels (see
|
|
``--sub-font-size`` for details).
|
|
|
|
This option specifies the vertical margins of unstyled text subtitles.
|
|
If you just want to raise the vertical subtitle position, use ``--sub-pos``.
|
|
|
|
Default: 22.
|
|
|
|
``--sub-align-x=<left|center|right>``
|
|
Control to which corner of the screen text subtitles should be
|
|
aligned to (default: ``center``).
|
|
|
|
Never applied to ASS subtitles, except in ``--no-sub-ass`` mode. Likewise,
|
|
this does not apply to image subtitles.
|
|
|
|
``--sub-align-y=<top|center|bottom>``
|
|
Vertical position (default: ``bottom``).
|
|
Details see ``--sub-align-x``.
|
|
|
|
``--sub-justify=<auto|left|center|right>``
|
|
Control how multi line subs are justified irrespective of where they
|
|
are aligned (default: ``auto`` which justifies as defined by
|
|
``--sub-align-y``).
|
|
Left justification is recommended to make the subs easier to read
|
|
as it is easier for the eyes.
|
|
|
|
``--sub-ass-justify=<yes|no>``
|
|
Applies justification as defined by ``--sub-justify`` on ASS subtitles
|
|
if ``--sub-ass-override`` is not set to ``no``.
|
|
Default: ``no``.
|
|
|
|
``--sub-shadow-color=<color>``
|
|
See ``--sub-color``. Color used for sub text shadow.
|
|
|
|
``--sub-shadow-offset=<size>``
|
|
Displacement of the sub text shadow in scaled pixels (see
|
|
``--sub-font-size`` for details). A value of 0 disables shadows.
|
|
|
|
Default: 0.
|
|
|
|
``--sub-spacing=<size>``
|
|
Horizontal sub font spacing in scaled pixels (see ``--sub-font-size``
|
|
for details). This value is added to the normal letter spacing. Negative
|
|
values are allowed.
|
|
|
|
Default: 0.
|
|
|
|
``--sub-filter-sdh=<yes|no>``
|
|
Applies filter removing subtitle additions for the deaf or hard-of-hearing (SDH).
|
|
This is intended for English, but may in part work for other languages too.
|
|
The intention is that it can be always enabled so may not remove
|
|
all parts added.
|
|
It removes speaker labels (like MAN:), upper case text in parentheses and
|
|
any text in brackets.
|
|
|
|
Default: ``no``.
|
|
|
|
``--sub-filter-sdh-harder=<yes|no>``
|
|
Do harder SDH filtering (if enabled by ``--sub-filter-sdh``).
|
|
Will also remove speaker labels and text within parentheses using both
|
|
lower and upper case letters.
|
|
|
|
Default: ``no``.
|
|
|
|
Window
|
|
------
|
|
|
|
``--title=<string>``
|
|
Set the window title. This is used for the video window, and if possible,
|
|
also sets the audio stream title.
|
|
|
|
Properties are expanded. (See `Property Expansion`_.)
|
|
|
|
.. warning::
|
|
|
|
There is a danger of this causing significant CPU usage, depending on
|
|
the properties used. Changing the window title is often a slow
|
|
operation, and if the title changes every frame, playback can be ruined.
|
|
|
|
``--screen=<default|0-32>``
|
|
In multi-monitor configurations (i.e. a single desktop that spans across
|
|
multiple displays), this option tells mpv which screen to display the
|
|
video on.
|
|
|
|
.. admonition:: Note (X11)
|
|
|
|
This option does not work properly with all window managers. In these
|
|
cases, you can try to use ``--geometry`` to position the window
|
|
explicitly. It's also possible that the window manager provides native
|
|
features to control which screens application windows should use.
|
|
|
|
See also ``--fs-screen``.
|
|
|
|
``--fullscreen``, ``--fs``
|
|
Fullscreen playback.
|
|
|
|
``--fs-screen=<all|current|0-32>``
|
|
In multi-monitor configurations (i.e. a single desktop that spans across
|
|
multiple displays), this option tells mpv which screen to go fullscreen to.
|
|
If ``default`` is provided mpv will fallback on using the behavior
|
|
depending on what the user provided with the ``screen`` option.
|
|
|
|
.. admonition:: Note (X11)
|
|
|
|
This option does works properly only with window managers which
|
|
understand the EWMH ``_NET_WM_FULLSCREEN_MONITORS`` hint.
|
|
|
|
.. admonition:: Note (OS X)
|
|
|
|
``all`` does not work on OS X and will behave like ``current``.
|
|
|
|
See also ``--screen``.
|
|
|
|
``--keep-open=<yes|no|always>``
|
|
Do not terminate when playing or seeking beyond the end of the file, and
|
|
there is not next file to be played (and ``--loop`` is not used).
|
|
Instead, pause the player. When trying to seek beyond end of the file, the
|
|
player will attempt to seek to the last frame.
|
|
|
|
Normally, this will act like ``set pause yes`` on EOF, unless the
|
|
``--keep-open-pause=no`` option is set.
|
|
|
|
The following arguments can be given:
|
|
|
|
:no: If the current file ends, go to the next file or terminate.
|
|
(Default.)
|
|
:yes: Don't terminate if the current file is the last playlist entry.
|
|
Equivalent to ``--keep-open`` without arguments.
|
|
:always: Like ``yes``, but also applies to files before the last playlist
|
|
entry. This means playback will never automatically advance to
|
|
the next file.
|
|
|
|
.. note::
|
|
|
|
This option is not respected when using ``--frames``. Explicitly
|
|
skipping to the next file if the binding uses ``force`` will terminate
|
|
playback as well.
|
|
|
|
Also, if errors or unusual circumstances happen, the player can quit
|
|
anyway.
|
|
|
|
Since mpv 0.6.0, this doesn't pause if there is a next file in the playlist,
|
|
or the playlist is looped. Approximately, this will pause when the player
|
|
would normally exit, but in practice there are corner cases in which this
|
|
is not the case (e.g. ``mpv --keep-open file.mkv /dev/null`` will play
|
|
file.mkv normally, then fail to open ``/dev/null``, then exit). (In
|
|
mpv 0.8.0, ``always`` was introduced, which restores the old behavior.)
|
|
|
|
``--keep-open-pause=<yes|no>``
|
|
If set to ``no``, instead of pausing when ``--keep-open`` is active, just
|
|
stop at end of file and continue playing forward when you seek backwards
|
|
until end where it stops again. Default: ``yes``.
|
|
|
|
``--image-display-duration=<seconds|inf>``
|
|
If the current file is an image, play the image for the given amount of
|
|
seconds (default: 1). ``inf`` means the file is kept open forever (until
|
|
the user stops playback manually).
|
|
|
|
Unlike ``--keep-open``, the player is not paused, but simply continues
|
|
playback until the time has elapsed. (It should not use any resources
|
|
during "playback".)
|
|
|
|
This affects image files, which are defined as having only 1 video frame
|
|
and no audio. The player may recognize certain non-images as images, for
|
|
example if ``--length`` is used to reduce the length to 1 frame, or if
|
|
you seek to the last frame.
|
|
|
|
This option does not affect the framerate used for ``mf://`` or
|
|
``--merge-files``. For that, use ``--mf-fps`` instead.
|
|
|
|
``--force-window=<yes|no|immediate>``
|
|
Create a video output window even if there is no video. This can be useful
|
|
when pretending that mpv is a GUI application. Currently, the window
|
|
always has the size 640x480, and is subject to ``--geometry``,
|
|
``--autofit``, and similar options.
|
|
|
|
.. warning::
|
|
|
|
The window is created only after initialization (to make sure default
|
|
window placement still works if the video size is different from the
|
|
``--force-window`` default window size). This can be a problem if
|
|
initialization doesn't work perfectly, such as when opening URLs with
|
|
bad network connection, or opening broken video files. The ``immediate``
|
|
mode can be used to create the window always on program start, but this
|
|
may cause other issues.
|
|
|
|
``--taskbar-progress``, ``--no-taskbar-progress``
|
|
(Windows only)
|
|
Enable/disable playback progress rendering in taskbar (Windows 7 and above).
|
|
|
|
Enabled by default.
|
|
|
|
``--snap-window``
|
|
(Windows only) Snap the player window to screen edges.
|
|
|
|
``--ontop``
|
|
Makes the player window stay on top of other windows.
|
|
|
|
On Windows, if combined with fullscreen mode, this causes mpv to be
|
|
treated as exclusive fullscreen window that bypasses the Desktop Window
|
|
Manager.
|
|
|
|
``--ontop-level=<window|system|level>``
|
|
(OS X only)
|
|
Sets the level of an ontop window (default: window).
|
|
|
|
:window: On top of all other windows.
|
|
:system: On top of system elements like Taskbar, Menubar and Dock.
|
|
:level: A level as integer.
|
|
|
|
``--border``, ``--no-border``
|
|
Play video with window border and decorations. Since this is on by
|
|
default, use ``--no-border`` to disable the standard window decorations.
|
|
|
|
``--fit-border``, ``--no-fit-border``
|
|
(Windows only) Fit the whole window with border and decorations on the
|
|
screen. Since this is on by default, use ``--no-fit-border`` to make mpv
|
|
try to only fit client area with video on the screen. This behavior only
|
|
applied to window/video with size exceeding size of the screen.
|
|
|
|
``--on-all-workspaces``
|
|
(X11 only)
|
|
Show the video window on all virtual desktops.
|
|
|
|
``--geometry=<[W[xH]][+-x+-y]>``, ``--geometry=<x:y>``
|
|
Adjust the initial window position or size. ``W`` and ``H`` set the window
|
|
size in pixels. ``x`` and ``y`` set the window position, measured in pixels
|
|
from the top-left corner of the screen to the top-left corner of the image
|
|
being displayed. If a percentage sign (``%``) is given after the argument,
|
|
it turns the value into a percentage of the screen size in that direction.
|
|
Positions are specified similar to the standard X11 ``--geometry`` option
|
|
format, in which e.g. +10-50 means "place 10 pixels from the left border and
|
|
50 pixels from the lower border" and "--20+-10" means "place 20 pixels
|
|
beyond the right and 10 pixels beyond the top border".
|
|
|
|
If an external window is specified using the ``--wid`` option, this
|
|
option is ignored.
|
|
|
|
The coordinates are relative to the screen given with ``--screen`` for the
|
|
video output drivers that fully support ``--screen``.
|
|
|
|
.. note::
|
|
|
|
Generally only supported by GUI VOs. Ignored for encoding.
|
|
|
|
.. admonition: Note (OS X)
|
|
|
|
On Mac OS X the origin of the screen coordinate system is located on the
|
|
bottom-left corner. For instance, ``0:0`` will place the window at the
|
|
bottom-left of the screen.
|
|
|
|
.. admonition:: Note (X11)
|
|
|
|
This option does not work properly with all window managers.
|
|
|
|
.. admonition:: Examples
|
|
|
|
``50:40``
|
|
Places the window at x=50, y=40.
|
|
``50%:50%``
|
|
Places the window in the middle of the screen.
|
|
``100%:100%``
|
|
Places the window at the bottom right corner of the screen.
|
|
``50%``
|
|
Sets the window width to half the screen width. Window height is set
|
|
so that the window has the video aspect ratio.
|
|
``50%x50%``
|
|
Forces the window width and height to half the screen width and
|
|
height. Will show black borders to compensate for the video aspect
|
|
ratio (with most VOs and without ``--no-keepaspect``).
|
|
``50%+10+10``
|
|
Sets the window to half the screen widths, and positions it 10
|
|
pixels below/left of the top left corner of the screen.
|
|
|
|
See also ``--autofit`` and ``--autofit-larger`` for fitting the window into
|
|
a given size without changing aspect ratio.
|
|
|
|
``--autofit=<[W[xH]]>``
|
|
Set the initial window size to a maximum size specified by ``WxH``, without
|
|
changing the window's aspect ratio. The size is measured in pixels, or if
|
|
a number is followed by a percentage sign (``%``), in percents of the
|
|
screen size.
|
|
|
|
This option never changes the aspect ratio of the window. If the aspect
|
|
ratio mismatches, the window's size is reduced until it fits into the
|
|
specified size.
|
|
|
|
Window position is not taken into account, nor is it modified by this
|
|
option (the window manager still may place the window differently depending
|
|
on size). Use ``--geometry`` to change the window position. Its effects
|
|
are applied after this option.
|
|
|
|
See ``--geometry`` for details how this is handled with multi-monitor
|
|
setups.
|
|
|
|
Use ``--autofit-larger`` instead if you just want to limit the maximum size
|
|
of the window, rather than always forcing a window size.
|
|
|
|
Use ``--geometry`` if you want to force both window width and height to a
|
|
specific size.
|
|
|
|
.. note::
|
|
|
|
Generally only supported by GUI VOs. Ignored for encoding.
|
|
|
|
.. admonition:: Examples
|
|
|
|
``70%``
|
|
Make the window width 70% of the screen size, keeping aspect ratio.
|
|
``1000``
|
|
Set the window width to 1000 pixels, keeping aspect ratio.
|
|
``70%x60%``
|
|
Make the window as large as possible, without being wider than 70%
|
|
of the screen width, or higher than 60% of the screen height.
|
|
|
|
``--autofit-larger=<[W[xH]]>``
|
|
This option behaves exactly like ``--autofit``, except the window size is
|
|
only changed if the window would be larger than the specified size.
|
|
|
|
.. admonition:: Example
|
|
|
|
``90%x80%``
|
|
If the video is larger than 90% of the screen width or 80% of the
|
|
screen height, make the window smaller until either its width is 90%
|
|
of the screen, or its height is 80% of the screen.
|
|
|
|
``--autofit-smaller=<[W[xH]]>``
|
|
This option behaves exactly like ``--autofit``, except that it sets the
|
|
minimum size of the window (just as ``--autofit-larger`` sets the maximum).
|
|
|
|
.. admonition:: Example
|
|
|
|
``500x500``
|
|
Make the window at least 500 pixels wide and 500 pixels high
|
|
(depending on the video aspect ratio, the width or height will be
|
|
larger than 500 in order to keep the aspect ratio the same).
|
|
|
|
``--window-scale=<factor>``
|
|
Resize the video window to a multiple (or fraction) of the video size. This
|
|
option is applied before ``--autofit`` and other options are applied (so
|
|
they override this option).
|
|
|
|
For example, ``--window-scale=0.5`` would show the window at half the
|
|
video size.
|
|
|
|
``--cursor-autohide=<number|no|always>``
|
|
Make mouse cursor automatically hide after given number of milliseconds.
|
|
``no`` will disable cursor autohide. ``always`` means the cursor will stay
|
|
hidden.
|
|
|
|
``--cursor-autohide-fs-only``
|
|
If this option is given, the cursor is always visible in windowed mode. In
|
|
fullscreen mode, the cursor is shown or hidden according to
|
|
``--cursor-autohide``.
|
|
|
|
``--no-fixed-vo``, ``--fixed-vo``
|
|
``--no-fixed-vo`` enforces closing and reopening the video window for
|
|
multiple files (one (un)initialization for each file).
|
|
|
|
``--force-rgba-osd-rendering``
|
|
Change how some video outputs render the OSD and text subtitles. This
|
|
does not change appearance of the subtitles and only has performance
|
|
implications. For VOs which support native ASS rendering (like ``vdpau``,
|
|
``opengl``, ``direct3d``), this can be slightly faster or slower,
|
|
depending on GPU drivers and hardware. For other VOs, this just makes
|
|
rendering slower.
|
|
|
|
``--force-window-position``
|
|
Forcefully move mpv's video output window to default location whenever
|
|
there is a change in video parameters, video stream or file. This used to
|
|
be the default behavior. Currently only affects X11 VOs.
|
|
|
|
``--heartbeat-cmd=<command>``
|
|
|
|
.. warning::
|
|
|
|
This option is redundant with Lua scripting. Further, it shouldn't be
|
|
needed for disabling screensaver anyway, since mpv will call
|
|
``xdg-screensaver`` when using X11 backend. As a consequence this
|
|
option has been deprecated with no direct replacement.
|
|
|
|
Command that is executed every 30 seconds during playback via *system()* -
|
|
i.e. using the shell. The time between the commands can be customized with
|
|
the ``--heartbeat-interval`` option. The command is not run while playback
|
|
is paused.
|
|
|
|
.. note::
|
|
|
|
mpv uses this command without any checking. It is your responsibility to
|
|
ensure it does not cause security problems (e.g. make sure to use full
|
|
paths if "." is in your path like on Windows). It also only works when
|
|
playing video (i.e. not with ``--no-video`` but works with
|
|
``--vo=null``).
|
|
|
|
This can be "misused" to disable screensavers that do not support the
|
|
proper X API (see also ``--stop-screensaver``). If you think this is too
|
|
complicated, ask the author of the screensaver program to support the
|
|
proper X APIs. Note that the ``--stop-screensaver`` does not influence the
|
|
heartbeat code at all.
|
|
|
|
.. admonition:: Example for xscreensaver
|
|
|
|
``mpv --heartbeat-cmd="xscreensaver-command -deactivate" file``
|
|
|
|
.. admonition:: Example for GNOME screensaver
|
|
|
|
``mpv --heartbeat-cmd="gnome-screensaver-command --deactivate" file``
|
|
|
|
|
|
``--heartbeat-interval=<sec>``
|
|
Time between ``--heartbeat-cmd`` invocations in seconds (default: 30).
|
|
|
|
.. note::
|
|
|
|
This does not affect the normal screensaver operation in any way.
|
|
|
|
``--no-keepaspect``, ``--keepaspect``
|
|
``--no-keepaspect`` will always stretch the video to window size, and will
|
|
disable the window manager hints that force the window aspect ratio.
|
|
(Ignored in fullscreen mode.)
|
|
|
|
``--no-keepaspect-window``, ``--keepaspect-window``
|
|
``--keepaspect-window`` (the default) will lock the window size to the
|
|
video aspect. ``--no-keepaspect-window`` disables this behavior, and will
|
|
instead add black bars if window aspect and video aspect mismatch. Whether
|
|
this actually works depends on the VO backend.
|
|
(Ignored in fullscreen mode.)
|
|
|
|
``--monitoraspect=<ratio>``
|
|
Set the aspect ratio of your monitor or TV screen. A value of 0 disables a
|
|
previous setting (e.g. in the config file). Overrides the
|
|
``--monitorpixelaspect`` setting if enabled.
|
|
|
|
See also ``--monitorpixelaspect`` and ``--video-aspect``.
|
|
|
|
.. admonition:: Examples
|
|
|
|
- ``--monitoraspect=4:3`` or ``--monitoraspect=1.3333``
|
|
- ``--monitoraspect=16:9`` or ``--monitoraspect=1.7777``
|
|
|
|
``--hidpi-window-scale``, ``--no-hidpi-window-scale``
|
|
(OS X and X11 only)
|
|
Scale the window size according to the backing scale factor (default: yes).
|
|
On regular HiDPI resolutions the window opens with double the size but appears
|
|
as having the same size as on none-HiDPI resolutions. This is the default OS X
|
|
behavior.
|
|
|
|
``--monitorpixelaspect=<ratio>``
|
|
Set the aspect of a single pixel of your monitor or TV screen (default:
|
|
1). A value of 1 means square pixels (correct for (almost?) all LCDs). See
|
|
also ``--monitoraspect`` and ``--video-aspect``.
|
|
|
|
``--stop-screensaver``, ``--no-stop-screensaver``
|
|
Turns off the screensaver (or screen blanker and similar mechanisms) at
|
|
startup and turns it on again on exit (default: yes). The screensaver is
|
|
always re-enabled when the player is paused.
|
|
|
|
This is not supported on all video outputs or platforms. Sometimes it is
|
|
implemented, but does not work (known to happen with GNOME). You might be
|
|
able to work around this using ``--heartbeat-cmd`` instead.
|
|
|
|
``--wid=<ID>``
|
|
This tells mpv to attach to an existing window. If a VO is selected that
|
|
supports this option, it will use that window for video output. mpv will
|
|
scale the video to the size of this window, and will add black bars to
|
|
compensate if the aspect ratio of the video is different.
|
|
|
|
On X11, the ID is interpreted as a ``Window`` on X11. Unlike
|
|
MPlayer/mplayer2, mpv always creates its own window, and sets the wid
|
|
window as parent. The window will always be resized to cover the parent
|
|
window fully. The value ``0`` is interpreted specially, and mpv will
|
|
draw directly on the root window.
|
|
|
|
On win32, the ID is interpreted as ``HWND``. Pass it as value cast to
|
|
``intptr_t``. mpv will create its own window, and set the wid window as
|
|
parent, like with X11.
|
|
|
|
On OSX/Cocoa, the ID is interpreted as ``NSView*``. Pass it as value cast
|
|
to ``intptr_t``. mpv will create its own sub-view. Because OSX does not
|
|
support window embedding of foreign processes, this works only with libmpv,
|
|
and will crash when used from the command line.
|
|
|
|
``--no-window-dragging``
|
|
Don't move the window when clicking on it and moving the mouse pointer.
|
|
|
|
``--x11-name``
|
|
Set the window class name for X11-based video output methods.
|
|
|
|
``--x11-netwm=<yes|no|auto>``
|
|
(X11 only)
|
|
Control the use of NetWM protocol features.
|
|
|
|
This may or may not help with broken window managers. This provides some
|
|
functionality that was implemented by the now removed ``--fstype`` option.
|
|
Actually, it is not known to the developers to which degree this option
|
|
was needed, so feedback is welcome.
|
|
|
|
Specifically, ``yes`` will force use of NetWM fullscreen support, even if
|
|
not advertised by the WM. This can be useful for WMs that are broken on
|
|
purpose, like XMonad. (XMonad supposedly doesn't advertise fullscreen
|
|
support, because Flash uses it. Apparently, applications which want to
|
|
use fullscreen anyway are supposed to either ignore the NetWM support hints,
|
|
or provide a workaround. Shame on XMonad for deliberately breaking X
|
|
protocols (as if X isn't bad enough already).
|
|
|
|
By default, NetWM support is autodetected (``auto``).
|
|
|
|
This option might be removed in the future.
|
|
|
|
``--x11-bypass-compositor=<yes|no|fs-only|never>``
|
|
If set to ``yes``, then ask the compositor to unredirect the mpv window
|
|
(default: ``fs-only``). This uses the ``_NET_WM_BYPASS_COMPOSITOR`` hint.
|
|
|
|
``fs-only`` asks the window manager to disable the compositor only in
|
|
fullscreen mode.
|
|
|
|
``no`` sets ``_NET_WM_BYPASS_COMPOSITOR`` to 0, which is the default value
|
|
as declared by the EWMH specification, i.e. no change is done.
|
|
|
|
``never`` asks the window manager to never disable the compositor.
|
|
|
|
|
|
Disc Devices
|
|
------------
|
|
|
|
``--cdrom-device=<path>``
|
|
Specify the CD-ROM device (default: ``/dev/cdrom``).
|
|
|
|
``--dvd-device=<path>``
|
|
Specify the DVD device or .iso filename (default: ``/dev/dvd``). You can
|
|
also specify a directory that contains files previously copied directly
|
|
from a DVD (with e.g. vobcopy).
|
|
|
|
.. admonition:: Example
|
|
|
|
``mpv dvd:// --dvd-device=/path/to/dvd/``
|
|
|
|
``--bluray-device=<path>``
|
|
(Blu-ray only)
|
|
Specify the Blu-ray disc location. Must be a directory with Blu-ray
|
|
structure.
|
|
|
|
.. admonition:: Example
|
|
|
|
``mpv bd:// --bluray-device=/path/to/bd/``
|
|
|
|
``--cdda-...``
|
|
These options can be used to tune the CD Audio reading feature of mpv.
|
|
|
|
``--cdda-speed=<value>``
|
|
Set CD spin speed.
|
|
|
|
``--cdda-paranoia=<0-2>``
|
|
Set paranoia level. Values other than 0 seem to break playback of
|
|
anything but the first track.
|
|
|
|
:0: disable checking (default)
|
|
:1: overlap checking only
|
|
:2: full data correction and verification
|
|
|
|
``--cdda-sector-size=<value>``
|
|
Set atomic read size.
|
|
|
|
``--cdda-overlap=<value>``
|
|
Force minimum overlap search during verification to <value> sectors.
|
|
|
|
``--cdda-toc-bias``
|
|
Assume that the beginning offset of track 1 as reported in the TOC
|
|
will be addressed as LBA 0. Some discs need this for getting track
|
|
boundaries correctly.
|
|
|
|
``--cdda-toc-offset=<value>``
|
|
Add ``<value>`` sectors to the values reported when addressing tracks.
|
|
May be negative.
|
|
|
|
``--cdda-skip=<yes|no>``
|
|
(Never) accept imperfect data reconstruction.
|
|
|
|
``--cdda-cdtext=<yes|no>``
|
|
Print CD text. This is disabled by default, because it ruins performance
|
|
with CD-ROM drives for unknown reasons.
|
|
|
|
``--dvd-speed=<speed>``
|
|
Try to limit DVD speed (default: 0, no change). DVD base speed is 1385
|
|
kB/s, so an 8x drive can read at speeds up to 11080 kB/s. Slower speeds
|
|
make the drive more quiet. For watching DVDs, 2700 kB/s should be quiet and
|
|
fast enough. mpv resets the speed to the drive default value on close.
|
|
Values of at least 100 mean speed in kB/s. Values less than 100 mean
|
|
multiples of 1385 kB/s, i.e. ``--dvd-speed=8`` selects 11080 kB/s.
|
|
|
|
.. note::
|
|
|
|
You need write access to the DVD device to change the speed.
|
|
|
|
``--dvd-angle=<ID>``
|
|
Some DVDs contain scenes that can be viewed from multiple angles.
|
|
This option tells mpv which angle to use (default: 1).
|
|
|
|
|
|
|
|
Equalizer
|
|
---------
|
|
|
|
``--brightness=<-100-100>``
|
|
Adjust the brightness of the video signal (default: 0). Not supported by
|
|
all video output drivers.
|
|
|
|
``--contrast=<-100-100>``
|
|
Adjust the contrast of the video signal (default: 0). Not supported by all
|
|
video output drivers.
|
|
|
|
``--saturation=<-100-100>``
|
|
Adjust the saturation of the video signal (default: 0). You can get
|
|
grayscale output with this option. Not supported by all video output
|
|
drivers.
|
|
|
|
``--gamma=<-100-100>``
|
|
Adjust the gamma of the video signal (default: 0). Not supported by all
|
|
video output drivers.
|
|
|
|
``--hue=<-100-100>``
|
|
Adjust the hue of the video signal (default: 0). You can get a colored
|
|
negative of the image with this option. Not supported by all video output
|
|
drivers.
|
|
|
|
Demuxer
|
|
-------
|
|
|
|
``--demuxer=<[+]name>``
|
|
Force demuxer type. Use a '+' before the name to force it; this will skip
|
|
some checks. Give the demuxer name as printed by ``--demuxer=help``.
|
|
|
|
``--demuxer-lavf-analyzeduration=<value>``
|
|
Maximum length in seconds to analyze the stream properties.
|
|
|
|
``--demuxer-lavf-probe-info=<yes|no|auto>``
|
|
Whether to probe stream information (default: auto). Technically, this
|
|
controls whether libavformat's ``avformat_find_stream_info()`` function
|
|
is called. Usually it's safer to call it, but it can also make startup
|
|
slower.
|
|
|
|
The ``auto`` choice (the default) tries to skip this for a few know-safe
|
|
whitelisted formats, while calling it for everything else.
|
|
|
|
``--demuxer-lavf-probescore=<1-100>``
|
|
Minimum required libavformat probe score. Lower values will require
|
|
less data to be loaded (makes streams start faster), but makes file
|
|
format detection less reliable. Can be used to force auto-detected
|
|
libavformat demuxers, even if libavformat considers the detection not
|
|
reliable enough. (Default: 26.)
|
|
|
|
``--demuxer-lavf-allow-mimetype=<yes|no>``
|
|
Allow deriving the format from the HTTP MIME type (default: yes). Set
|
|
this to no in case playing things from HTTP mysteriously fails, even
|
|
though the same files work from local disk.
|
|
|
|
This is default in order to reduce latency when opening HTTP streams.
|
|
|
|
``--demuxer-lavf-format=<name>``
|
|
Force a specific libavformat demuxer.
|
|
|
|
``--demuxer-lavf-hacks=<yes|no>``
|
|
By default, some formats will be handled differently from other formats
|
|
by explicitly checking for them. Most of these compensate for weird or
|
|
imperfect behavior from libavformat demuxers. Passing ``no`` disables
|
|
these. For debugging and testing only.
|
|
|
|
``--demuxer-lavf-genpts-mode=<no|lavf>``
|
|
Mode for deriving missing packet PTS values from packet DTS. ``lavf``
|
|
enables libavformat's ``genpts`` option. ``no`` disables it. This used
|
|
to be enabled by default, but then it was deemed as not needed anymore.
|
|
Enabling this might help with timestamp problems, or make them worse.
|
|
|
|
``--demuxer-lavf-o=<key>=<value>[,<key>=<value>[,...]]``
|
|
Pass AVOptions to libavformat demuxer.
|
|
|
|
Note, a patch to make the *o=* unneeded and pass all unknown options
|
|
through the AVOption system is welcome. A full list of AVOptions can
|
|
be found in the FFmpeg manual. Note that some options may conflict
|
|
with mpv options.
|
|
|
|
.. admonition:: Example
|
|
|
|
``--demuxer-lavf-o=fflags=+ignidx``
|
|
|
|
``--demuxer-lavf-probesize=<value>``
|
|
Maximum amount of data to probe during the detection phase. In the
|
|
case of MPEG-TS this value identifies the maximum number of TS packets
|
|
to scan.
|
|
|
|
``--demuxer-lavf-buffersize=<value>``
|
|
Size of the stream read buffer allocated for libavformat in bytes
|
|
(default: 32768). Lowering the size could lower latency. Note that
|
|
libavformat might reallocate the buffer internally, or not fully use all
|
|
of it.
|
|
|
|
``--demuxer-lavf-cryptokey=<hexstring>``
|
|
Encryption key the demuxer should use. This is the raw binary data of
|
|
the key converted to a hexadecimal string.
|
|
|
|
``--demuxer-mkv-subtitle-preroll=<yes|index|no>``, ``--mkv-subtitle-preroll``
|
|
Try harder to show embedded soft subtitles when seeking somewhere. Normally,
|
|
it can happen that the subtitle at the seek target is not shown due to how
|
|
some container file formats are designed. The subtitles appear only if
|
|
seeking before or exactly to the position a subtitle first appears. To
|
|
make this worse, subtitles are often timed to appear a very small amount
|
|
before the associated video frame, so that seeking to the video frame
|
|
typically does not demux the subtitle at that position.
|
|
|
|
Enabling this option makes the demuxer start reading data a bit before the
|
|
seek target, so that subtitles appear correctly. Note that this makes
|
|
seeking slower, and is not guaranteed to always work. It only works if the
|
|
subtitle is close enough to the seek target.
|
|
|
|
Works with the internal Matroska demuxer only. Always enabled for absolute
|
|
and hr-seeks, and this option changes behavior with relative or imprecise
|
|
seeks only.
|
|
|
|
You can use the ``--demuxer-mkv-subtitle-preroll-secs`` option to specify
|
|
how much data the demuxer should pre-read at most in order to find subtitle
|
|
packets that may overlap. Setting this to 0 will effectively disable this
|
|
preroll mechanism. Setting a very large value can make seeking very slow,
|
|
and an extremely large value would completely reread the entire file from
|
|
start to seek target on every seek - seeking can become slower towards the
|
|
end of the file. The details are messy, and the value is actually rounded
|
|
down to the cluster with the previous video keyframe.
|
|
|
|
Some files, especially files muxed with newer mkvmerge versions, have
|
|
information embedded that can be used to determine what subtitle packets
|
|
overlap with a seek target. In these cases, mpv will reduce the amount
|
|
of data read to a minimum. (Although it will still read *all* data between
|
|
the cluster that contains the first wanted subtitle packet, and the seek
|
|
target.) If the ``index`` choice (which is the default) is specified, then
|
|
prerolling will be done only if this information is actually available. If
|
|
this method is used, the maximum amount of data to skip can be additionally
|
|
controlled by ``--demuxer-mkv-subtitle-preroll-secs-index`` (it still uses
|
|
the value of the option without ``-index`` if that is higher).
|
|
|
|
See also ``--hr-seek-demuxer-offset`` option. This option can achieve a
|
|
similar effect, but only if hr-seek is active. It works with any demuxer,
|
|
but makes seeking much slower, as it has to decode audio and video data
|
|
instead of just skipping over it.
|
|
|
|
``--mkv-subtitle-preroll`` is a deprecated alias.
|
|
|
|
``--demuxer-mkv-subtitle-preroll-secs=<value>``
|
|
See ``--demuxer-mkv-subtitle-preroll``.
|
|
|
|
``--demuxer-mkv-subtitle-preroll-secs-index=<value>``
|
|
See ``--demuxer-mkv-subtitle-preroll``.
|
|
|
|
``--demuxer-mkv-probe-video-duration=<yes|no|full>``
|
|
When opening the file, seek to the end of it, and check what timestamp the
|
|
last video packet has, and report that as file duration. This is strictly
|
|
for compatibility with Haali only. In this mode, it's possible that opening
|
|
will be slower (especially when playing over http), or that behavior with
|
|
broken files is much worse. So don't use this option.
|
|
|
|
The ``yes`` mode merely uses the index and reads a small number of blocks
|
|
from the end of the file. The ``full`` mode actually traverses the entire
|
|
file and can make a reliable estimate even without an index present (such
|
|
as partial files).
|
|
|
|
``--demuxer-rawaudio-channels=<value>``
|
|
Number of channels (or channel layout) if ``--demuxer=rawaudio`` is used
|
|
(default: stereo).
|
|
|
|
``--demuxer-rawaudio-format=<value>``
|
|
Sample format for ``--demuxer=rawaudio`` (default: s16le).
|
|
Use ``--demuxer-rawaudio-format=help`` to get a list of all formats.
|
|
|
|
``--demuxer-rawaudio-rate=<value>``
|
|
Sample rate for ``--demuxer=rawaudio`` (default: 44 kHz).
|
|
|
|
``--demuxer-rawvideo-fps=<value>``
|
|
Rate in frames per second for ``--demuxer=rawvideo`` (default: 25.0).
|
|
|
|
``--demuxer-rawvideo-w=<value>``, ``--demuxer-rawvideo-h=<value>``
|
|
Image dimension in pixels for ``--demuxer=rawvideo``.
|
|
|
|
.. admonition:: Example
|
|
|
|
Play a raw YUV sample::
|
|
|
|
mpv sample-720x576.yuv --demuxer=rawvideo \
|
|
--demuxer-rawvideo-w=720 --demuxer-rawvideo-h=576
|
|
|
|
``--demuxer-rawvideo-format=<value>``
|
|
Color space (fourcc) in hex or string for ``--demuxer=rawvideo``
|
|
(default: ``YV12``).
|
|
|
|
``--demuxer-rawvideo-mp-format=<value>``
|
|
Color space by internal video format for ``--demuxer=rawvideo``. Use
|
|
``--demuxer-rawvideo-mp-format=help`` for a list of possible formats.
|
|
|
|
``--demuxer-rawvideo-codec=<value>``
|
|
Set the video codec instead of selecting the rawvideo codec when using
|
|
``--demuxer=rawvideo``. This uses the same values as codec names in
|
|
``--vd`` (but it does not accept decoder names).
|
|
|
|
``--demuxer-rawvideo-size=<value>``
|
|
Frame size in bytes when using ``--demuxer=rawvideo``.
|
|
|
|
``--demuxer-max-bytes=<bytes>``
|
|
This controls how much the demuxer is allowed to buffer ahead. The demuxer
|
|
will normally try to read ahead as much as necessary, or as much is
|
|
requested with ``--demuxer-readahead-secs``. The option can be used to
|
|
restrict the maximum readahead. This limits excessive readahead in case of
|
|
broken files or desynced playback. The demuxer will stop reading additional
|
|
packets as soon as one of the limits is reached. (The limits still can be
|
|
slightly overstepped due to technical reasons.)
|
|
|
|
Set these limits higher if you get a packet queue overflow warning, and
|
|
you think normal playback would be possible with a larger packet queue.
|
|
|
|
See ``--list-options`` for defaults and value range.
|
|
|
|
``--demuxer-max-packets=<packets>``
|
|
Quite similar ``--demuxer-max-bytes=<bytes>``. Deprecated, because the
|
|
other option does basically the same job. Since mpv 0.25.0, the code
|
|
tries to account for per-packet overhead, which is why this option becomes
|
|
rather pointless.
|
|
|
|
``--demuxer-thread=<yes|no>``
|
|
Run the demuxer in a separate thread, and let it prefetch a certain amount
|
|
of packets (default: yes). Having this enabled may lead to smoother
|
|
playback, but on the other hand can add delays to seeking or track
|
|
switching.
|
|
|
|
``--demuxer-readahead-secs=<seconds>``
|
|
If ``--demuxer-thread`` is enabled, this controls how much the demuxer
|
|
should buffer ahead in seconds (default: 1). As long as no packet has
|
|
a timestamp difference higher than the readahead amount relative to the
|
|
last packet returned to the decoder, the demuxer keeps reading.
|
|
|
|
Note that the ``--cache-secs`` option will override this value if a cache
|
|
is enabled, and the value is larger.
|
|
|
|
(This value tends to be fuzzy, because many file formats don't store linear
|
|
timestamps.)
|
|
|
|
``--prefetch-playlist=<yes|no>``
|
|
Prefetch next playlist entry while playback of the current entry is ending
|
|
(default: no). This merely opens the URL of the next playlist entry as soon
|
|
as the current URL is fully read.
|
|
|
|
This does **not** work with URLs resolved by the ``youtube-dl`` wrapper,
|
|
and it won't.
|
|
|
|
This does not affect HLS (``.m3u8`` URLs) - HLS prefetching depends on the
|
|
demuxer cache settings and is on by default.
|
|
|
|
This can give subtly wrong results if per-file options are used, or if
|
|
options are changed in the time window between prefetching start and next
|
|
file played.
|
|
|
|
This can occasionally make wrong prefetching decisions. For example, it
|
|
can't predict whether you go backwards in the playlist, and assumes you
|
|
won't edit the playlist.
|
|
|
|
Highly experimental.
|
|
|
|
``--force-seekable=<yes|no>``
|
|
If the player thinks that the media is not seekable (e.g. playing from a
|
|
pipe, or it's an http stream with a server that doesn't support range
|
|
requests), seeking will be disabled. This option can forcibly enable it.
|
|
For seeks within the cache, there's a good chance of success.
|
|
|
|
Input
|
|
-----
|
|
|
|
``--native-keyrepeat``
|
|
Use system settings for keyrepeat delay and rate, instead of
|
|
``--input-ar-delay`` and ``--input-ar-rate``. (Whether this applies
|
|
depends on the VO backend and how it handles keyboard input. Does not
|
|
apply to terminal input.)
|
|
|
|
``--input-ar-delay``
|
|
Delay in milliseconds before we start to autorepeat a key (0 to disable).
|
|
|
|
``--input-ar-rate``
|
|
Number of key presses to generate per second on autorepeat.
|
|
|
|
``--input-conf=<filename>``
|
|
Specify input configuration file other than the default location in the mpv
|
|
configuration directory (usually ``~/.config/mpv/input.conf``).
|
|
|
|
``--no-input-default-bindings``
|
|
Disable mpv default (built-in) key bindings.
|
|
|
|
``--input-cmdlist``
|
|
Prints all commands that can be bound to keys.
|
|
|
|
``--input-doubleclick-time=<milliseconds>``
|
|
Time in milliseconds to recognize two consecutive button presses as a
|
|
double-click (default: 300).
|
|
|
|
``--input-keylist``
|
|
Prints all keys that can be bound to commands.
|
|
|
|
``--input-key-fifo-size=<2-65000>``
|
|
Specify the size of the FIFO that buffers key events (default: 7). If it
|
|
is too small, some events may be lost. The main disadvantage of setting it
|
|
to a very large value is that if you hold down a key triggering some
|
|
particularly slow command then the player may be unresponsive while it
|
|
processes all the queued commands.
|
|
|
|
``--input-test``
|
|
Input test mode. Instead of executing commands on key presses, mpv
|
|
will show the keys and the bound commands on the OSD. Has to be used
|
|
with a dummy video, and the normal ways to quit the player will not
|
|
work (key bindings that normally quit will be shown on OSD only, just
|
|
like any other binding). See `INPUT.CONF`_.
|
|
|
|
``--input-file=<filename>``
|
|
Read commands from the given file. Mostly useful with a FIFO. Since
|
|
mpv 0.7.0 also understands JSON commands (see `JSON IPC`_), but you can't
|
|
get replies or events. Use ``--input-ipc-server`` for something
|
|
bi-directional. On MS Windows, JSON commands are not available.
|
|
|
|
This can also specify a direct file descriptor with ``fd://N`` (UNIX only).
|
|
In this case, JSON replies will be written if the FD is writable.
|
|
|
|
.. note::
|
|
|
|
When the given file is a FIFO mpv opens both ends, so you can do several
|
|
`echo "seek 10" > mp_pipe` and the pipe will stay valid.
|
|
|
|
``--input-terminal``, ``--no-input-terminal``
|
|
``--no-input-terminal`` prevents the player from reading key events from
|
|
standard input. Useful when reading data from standard input. This is
|
|
automatically enabled when ``-`` is found on the command line. There are
|
|
situations where you have to set it manually, e.g. if you open
|
|
``/dev/stdin`` (or the equivalent on your system), use stdin in a playlist
|
|
or intend to read from stdin later on via the loadfile or loadlist input
|
|
commands.
|
|
|
|
``--input-ipc-server=<filename>``
|
|
Enable the IPC support and create the listening socket at the given path.
|
|
|
|
On Linux and Unix, the given path is a regular filesystem path. On Windows,
|
|
named pipes are used, so the path refers to the pipe namespace
|
|
(``\\.\pipe\<name>``). If the ``\\.\pipe\`` prefix is missing, mpv will add
|
|
it automatically before creating the pipe, so
|
|
``--input-ipc-server=/tmp/mpv-socket`` and
|
|
``--input-ipc-server=\\.\pipe\tmp\mpv-socket`` are equivalent for IPC on
|
|
Windows.
|
|
|
|
See `JSON IPC`_ for details.
|
|
|
|
``--input-appleremote=<yes|no>``
|
|
(OS X only)
|
|
Enable/disable Apple Remote support. Enabled by default (except for libmpv).
|
|
|
|
``--input-cursor``, ``--no-input-cursor``
|
|
Permit mpv to receive pointer events reported by the video output
|
|
driver. Necessary to use the OSC, or to select the buttons in DVD menus.
|
|
Support depends on the VO in use.
|
|
|
|
``--input-media-keys=<yes|no>``
|
|
(OS X only)
|
|
Enable/disable media keys support. Enabled by default (except for libmpv).
|
|
|
|
``--input-right-alt-gr``, ``--no-input-right-alt-gr``
|
|
(Cocoa and Windows only)
|
|
Use the right Alt key as Alt Gr to produce special characters. If disabled,
|
|
count the right Alt as an Alt modifier key. Enabled by default.
|
|
|
|
``--input-vo-keyboard=<yes|no>``
|
|
Disable all keyboard input on for VOs which can't participate in proper
|
|
keyboard input dispatching. May not affect all VOs. Generally useful for
|
|
embedding only.
|
|
|
|
On X11, a sub-window with input enabled grabs all keyboard input as long
|
|
as it is 1. a child of a focused window, and 2. the mouse is inside of
|
|
the sub-window. It can steal away all keyboard input from the
|
|
application embedding the mpv window, and on the other hand, the mpv
|
|
window will receive no input if the mouse is outside of the mpv window,
|
|
even though mpv has focus. Modern toolkits work around this weird X11
|
|
behavior, but naively embedding foreign windows breaks it.
|
|
|
|
The only way to handle this reasonably is using the XEmbed protocol, which
|
|
was designed to solve these problems. GTK provides ``GtkSocket``, which
|
|
supports XEmbed. Qt doesn't seem to provide anything working in newer
|
|
versions.
|
|
|
|
If the embedder supports XEmbed, input should work with default settings
|
|
and with this option disabled. Note that ``input-default-bindings`` is
|
|
disabled by default in libmpv as well - it should be enabled if you want
|
|
the mpv default key bindings.
|
|
|
|
(This option was renamed from ``--input-x11-keyboard``.)
|
|
|
|
OSD
|
|
---
|
|
|
|
``--osc``, ``--no-osc``
|
|
Whether to load the on-screen-controller (default: yes).
|
|
|
|
``--no-osd-bar``, ``--osd-bar``
|
|
Disable display of the OSD bar. This will make some things (like seeking)
|
|
use OSD text messages instead of the bar.
|
|
|
|
You can configure this on a per-command basis in input.conf using ``osd-``
|
|
prefixes, see ``Input command prefixes``. If you want to disable the OSD
|
|
completely, use ``--osd-level=0``.
|
|
|
|
``--osd-duration=<time>``
|
|
Set the duration of the OSD messages in ms (default: 1000).
|
|
|
|
``--osd-font=<name>``
|
|
Specify font to use for OSD. The default is ``sans-serif``.
|
|
|
|
.. admonition:: Examples
|
|
|
|
- ``--osd-font='Bitstream Vera Sans'``
|
|
- ``--osd-font='MS Comic Sans'``
|
|
|
|
``--osd-font-size=<size>``
|
|
Specify the OSD font size. See ``--sub-font-size`` for details.
|
|
|
|
Default: 55.
|
|
|
|
``--osd-msg1=<string>``
|
|
Show this string as message on OSD with OSD level 1 (visible by default).
|
|
The message will be visible by default, and as long no other message
|
|
covers it, and the OSD level isn't changed (see ``--osd-level``).
|
|
Expands properties; see `Property Expansion`_.
|
|
|
|
``--osd-msg2=<string>``
|
|
Similar as ``--osd-msg1``, but for OSD level 2. If this is an empty string
|
|
(default), then the playback time is shown.
|
|
|
|
``--osd-msg3=<string>``
|
|
Similar as ``--osd-msg1``, but for OSD level 3. If this is an empty string
|
|
(default), then the playback time, duration, and some more information is
|
|
shown.
|
|
|
|
This is also used for the ``show-progress`` command (by default mapped to
|
|
``P``), or in some non-default cases when seeking.
|
|
|
|
``--osd-status-msg`` is a legacy equivalent (but with a minor difference).
|
|
|
|
``--osd-status-msg=<string>``
|
|
Show a custom string during playback instead of the standard status text.
|
|
This overrides the status text used for ``--osd-level=3``, when using the
|
|
``show-progress`` command (by default mapped to ``P``), or in some
|
|
non-default cases when seeking. Expands properties. See
|
|
`Property Expansion`_.
|
|
|
|
This option has been replaced with ``--osd-msg3``. The only difference is
|
|
that this option implicitly includes ``${osd-sym-cc}``. This option is
|
|
ignored if ``--osd-msg3`` is not empty.
|
|
|
|
``--osd-playing-msg=<string>``
|
|
Show a message on OSD when playback starts. The string is expanded for
|
|
properties, e.g. ``--osd-playing-msg='file: ${filename}'`` will show the
|
|
message ``file:`` followed by a space and the currently played filename.
|
|
|
|
See `Property Expansion`_.
|
|
|
|
``--osd-bar-align-x=<-1-1>``
|
|
Position of the OSD bar. -1 is far left, 0 is centered, 1 is far right.
|
|
Fractional values (like 0.5) are allowed.
|
|
|
|
``--osd-bar-align-y=<-1-1>``
|
|
Position of the OSD bar. -1 is top, 0 is centered, 1 is bottom.
|
|
Fractional values (like 0.5) are allowed.
|
|
|
|
``--osd-bar-w=<1-100>``
|
|
Width of the OSD bar, in percentage of the screen width (default: 75).
|
|
A value of 50 means the bar is half the screen wide.
|
|
|
|
``--osd-bar-h=<0.1-50>``
|
|
Height of the OSD bar, in percentage of the screen height (default: 3.125).
|
|
|
|
``--osd-back-color=<color>``
|
|
See ``--osd-color``. Color used for OSD text background.
|
|
|
|
``--osd-blur=<0..20.0>``
|
|
Gaussian blur factor. 0 means no blur applied (default).
|
|
|
|
``--osd-bold=<yes|no>``
|
|
Format text on bold.
|
|
|
|
``--osd-italic=<yes|no>``
|
|
Format text on italic.
|
|
|
|
``--osd-border-color=<color>``
|
|
See ``--osd-color``. Color used for the OSD font border.
|
|
|
|
.. note::
|
|
|
|
ignored when ``--osd-back-color`` is
|
|
specified (or more exactly: when that option is not set to completely
|
|
transparent).
|
|
|
|
``--osd-border-size=<size>``
|
|
Size of the OSD font border in scaled pixels (see ``--sub-font-size``
|
|
for details). A value of 0 disables borders.
|
|
|
|
Default: 3.
|
|
|
|
``--osd-color=<color>``
|
|
Specify the color used for OSD.
|
|
See ``--sub-color`` for details.
|
|
|
|
``--osd-fractions``
|
|
Show OSD times with fractions of seconds (in millisecond precision). Useful
|
|
to see the exact timestamp of a video frame.
|
|
|
|
``--osd-level=<0-3>``
|
|
Specifies which mode the OSD should start in.
|
|
|
|
:0: OSD completely disabled (subtitles only)
|
|
:1: enabled (shows up only on user interaction)
|
|
:2: enabled + current time visible by default
|
|
:3: enabled + ``--osd-status-msg`` (current time and status by default)
|
|
|
|
``--osd-margin-x=<size>``
|
|
Left and right screen margin for the OSD in scaled pixels (see
|
|
``--sub-font-size`` for details).
|
|
|
|
This option specifies the distance of the OSD to the left, as well as at
|
|
which distance from the right border long OSD text will be broken.
|
|
|
|
Default: 25.
|
|
|
|
``--osd-margin-y=<size>``
|
|
Top and bottom screen margin for the OSD in scaled pixels (see
|
|
``--sub-font-size`` for details).
|
|
|
|
This option specifies the vertical margins of the OSD.
|
|
|
|
Default: 22.
|
|
|
|
``--osd-align-x=<left|center|right>``
|
|
Control to which corner of the screen OSD should be
|
|
aligned to (default: ``left``).
|
|
|
|
``--osd-align-y=<top|center|bottom>``
|
|
Vertical position (default: ``top``).
|
|
Details see ``--osd-align-x``.
|
|
|
|
``--osd-scale=<factor>``
|
|
OSD font size multiplier, multiplied with ``--osd-font-size`` value.
|
|
|
|
``--osd-scale-by-window=<yes|no>``
|
|
Whether to scale the OSD with the window size (default: yes). If this is
|
|
disabled, ``--osd-font-size`` and other OSD options that use scaled pixels
|
|
are always in actual pixels. The effect is that changing the window size
|
|
won't change the OSD font size.
|
|
|
|
``--osd-shadow-color=<color>``
|
|
See ``--sub-color``. Color used for OSD shadow.
|
|
|
|
``--osd-shadow-offset=<size>``
|
|
Displacement of the OSD shadow in scaled pixels (see
|
|
``--sub-font-size`` for details). A value of 0 disables shadows.
|
|
|
|
Default: 0.
|
|
|
|
``--osd-spacing=<size>``
|
|
Horizontal OSD/sub font spacing in scaled pixels (see ``--sub-font-size``
|
|
for details). This value is added to the normal letter spacing. Negative
|
|
values are allowed.
|
|
|
|
Default: 0.
|
|
|
|
``--video-osd=<yes|no>``
|
|
Enabled OSD rendering on the video window (default: yes). This can be used
|
|
in situations where terminal OSD is preferred. If you just want to disable
|
|
all OSD rendering, use ``--osd-level=0``.
|
|
|
|
It does not affect subtitles or overlays created by scripts (in particular,
|
|
the OSC needs to be disabled with ``--no-osc``).
|
|
|
|
This option is somewhat experimental and could be replaced by another
|
|
mechanism in the future.
|
|
|
|
Screenshot
|
|
----------
|
|
|
|
``--screenshot-format=<type>``
|
|
Set the image file type used for saving screenshots.
|
|
|
|
Available choices:
|
|
|
|
:png: PNG
|
|
:jpg: JPEG (default)
|
|
:jpeg: JPEG (alias for jpg)
|
|
|
|
``--screenshot-tag-colorspace=<yes|no>``
|
|
Tag screenshots with the appropriate colorspace.
|
|
|
|
Note that not all formats are supported.
|
|
|
|
Default: ``no``.
|
|
|
|
``--screenshot-high-bit-depth=<yes|no>``
|
|
If possible, write screenshots with a bit depth similar to the source
|
|
video (default: yes). This is interesting in particular for PNG, as this
|
|
sometimes triggers writing 16 bit PNGs with huge file sizes.
|
|
|
|
``--screenshot-template=<template>``
|
|
Specify the filename template used to save screenshots. The template
|
|
specifies the filename without file extension, and can contain format
|
|
specifiers, which will be substituted when taking a screenshot.
|
|
By default, the template is ``mpv-shot%n``, which results in filenames like
|
|
``mpv-shot0012.png`` for example.
|
|
|
|
The template can start with a relative or absolute path, in order to
|
|
specify a directory location where screenshots should be saved.
|
|
|
|
If the final screenshot filename points to an already existing file, the
|
|
file will not be overwritten. The screenshot will either not be saved, or if
|
|
the template contains ``%n``, saved using different, newly generated
|
|
filename.
|
|
|
|
Allowed format specifiers:
|
|
|
|
``%[#][0X]n``
|
|
A sequence number, padded with zeros to length X (default: 04). E.g.
|
|
passing the format ``%04n`` will yield ``0012`` on the 12th screenshot.
|
|
The number is incremented every time a screenshot is taken or if the
|
|
file already exists. The length ``X`` must be in the range 0-9. With
|
|
the optional # sign, mpv will use the lowest available number. For
|
|
example, if you take three screenshots--0001, 0002, 0003--and delete
|
|
the first two, the next two screenshots will not be 0004 and 0005, but
|
|
0001 and 0002 again.
|
|
``%f``
|
|
Filename of the currently played video.
|
|
``%F``
|
|
Same as ``%f``, but strip the file extension, including the dot.
|
|
``%x``
|
|
Directory path of the currently played video. If the video is not on
|
|
the filesystem (but e.g. ``http://``), this expand to an empty string.
|
|
``%X{fallback}``
|
|
Same as ``%x``, but if the video file is not on the filesystem, return
|
|
the fallback string inside the ``{...}``.
|
|
``%p``
|
|
Current playback time, in the same format as used in the OSD. The
|
|
result is a string of the form "HH:MM:SS". For example, if the video is
|
|
at the time position 5 minutes and 34 seconds, ``%p`` will be replaced
|
|
with "00:05:34".
|
|
``%P``
|
|
Similar to ``%p``, but extended with the playback time in milliseconds.
|
|
It is formatted as "HH:MM:SS.mmm", with "mmm" being the millisecond
|
|
part of the playback time.
|
|
|
|
.. note::
|
|
|
|
This is a simple way for getting unique per-frame timestamps. (Frame
|
|
numbers would be more intuitive, but are not easily implementable
|
|
because container formats usually use time stamps for identifying
|
|
frames.)
|
|
``%wX``
|
|
Specify the current playback time using the format string ``X``.
|
|
``%p`` is like ``%wH:%wM:%wS``, and ``%P`` is like ``%wH:%wM:%wS.%wT``.
|
|
|
|
Valid format specifiers:
|
|
``%wH``
|
|
hour (padded with 0 to two digits)
|
|
``%wh``
|
|
hour (not padded)
|
|
``%wM``
|
|
minutes (00-59)
|
|
``%wm``
|
|
total minutes (includes hours, unlike ``%wM``)
|
|
``%wS``
|
|
seconds (00-59)
|
|
``%ws``
|
|
total seconds (includes hours and minutes)
|
|
``%wf``
|
|
like ``%ws``, but as float
|
|
``%wT``
|
|
milliseconds (000-999)
|
|
|
|
``%tX``
|
|
Specify the current local date/time using the format ``X``. This format
|
|
specifier uses the UNIX ``strftime()`` function internally, and inserts
|
|
the result of passing "%X" to ``strftime``. For example, ``%tm`` will
|
|
insert the number of the current month as number. You have to use
|
|
multiple ``%tX`` specifiers to build a full date/time string.
|
|
``%{prop[:fallback text]}``
|
|
Insert the value of the input property 'prop'. E.g. ``%{filename}`` is
|
|
the same as ``%f``. If the property does not exist or is not available,
|
|
an error text is inserted, unless a fallback is specified.
|
|
``%%``
|
|
Replaced with the ``%`` character itself.
|
|
|
|
``--screenshot-directory=<path>``
|
|
Store screenshots in this directory. This path is joined with the filename
|
|
generated by ``--screenshot-template``. If the template filename is already
|
|
absolute, the directory is ignored.
|
|
|
|
If the directory does not exist, it is created on the first screenshot. If
|
|
it is not a directory, an error is generated when trying to write a
|
|
screenshot.
|
|
|
|
This option is not set by default, and thus will write screenshots to the
|
|
directory from which mpv was started. In pseudo-gui mode
|
|
(see `PSEUDO GUI MODE`_), this is set to the desktop.
|
|
|
|
``--screenshot-jpeg-quality=<0-100>``
|
|
Set the JPEG quality level. Higher means better quality. The default is 90.
|
|
|
|
``--screenshot-jpeg-source-chroma=<yes|no>``
|
|
Write JPEG files with the same chroma subsampling as the video
|
|
(default: yes). If disabled, the libjpeg default is used.
|
|
|
|
``--screenshot-png-compression=<0-9>``
|
|
Set the PNG compression level. Higher means better compression. This will
|
|
affect the file size of the written screenshot file and the time it takes
|
|
to write a screenshot. Too high compression might occupy enough CPU time to
|
|
interrupt playback. The default is 7.
|
|
|
|
``--screenshot-png-filter=<0-5>``
|
|
Set the filter applied prior to PNG compression. 0 is none, 1 is "sub", 2 is
|
|
"up", 3 is "average", 4 is "Paeth", and 5 is "mixed". This affects the level
|
|
of compression that can be achieved. For most images, "mixed" achieves the
|
|
best compression ratio, hence it is the default.
|
|
|
|
|
|
Software Scaler
|
|
---------------
|
|
|
|
``--sws-scaler=<name>``
|
|
Specify the software scaler algorithm to be used with ``--vf=scale``. This
|
|
also affects video output drivers which lack hardware acceleration,
|
|
e.g. ``x11``. See also ``--vf=scale``.
|
|
|
|
To get a list of available scalers, run ``--sws-scaler=help``.
|
|
|
|
Default: ``bicubic``.
|
|
|
|
``--sws-lgb=<0-100>``
|
|
Software scaler Gaussian blur filter (luma). See ``--sws-scaler``.
|
|
|
|
``--sws-cgb=<0-100>``
|
|
Software scaler Gaussian blur filter (chroma). See ``--sws-scaler``.
|
|
|
|
``--sws-ls=<-100-100>``
|
|
Software scaler sharpen filter (luma). See ``--sws-scaler``.
|
|
|
|
``--sws-cs=<-100-100>``
|
|
Software scaler sharpen filter (chroma). See ``--sws-scaler``.
|
|
|
|
``--sws-chs=<h>``
|
|
Software scaler chroma horizontal shifting. See ``--sws-scaler``.
|
|
|
|
``--sws-cvs=<v>``
|
|
Software scaler chroma vertical shifting. See ``--sws-scaler``.
|
|
|
|
|
|
Terminal
|
|
--------
|
|
|
|
``--quiet``
|
|
Make console output less verbose; in particular, prevents the status line
|
|
(i.e. AV: 3.4 (00:00:03.37) / 5320.6 ...) from being displayed.
|
|
Particularly useful on slow terminals or broken ones which do not properly
|
|
handle carriage return (i.e. ``\r``).
|
|
|
|
See also: ``--really-quiet`` and ``--msg-level``.
|
|
|
|
``--really-quiet``
|
|
Display even less output and status messages than with ``--quiet``.
|
|
|
|
``--no-terminal``, ``--terminal``
|
|
Disable any use of the terminal and stdin/stdout/stderr. This completely
|
|
silences any message output.
|
|
|
|
Unlike ``--really-quiet``, this disables input and terminal initialization
|
|
as well.
|
|
|
|
``--no-msg-color``
|
|
Disable colorful console output on terminals.
|
|
|
|
``--msg-level=<module1=level1,module2=level2,...>``
|
|
Control verbosity directly for each module. The ``all`` module changes the
|
|
verbosity of all the modules not explicitly specified on the command line.
|
|
|
|
Run mpv with ``--msg-level=all=trace`` to see all messages mpv outputs. You
|
|
can use the module names printed in the output (prefixed to each line in
|
|
``[...]``) to limit the output to interesting modules.
|
|
|
|
.. note::
|
|
|
|
Some messages are printed before the command line is parsed and are
|
|
therefore not affected by ``--msg-level``. To control these messages,
|
|
you have to use the ``MPV_VERBOSE`` environment variable; see
|
|
`ENVIRONMENT VARIABLES`_ for details.
|
|
|
|
Available levels:
|
|
|
|
:no: complete silence
|
|
:fatal: fatal messages only
|
|
:error: error messages
|
|
:warn: warning messages
|
|
:info: informational messages
|
|
:status: status messages (default)
|
|
:v: verbose messages
|
|
:debug: debug messages
|
|
:trace: very noisy debug messages
|
|
|
|
.. admonition:: Example
|
|
|
|
::
|
|
|
|
mpv --msg-level=ao/sndio=no
|
|
|
|
Completely silences the output of ao_sndio, which uses the log
|
|
prefix ``[ao/sndio]``.
|
|
|
|
::
|
|
|
|
mpv --msg-level=all=warn,ao/alsa=error
|
|
|
|
Only show warnings or worse, and let the ao_alsa output show errors
|
|
only.
|
|
|
|
``--term-osd=<auto|no|force>``
|
|
Control whether OSD messages are shown on the console when no video output
|
|
is available (default: auto).
|
|
|
|
:auto: use terminal OSD if no video output active
|
|
:no: disable terminal OSD
|
|
:force: use terminal OSD even if video output active
|
|
|
|
The ``auto`` mode also enables terminal OSD if ``--video-osd=no`` was set.
|
|
|
|
``--term-osd-bar``, ``--no-term-osd-bar``
|
|
Enable printing a progress bar under the status line on the terminal.
|
|
(Disabled by default.)
|
|
|
|
``--term-osd-bar-chars=<string>``
|
|
Customize the ``--term-osd-bar`` feature. The string is expected to
|
|
consist of 5 characters (start, left space, position indicator,
|
|
right space, end). You can use Unicode characters, but note that double-
|
|
width characters will not be treated correctly.
|
|
|
|
Default: ``[-+-]``.
|
|
|
|
``--term-playing-msg=<string>``
|
|
Print out a string after starting playback. The string is expanded for
|
|
properties, e.g. ``--term-playing-msg='file: ${filename}'`` will print the string
|
|
``file:`` followed by a space and the currently played filename.
|
|
|
|
See `Property Expansion`_.
|
|
|
|
``--term-status-msg=<string>``
|
|
Print out a custom string during playback instead of the standard status
|
|
line. Expands properties. See `Property Expansion`_.
|
|
|
|
``--msg-module``
|
|
Prepend module name to each console message.
|
|
|
|
``--msg-time``
|
|
Prepend timing information to each console message.
|
|
|
|
|
|
TV
|
|
--
|
|
|
|
``--tv-...``
|
|
These options tune various properties of the TV capture module. For
|
|
watching TV with mpv, use ``tv://`` or ``tv://<channel_number>`` or
|
|
even ``tv://<channel_name>`` (see option ``tv-channels`` for ``channel_name``
|
|
below) as a media URL. You can also use ``tv:///<input_id>`` to start
|
|
watching a video from a composite or S-Video input (see option ``input`` for
|
|
details).
|
|
|
|
``--tv-device=<value>``
|
|
Specify TV device (default: ``/dev/video0``).
|
|
|
|
``--tv-channel=<value>``
|
|
Set tuner to <value> channel.
|
|
|
|
``--no-tv-audio``
|
|
no sound
|
|
|
|
``--tv-automute=<0-255> (v4l and v4l2 only)``
|
|
If signal strength reported by device is less than this value, audio
|
|
and video will be muted. In most cases automute=100 will be enough.
|
|
Default is 0 (automute disabled).
|
|
|
|
``--tv-driver=<value>``
|
|
See ``--tv=driver=help`` for a list of compiled-in TV input drivers.
|
|
available: dummy, v4l2 (default: autodetect)
|
|
|
|
``--tv-input=<value>``
|
|
Specify input (default: 0 (TV), see console output for available
|
|
inputs).
|
|
|
|
``--tv-freq=<value>``
|
|
Specify the frequency to set the tuner to (e.g. 511.250). Not
|
|
compatible with the channels parameter.
|
|
|
|
``--tv-outfmt=<value>``
|
|
Specify the output format of the tuner with a preset value supported
|
|
by the V4L driver (YV12, UYVY, YUY2, I420) or an arbitrary format given
|
|
as hex value.
|
|
|
|
``--tv-width=<value>``
|
|
output window width
|
|
|
|
``--tv-height=<value>``
|
|
output window height
|
|
|
|
``--tv-fps=<value>``
|
|
framerate at which to capture video (frames per second)
|
|
|
|
``--tv-buffersize=<value>``
|
|
maximum size of the capture buffer in megabytes (default: dynamical)
|
|
|
|
``--tv-norm=<value>``
|
|
See the console output for a list of all available norms.
|
|
|
|
See also: ``--tv-normid``.
|
|
|
|
``--tv-normid=<value> (v4l2 only)``
|
|
Sets the TV norm to the given numeric ID. The TV norm depends on the
|
|
capture card. See the console output for a list of available TV norms.
|
|
|
|
``--tv-chanlist=<value>``
|
|
available: argentina, australia, china-bcast, europe-east,
|
|
europe-west, france, ireland, italy, japan-bcast, japan-cable,
|
|
newzealand, russia, southafrica, us-bcast, us-cable, us-cable-hrc
|
|
|
|
``--tv-channels=<chan>-<name>[=<norm>],<chan>-<name>[=<norm>],...``
|
|
Set names for channels.
|
|
|
|
.. note::
|
|
|
|
If <chan> is an integer greater than 1000, it will be treated as
|
|
frequency (in kHz) rather than channel name from frequency table.
|
|
Use _ for spaces in names (or play with quoting ;-) ). The channel
|
|
names will then be written using OSD, and the input commands
|
|
``tv_step_channel``, ``tv_set_channel`` and ``tv_last_channel``
|
|
will be usable for a remote control. Not compatible with
|
|
the ``frequency`` parameter.
|
|
|
|
.. note::
|
|
|
|
The channel number will then be the position in the 'channels'
|
|
list, beginning with 1.
|
|
|
|
.. admonition:: Examples
|
|
|
|
``tv://1``, ``tv://TV1``, ``tv_set_channel 1``,
|
|
``tv_set_channel TV1``
|
|
|
|
``--tv-[brightness|contrast|hue|saturation]=<-100-100>``
|
|
Set the image equalizer on the card.
|
|
|
|
``--tv-audiorate=<value>``
|
|
Set input audio sample rate.
|
|
|
|
``--tv-forceaudio``
|
|
Capture audio even if there are no audio sources reported by v4l.
|
|
|
|
``--tv-alsa``
|
|
Capture from ALSA.
|
|
|
|
``--tv-amode=<0-3>``
|
|
Choose an audio mode:
|
|
|
|
:0: mono
|
|
:1: stereo
|
|
:2: language 1
|
|
:3: language 2
|
|
|
|
``--tv-forcechan=<1-2>``
|
|
By default, the count of recorded audio channels is determined
|
|
automatically by querying the audio mode from the TV card. This option
|
|
allows forcing stereo/mono recording regardless of the amode option
|
|
and the values returned by v4l. This can be used for troubleshooting
|
|
when the TV card is unable to report the current audio mode.
|
|
|
|
``--tv-adevice=<value>``
|
|
Set an audio device. <value> should be ``/dev/xxx`` for OSS and a
|
|
hardware ID for ALSA. You must replace any ':' by a '.' in the
|
|
hardware ID for ALSA.
|
|
|
|
``--tv-audioid=<value>``
|
|
Choose an audio output of the capture card, if it has more than one.
|
|
|
|
``--tv-[volume|bass|treble|balance]=<0-100>``
|
|
These options set parameters of the mixer on the video capture card.
|
|
They will have no effect, if your card does not have one. For v4l2 50
|
|
maps to the default value of the control, as reported by the driver.
|
|
|
|
``--tv-gain=<0-100>``
|
|
Set gain control for video devices (usually webcams) to the desired
|
|
value and switch off automatic control. A value of 0 enables automatic
|
|
control. If this option is omitted, gain control will not be modified.
|
|
|
|
``--tv-immediatemode=<bool>``
|
|
A value of 0 means capture and buffer audio and video together. A
|
|
value of 1 (default) means to do video capture only and let the audio
|
|
go through a loopback cable from the TV card to the sound card.
|
|
|
|
``--tv-mjpeg``
|
|
Use hardware MJPEG compression (if the card supports it). When using
|
|
this option, you do not need to specify the width and height of the
|
|
output window, because mpv will determine it automatically from
|
|
the decimation value (see below).
|
|
|
|
``--tv-decimation=<1|2|4>``
|
|
choose the size of the picture that will be compressed by hardware
|
|
MJPEG compression:
|
|
|
|
:1: full size
|
|
|
|
- 704x576 PAL
|
|
- 704x480 NTSC
|
|
|
|
:2: medium size
|
|
|
|
- 352x288 PAL
|
|
- 352x240 NTSC
|
|
|
|
:4: small size
|
|
|
|
- 176x144 PAL
|
|
- 176x120 NTSC
|
|
|
|
``--tv-quality=<0-100>``
|
|
Choose the quality of the JPEG compression (< 60 recommended for full
|
|
size).
|
|
|
|
``--tv-scan-autostart``
|
|
Begin channel scanning immediately after startup (default: disabled).
|
|
|
|
``--tv-scan-period=<0.1-2.0>``
|
|
Specify delay in seconds before switching to next channel (default:
|
|
0.5). Lower values will cause faster scanning, but can detect inactive
|
|
TV channels as active.
|
|
|
|
``--tv-scan-threshold=<1-100>``
|
|
Threshold value for the signal strength (in percent), as reported by
|
|
the device (default: 50). A signal strength higher than this value will
|
|
indicate that the currently scanning channel is active.
|
|
|
|
|
|
Cache
|
|
-----
|
|
|
|
``--cache=<kBytes|yes|no|auto>``
|
|
Set the size of the cache in kilobytes, disable it with ``no``, or
|
|
automatically enable it if needed with ``auto`` (default: ``auto``).
|
|
With ``auto``, the cache will usually be enabled for network streams,
|
|
using the size set by ``--cache-default``. With ``yes``, the cache will
|
|
always be enabled with the size set by ``--cache-default`` (unless the
|
|
stream cannot be cached, or ``--cache-default`` disables caching).
|
|
|
|
May be useful when playing files from slow media, but can also have
|
|
negative effects, especially with file formats that require a lot of
|
|
seeking, such as MP4.
|
|
|
|
Note that half the cache size will be used to allow fast seeking back. This
|
|
is also the reason why a full cache is usually not reported as 100% full.
|
|
The cache fill display does not include the part of the cache reserved for
|
|
seeking back. The actual maximum percentage will usually be the ratio
|
|
between readahead and backbuffer sizes.
|
|
|
|
``--cache-default=<kBytes|no>``
|
|
Set the size of the cache in kilobytes (default: 75000 KB). Using ``no``
|
|
will not automatically enable the cache e.g. when playing from a network
|
|
stream. Note that using ``--cache`` will always override this option.
|
|
|
|
``--cache-initial=<kBytes>``
|
|
Playback will start when the cache has been filled up with this many
|
|
kilobytes of data (default: 0).
|
|
|
|
``--cache-seek-min=<kBytes>``
|
|
If a seek is to be made to a position within ``<kBytes>`` of the cache
|
|
size from the current position, mpv will wait for the cache to be
|
|
filled to this position rather than performing a stream seek (default:
|
|
500).
|
|
|
|
This matters for small forward seeks. With slow streams (especially HTTP
|
|
streams) there is a tradeoff between skipping the data between current
|
|
position and seek destination, or performing an actual seek. Depending
|
|
on the situation, either of these might be slower than the other method.
|
|
This option allows control over this.
|
|
|
|
``--cache-backbuffer=<kBytes>``
|
|
Size of the cache back buffer (default: 75000 KB). This will add to the total
|
|
cache size, and reserved the amount for seeking back. The reserved amount
|
|
will not be used for readahead, and instead preserves already read data to
|
|
enable fast seeking back.
|
|
|
|
``--cache-file=<TMP|path>``
|
|
Create a cache file on the filesystem.
|
|
|
|
There are two ways of using this:
|
|
|
|
1. Passing a path (a filename). The file will always be overwritten. When
|
|
the general cache is enabled, this file cache will be used to store
|
|
whatever is read from the source stream.
|
|
|
|
This will always overwrite the cache file, and you can't use an existing
|
|
cache file to resume playback of a stream. (Technically, mpv wouldn't
|
|
even know which blocks in the file are valid and which not.)
|
|
|
|
The resulting file will not necessarily contain all data of the source
|
|
stream. For example, if you seek, the parts that were skipped over are
|
|
never read and consequently are not written to the cache. The skipped over
|
|
parts are filled with zeros. This means that the cache file doesn't
|
|
necessarily correspond to a full download of the source stream.
|
|
|
|
Both of these issues could be improved if there is any user interest.
|
|
|
|
.. warning:: Causes random corruption when used with ordered chapters or
|
|
with ``--audio-file``.
|
|
|
|
2. Passing the string ``TMP``. This will not be interpreted as filename.
|
|
Instead, an invisible temporary file is created. It depends on your
|
|
C library where this file is created (usually ``/tmp/``), and whether
|
|
filename is visible (the ``tmpfile()`` function is used). On some
|
|
systems, automatic deletion of the cache file might not be guaranteed.
|
|
|
|
If you want to use a file cache, this mode is recommended, because it
|
|
doesn't break ordered chapters or ``--audio-file``. These modes open
|
|
multiple cache streams, and using the same file for them obviously
|
|
clashes.
|
|
|
|
See also: ``--cache-file-size``.
|
|
|
|
``--cache-file-size=<kBytes>``
|
|
Maximum size of the file created with ``--cache-file``. For read accesses
|
|
above this size, the cache is simply not used.
|
|
|
|
Keep in mind that some use-cases, like playing ordered chapters with cache
|
|
enabled, will actually create multiple cache files, each of which will
|
|
use up to this much disk space.
|
|
|
|
(Default: 1048576, 1 GB.)
|
|
|
|
``--no-cache``
|
|
Turn off input stream caching. See ``--cache``.
|
|
|
|
``--cache-secs=<seconds>``
|
|
How many seconds of audio/video to prefetch if the cache is active. This
|
|
overrides the ``--demuxer-readahead-secs`` option if and only if the cache
|
|
is enabled and the value is larger. (Default: 10.)
|
|
|
|
``--cache-pause``, ``--no-cache-pause``
|
|
Whether the player should automatically pause when the cache runs low,
|
|
and unpause once more data is available ("buffering").
|
|
|
|
|
|
Network
|
|
-------
|
|
|
|
``--user-agent=<string>``
|
|
Use ``<string>`` as user agent for HTTP streaming.
|
|
|
|
``--cookies``, ``--no-cookies``
|
|
Support cookies when making HTTP requests. Disabled by default.
|
|
|
|
``--cookies-file=<filename>``
|
|
Read HTTP cookies from <filename>. The file is assumed to be in Netscape
|
|
format.
|
|
|
|
``--http-header-fields=<field1,field2>``
|
|
Set custom HTTP fields when accessing HTTP stream.
|
|
|
|
.. admonition:: Example
|
|
|
|
::
|
|
|
|
mpv --http-header-fields='Field1: value1','Field2: value2' \
|
|
http://localhost:1234
|
|
|
|
Will generate HTTP request::
|
|
|
|
GET / HTTP/1.0
|
|
Host: localhost:1234
|
|
User-Agent: MPlayer
|
|
Icy-MetaData: 1
|
|
Field1: value1
|
|
Field2: value2
|
|
Connection: close
|
|
|
|
``--tls-ca-file=<filename>``
|
|
Certificate authority database file for use with TLS. (Silently fails with
|
|
older FFmpeg or Libav versions.)
|
|
|
|
``--tls-verify``
|
|
Verify peer certificates when using TLS (e.g. with ``https://...``).
|
|
(Silently fails with older FFmpeg or Libav versions.)
|
|
|
|
``--tls-cert-file``
|
|
A file containing a certificate to use in the handshake with the
|
|
peer.
|
|
|
|
``--tls-key-file``
|
|
A file containing the private key for the certificate.
|
|
|
|
``--referrer=<string>``
|
|
Specify a referrer path or URL for HTTP requests.
|
|
|
|
``--network-timeout=<seconds>``
|
|
Specify the network timeout in seconds. This affects at least HTTP. The
|
|
special value 0 (default) uses the FFmpeg/Libav defaults. If a protocol
|
|
is used which does not support timeouts, this option is silently ignored.
|
|
|
|
``--rtsp-transport=<lavf|udp|tcp|http>``
|
|
Select RTSP transport method (default: tcp). This selects the underlying
|
|
network transport when playing ``rtsp://...`` URLs. The value ``lavf``
|
|
leaves the decision to libavformat.
|
|
|
|
``--hls-bitrate=<no|min|max|<rate>>``
|
|
If HLS streams are played, this option controls what streams are selected
|
|
by default. The option allows the following parameters:
|
|
|
|
:no: Don't do anything special. Typically, this will simply pick the
|
|
first audio/video streams it can find.
|
|
:min: Pick the streams with the lowest bitrate.
|
|
:max: Same, but highest bitrate. (Default.)
|
|
|
|
Additionally, if the option is a number, the stream with the highest rate
|
|
equal or below the option value is selected.
|
|
|
|
The bitrate as used is sent by the server, and there's no guarantee it's
|
|
actually meaningful.
|
|
|
|
DVB
|
|
---
|
|
|
|
``--dvbin-card=<1-4>``
|
|
Specifies using card number 1-4 (default: 1).
|
|
|
|
``--dvbin-file=<filename>``
|
|
Instructs mpv to read the channels list from ``<filename>``. The default is
|
|
in the mpv configuration directory (usually ``~/.config/mpv``) with the
|
|
filename ``channels.conf.{sat,ter,cbl,atsc}`` (based on your card type) or
|
|
``channels.conf`` as a last resort.
|
|
For DVB-S/2 cards, a VDR 1.7.x format channel list is recommended
|
|
as it allows tuning to DVB-S2 channels, enabling subtitles and
|
|
decoding the PMT (which largely improves the demuxing).
|
|
Classic mplayer format channel lists are still supported (without
|
|
these improvements), and for other card types, only limited VDR
|
|
format channel list support is implemented (patches welcome).
|
|
For channels with dynamic PID switching or incomplete
|
|
``channels.conf``, ``--dvbin-full-transponder`` or the magic PID
|
|
``8192`` are recommended.
|
|
|
|
``--dvbin-timeout=<1-30>``
|
|
Maximum number of seconds to wait when trying to tune a frequency before
|
|
giving up (default: 30).
|
|
|
|
``--dvbin-full-transponder=<yes|no>``
|
|
Apply no filters on program PIDs, only tune to frequency and pass full
|
|
transponder to demuxer.
|
|
The player frontend selects the streams from the full TS in this case,
|
|
so the program which is shown initially may not match the chosen channel.
|
|
Switching between the programs is possible by cycling the ``program``
|
|
property.
|
|
This is useful to record multiple programs on a single transponder,
|
|
or to work around issues in the ``channels.conf``.
|
|
It is also recommended to use this for channels which switch PIDs
|
|
on-the-fly, e.g. for regional news.
|
|
|
|
Default: ``no``
|
|
|
|
ALSA audio output options
|
|
-------------------------
|
|
|
|
|
|
``--alsa-device=<device>``
|
|
Deprecated, use ``--audio-device`` (requires ``alsa/`` prefix).
|
|
|
|
``--alsa-resample=yes``
|
|
Enable ALSA resampling plugin. (This is disabled by default, because
|
|
some drivers report incorrect audio delay in some cases.)
|
|
|
|
``--alsa-mixer-device=<device>``
|
|
Set the mixer device used with ``ao-volume`` (default: ``default``).
|
|
|
|
``--alsa-mixer-name=<name>``
|
|
Set the name of the mixer element (default: ``Master``). This is for
|
|
example ``PCM`` or ``Master``.
|
|
|
|
``--alsa-mixer-index=<number>``
|
|
Set the index of the mixer channel (default: 0). Consider the output of
|
|
"``amixer scontrols``", then the index is the number that follows the
|
|
name of the element.
|
|
|
|
``--alsa-non-interleaved``
|
|
Allow output of non-interleaved formats (if the audio decoder uses
|
|
this format). Currently disabled by default, because some popular
|
|
ALSA plugins are utterly broken with non-interleaved formats.
|
|
|
|
``--alsa-ignore-chmap``
|
|
Don't read or set the channel map of the ALSA device - only request the
|
|
required number of channels, and then pass the audio as-is to it. This
|
|
option most likely should not be used. It can be useful for debugging,
|
|
or for static setups with a specially engineered ALSA configuration (in
|
|
this case you should always force the same layout with ``--audio-channels``,
|
|
or it will work only for files which use the layout implicit to your
|
|
ALSA device).
|
|
|
|
|
|
OpenGL renderer options
|
|
-----------------------
|
|
|
|
The following video options are currently all specific to ``--vo=opengl`` and
|
|
``--vo=opengl-cb`` only, which are the only VOs that implement them.
|
|
|
|
``--scale=<filter>``
|
|
|
|
``bilinear``
|
|
Bilinear hardware texture filtering (fastest, very low quality). This
|
|
is the default for compatibility reasons.
|
|
|
|
``spline36``
|
|
Mid quality and speed. This is the default when using ``opengl-hq``.
|
|
|
|
``lanczos``
|
|
Lanczos scaling. Provides mid quality and speed. Generally worse than
|
|
``spline36``, but it results in a slightly sharper image which is good
|
|
for some content types. The number of taps can be controlled with
|
|
``scale-radius``, but is best left unchanged.
|
|
|
|
(This filter is an alias for ``sinc``-windowed ``sinc``)
|
|
|
|
``ewa_lanczos``
|
|
Elliptic weighted average Lanczos scaling. Also known as Jinc.
|
|
Relatively slow, but very good quality. The radius can be controlled
|
|
with ``scale-radius``. Increasing the radius makes the filter sharper
|
|
but adds more ringing.
|
|
|
|
(This filter is an alias for ``jinc``-windowed ``jinc``)
|
|
|
|
``ewa_lanczossharp``
|
|
A slightly sharpened version of ewa_lanczos, preconfigured to use an
|
|
ideal radius and parameter. If your hardware can run it, this is
|
|
probably what you should use by default.
|
|
|
|
``mitchell``
|
|
Mitchell-Netravali. The ``B`` and ``C`` parameters can be set with
|
|
``--scale-param1`` and ``--scale-param2``. This filter is very good at
|
|
downscaling (see ``--dscale``).
|
|
|
|
``oversample``
|
|
A version of nearest neighbour that (naively) oversamples pixels, so
|
|
that pixels overlapping edges get linearly interpolated instead of
|
|
rounded. This essentially removes the small imperfections and judder
|
|
artifacts caused by nearest-neighbour interpolation, in exchange for
|
|
adding some blur. This filter is good at temporal interpolation, and
|
|
also known as "smoothmotion" (see ``--tscale``).
|
|
|
|
``linear``
|
|
A ``--tscale`` filter.
|
|
|
|
There are some more filters, but most are not as useful. For a complete
|
|
list, pass ``help`` as value, e.g.::
|
|
|
|
mpv --scale=help
|
|
|
|
``--cscale=<filter>``
|
|
As ``--scale``, but for interpolating chroma information. If the image is
|
|
not subsampled, this option is ignored entirely.
|
|
|
|
``--dscale=<filter>``
|
|
Like ``--scale``, but apply these filters on downscaling instead. If this
|
|
option is unset, the filter implied by ``--scale`` will be applied.
|
|
|
|
``--tscale=<filter>``
|
|
The filter used for interpolating the temporal axis (frames). This is only
|
|
used if ``--interpolation`` is enabled. The only valid choices for
|
|
``--tscale`` are separable convolution filters (use ``--tscale=help`` to
|
|
get a list). The default is ``mitchell``.
|
|
|
|
Note that the maximum supported filter radius is currently 3, due to
|
|
limitations in the number of video textures that can be loaded
|
|
simultaneously.
|
|
|
|
``--scale-param1=<value>``, ``--scale-param2=<value>``, ``--cscale-param1=<value>``, ``--cscale-param2=<value>``, ``--dscale-param1=<value>``, ``--dscale-param2=<value>``, ``--tscale-param1=<value>``, ``--tscale-param2=<value>``
|
|
Set filter parameters. Ignored if the filter is not tunable. Currently,
|
|
this affects the following filter parameters:
|
|
|
|
bcspline
|
|
Spline parameters (``B`` and ``C``). Defaults to 0.5 for both.
|
|
|
|
gaussian
|
|
Scale parameter (``t``). Increasing this makes the result blurrier.
|
|
Defaults to 1.
|
|
|
|
oversample
|
|
Minimum distance to an edge before interpolation is used. Setting this
|
|
to 0 will always interpolate edges, whereas setting it to 0.5 will
|
|
never interpolate, thus behaving as if the regular nearest neighbour
|
|
algorithm was used. Defaults to 0.0.
|
|
|
|
``--scale-blur=<value>``, ``--scale-wblur=<value>``, ``--cscale-blur=<value>``, ``--cscale-wblur=<value>``, ``--dscale-blur=<value>``, ``--dscale-wblur=<value>``, ``--tscale-blur=<value>``, ``--tscale-wblur=<value>``
|
|
Kernel/window scaling factor (also known as a blur factor). Decreasing this
|
|
makes the result sharper, increasing it makes it blurrier (default 0). If
|
|
set to 0, the kernel's preferred blur factor is used. Note that setting
|
|
this too low (eg. 0.5) leads to bad results. It's generally recommended to
|
|
stick to values between 0.8 and 1.2.
|
|
|
|
``--scale-clamp``, ``--cscale-clamp``, ``--dscale-clamp``, ``--tscale-clamp``
|
|
Clamp the filter kernel's value range to [0-1]. This is especially useful
|
|
for ``--tscale``, where it reduces excessive ringing artifacts in the
|
|
temporal domain (which typically manifest themselves as short flashes or
|
|
fringes of black, mostly around moving edges) in exchange for potentially
|
|
adding more blur.
|
|
|
|
``--scale-taper=<value>``, ``--scale-wtaper=<value>``, ``--dscale-taper=<value>``, ``--dscale-wtaper=<value>``, ``--cscale-taper=<value>``, ``--cscale-wtaper=<value>``, ``--tscale-taper=<value>``, ``--tscale-wtaper=<value>``
|
|
Kernel/window taper factor. Increasing this flattens the filter function.
|
|
Value range is 0 to 1. A value of 0 (the default) means no flattening, a
|
|
value of 1 makes the filter completely flat (equivalent to a box function).
|
|
Values in between mean that some portion will be flat and the actual filter
|
|
function will be squeezed into the space in between.
|
|
|
|
``--scale-radius=<value>``, ``--cscale-radius=<value>``, ``--dscale-radius=<value>``, ``--tscale-radius=<value>``
|
|
Set radius for tunable filters, must be a float number between 0.5 and
|
|
16.0. Defaults to the filter's preferred radius if not specified. Doesn't
|
|
work for every scaler and VO combination.
|
|
|
|
Note that depending on filter implementation details and video scaling
|
|
ratio, the radius that actually being used might be different (most likely
|
|
being increased a bit).
|
|
|
|
``--scale-antiring=<value>``, ``--cscale-antiring=<value>``, ``--dscale-antiring=<value>``, ``--tscale-antiring=<value>``
|
|
Set the antiringing strength. This tries to eliminate ringing, but can
|
|
introduce other artifacts in the process. Must be a float number between
|
|
0.0 and 1.0. The default value of 0.0 disables antiringing entirely.
|
|
|
|
Note that this doesn't affect the special filters ``bilinear`` and
|
|
``bicubic_fast``.
|
|
|
|
``--scale-window=<window>``, ``--cscale-window=<window>``, ``--dscale-window=<window>``, ``--tscale-window=<window>``
|
|
(Advanced users only) Choose a custom windowing function for the kernel.
|
|
Defaults to the filter's preferred window if unset. Use
|
|
``--scale-window=help`` to get a list of supported windowing functions.
|
|
|
|
``--scale-wparam=<window>``, ``--cscale-wparam=<window>``, ``--cscale-wparam=<window>``, ``--tscale-wparam=<window>``
|
|
(Advanced users only) Configure the parameter for the window function given
|
|
by ``--scale-window`` etc. Ignored if the window is not tunable. Currently,
|
|
this affects the following window parameters:
|
|
|
|
kaiser
|
|
Window parameter (alpha). Defaults to 6.33.
|
|
blackman
|
|
Window parameter (alpha). Defaults to 0.16.
|
|
gaussian
|
|
Scale parameter (t). Increasing this makes the window wider. Defaults
|
|
to 1.
|
|
|
|
``--scaler-lut-size=<4..10>``
|
|
Set the size of the lookup texture for scaler kernels (default: 6). The
|
|
actual size of the texture is ``2^N`` for an option value of ``N``. So the
|
|
lookup texture with the default setting uses 64 samples.
|
|
|
|
All weights are linearly interpolated from those samples, so increasing
|
|
the size of lookup table might improve the accuracy of scaler.
|
|
|
|
``--scaler-resizes-only``
|
|
Disable the scaler if the video image is not resized. In that case,
|
|
``bilinear`` is used instead of whatever is set with ``--scale``. Bilinear
|
|
will reproduce the source image perfectly if no scaling is performed.
|
|
Enabled by default. Note that this option never affects ``--cscale``.
|
|
|
|
``--linear-scaling``
|
|
Scale in linear light. It should only be used with a
|
|
``--opengl-fbo-format`` that has at least 16 bit precision.
|
|
|
|
``--correct-downscaling``
|
|
When using convolution based filters, extend the filter size when
|
|
downscaling. Increases quality, but reduces performance while downscaling.
|
|
|
|
This will perform slightly sub-optimally for anamorphic video (but still
|
|
better than without it) since it will extend the size to match only the
|
|
milder of the scale factors between the axes.
|
|
|
|
``--interpolation``
|
|
Reduce stuttering caused by mismatches in the video fps and display refresh
|
|
rate (also known as judder).
|
|
|
|
.. warning:: This requires setting the ``--video-sync`` option to one
|
|
of the ``display-`` modes, or it will be silently disabled.
|
|
This was not required before mpv 0.14.0.
|
|
|
|
This essentially attempts to interpolate the missing frames by convoluting
|
|
the video along the temporal axis. The filter used can be controlled using
|
|
the ``--tscale`` setting.
|
|
|
|
Note that this relies on vsync to work, see ``--opengl-swapinterval`` for
|
|
more information.
|
|
|
|
``--interpolation-threshold=<0..1,-1>``
|
|
Threshold below which frame ratio interpolation gets disabled (default:
|
|
``0.0001``). This is calculated as ``abs(disphz/vfps - 1) < threshold``,
|
|
where ``vfps`` is the speed-adjusted video FPS, and ``disphz`` the
|
|
display refresh rate. (The speed-adjusted video FPS is roughly equal to
|
|
the normal video FPS, but with slowdown and speedup applied. This matters
|
|
if you use ``--video-sync=display-resample`` to make video run synchronously
|
|
to the display FPS, or if you change the ``speed`` property.)
|
|
|
|
The default is intended to almost always enable interpolation if the
|
|
playback rate is even slightly different from the display refresh rate. But
|
|
note that if you use e.g. ``--video-sync=display-vdrop``, small deviations
|
|
in the rate can disable interpolation and introduce a discontinuity every
|
|
other minute.
|
|
|
|
Set this to ``-1`` to disable this logic.
|
|
|
|
``--opengl-pbo``
|
|
Enable use of PBOs. On some drivers this can be faster, especially if the
|
|
source video size is huge (e.g. so called "4K" video). On other drivers it
|
|
might be slower or cause latency issues.
|
|
|
|
In theory, this can sometimes lead to sporadic and temporary image
|
|
corruption (because reupload is not retried when it fails).
|
|
|
|
``--dither-depth=<N|no|auto>``
|
|
Set dither target depth to N. Default: no.
|
|
|
|
no
|
|
Disable any dithering done by mpv.
|
|
auto
|
|
Automatic selection. If output bit depth cannot be detected, 8 bits per
|
|
component are assumed.
|
|
8
|
|
Dither to 8 bit output.
|
|
|
|
Note that the depth of the connected video display device cannot be
|
|
detected. Often, LCD panels will do dithering on their own, which conflicts
|
|
with this option and leads to ugly output.
|
|
|
|
``--dither-size-fruit=<2-8>``
|
|
Set the size of the dither matrix (default: 6). The actual size of the
|
|
matrix is ``(2^N) x (2^N)`` for an option value of ``N``, so a value of 6
|
|
gives a size of 64x64. The matrix is generated at startup time, and a large
|
|
matrix can take rather long to compute (seconds).
|
|
|
|
Used in ``--dither=fruit`` mode only.
|
|
|
|
``--dither=<fruit|ordered|no>``
|
|
Select dithering algorithm (default: fruit). (Normally, the
|
|
``--dither-depth`` option controls whether dithering is enabled.)
|
|
|
|
``--temporal-dither``
|
|
Enable temporal dithering. (Only active if dithering is enabled in
|
|
general.) This changes between 8 different dithering patterns on each frame
|
|
by changing the orientation of the tiled dithering matrix. Unfortunately,
|
|
this can lead to flicker on LCD displays, since these have a high reaction
|
|
time.
|
|
|
|
``--temporal-dither-period=<1-128>``
|
|
Determines how often the dithering pattern is updated when
|
|
``--temporal-dither`` is in use. 1 (the default) will update on every video
|
|
frame, 2 on every other frame, etc.
|
|
|
|
``--opengl-debug``
|
|
Check for OpenGL errors, i.e. call ``glGetError()``. Also, request a
|
|
debug OpenGL context (which does nothing with current graphics drivers
|
|
as of this writing).
|
|
|
|
``--opengl-swapinterval=<n>``
|
|
Interval in displayed frames between two buffer swaps. 1 is equivalent to
|
|
enable VSYNC, 0 to disable VSYNC. Defaults to 1 if not specified.
|
|
|
|
Note that this depends on proper OpenGL vsync support. On some platforms
|
|
and drivers, this only works reliably when in fullscreen mode. It may also
|
|
require driver-specific hacks if using multiple monitors, to ensure mpv
|
|
syncs to the right one. Compositing window managers can also lead to bad
|
|
results, as can missing or incorrect display FPS information (see
|
|
``--display-fps``).
|
|
|
|
``--opengl-shaders=<files>``
|
|
Custom GLSL hooks. These are a flexible way to add custom fragment shaders,
|
|
which can be injected at almost arbitrary points in the rendering pipeline,
|
|
and access all previous intermediate textures.
|
|
|
|
.. admonition:: Warning
|
|
|
|
The syntax is not stable yet and may change any time.
|
|
|
|
The general syntax of a user shader looks like this::
|
|
|
|
//!METADATA ARGS...
|
|
//!METADATA ARGS...
|
|
|
|
vec4 hook() {
|
|
...
|
|
return something;
|
|
}
|
|
|
|
//!METADATA ARGS...
|
|
//!METADATA ARGS...
|
|
|
|
...
|
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Each block of metadata, along with the non-metadata lines after it, defines
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a single pass. Each pass can set the following metadata:
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HOOK <name> (required)
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The texture which to hook into. May occur multiple times within a
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metadata block, up to a predetermined limit. See below for a list of
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hookable textures.
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BIND <name>
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Loads a texture and makes it available to the pass, and sets up macros
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to enable accessing it. See below for a list of set macros. By default,
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no textures are bound. The special name HOOKED can be used to refer to
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the texture that triggered this pass.
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SAVE <name>
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Gives the name of the texture to save the result of this pass into. By
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default, this is set to the special name HOOKED which has the effect of
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overwriting the hooked texture.
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WIDTH <szexpr>, HEIGHT <szexpr>
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Specifies the size of the resulting texture for this pass. ``szexpr``
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refers to an expression in RPN (reverse polish notation), using the
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operators + - * / > < !, floating point literals, and references to
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sizes of existing texture (such as MAIN.width or CHROMA.height),
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OUTPUT, or NATIVE_CROPPED (size of an input texture cropped after
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pan-and-scan, video-align-x/y, video-pan-x/y, etc. and possibly
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prescaled). By default, these are set to HOOKED.w and HOOKED.h,
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espectively.
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WHEN <szexpr>
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Specifies a condition that needs to be true (non-zero) for the shader
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stage to be evaluated. If it fails, it will silently be omitted. (Note
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that a shader stage like this which has a dependency on an optional
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hook point can still cause that hook point to be saved, which has some
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minor overhead)
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OFFSET ox oy
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Indicates a pixel shift (offset) introduced by this pass. These pixel
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offsets will be accumulated and corrected during the next scaling pass
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(``cscale`` or ``scale``). The default values are 0 0 which correspond
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to no shift. Note that offsets are ignored when not overwriting the
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hooked texture.
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COMPONENTS n
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Specifies how many components of this pass's output are relevant and
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should be stored in the texture, up to 4 (rgba). By default, this value
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is equal to the number of components in HOOKED.
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Each bound texture (via ``BIND``) will make available the following
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definitions to that shader pass, where NAME is the name of the bound
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texture:
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vec4 NAME_tex(vec2 pos)
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The sampling function to use to access the texture at a certain spot
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(in texture coordinate space, range [0,1]). This takes care of any
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necessary normalization conversions.
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vec4 NAME_texOff(vec2 offset)
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Sample the texture at a certain offset in pixels. This works like
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NAME_tex but additionally takes care of necessary rotations, so that
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sampling at e.g. vec2(-1,0) is always one pixel to the left.
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vec2 NAME_pos
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The local texture coordinate of that texture, range [0,1].
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vec2 NAME_size
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The (rotated) size in pixels of the texture.
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mat2 NAME_rot
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The rotation matrix associated with this texture. (Rotates pixel space
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to texture coordinates)
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vec2 NAME_pt
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The (unrotated) size of a single pixel, range [0,1].
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sampler NAME_raw
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The raw bound texture itself. The use of this should be avoided unless
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absolutely necessary.
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In addition to these parameters, the following uniforms are also globally
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available:
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float random
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A random number in the range [0-1], different per frame.
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int frame
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A simple count of frames rendered, increases by one per frame and never
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resets (regardless of seeks).
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vec2 input_size
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The size in pixels of the input image (possibly cropped and prescaled).
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vec2 target_size
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The size in pixels of the visible part of the scaled (and possibly
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cropped) image.
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vec2 tex_offset
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Texture offset introduced by user shaders or options like panscan, video-align-x/y, video-pan-x/y.
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Internally, vo_opengl may generate any number of the following textures.
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Whenever a texture is rendered and saved by vo_opengl, all of the passes
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that have hooked into it will run, in the order they were added by the
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user. This is a list of the legal hook points:
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RGB, LUMA, CHROMA, ALPHA, XYZ (resizable)
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Source planes (raw). Which of these fire depends on the image format of
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the source.
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CHROMA_SCALED, ALPHA_SCALED (fixed)
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Source planes (upscaled). These only fire on subsampled content.
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NATIVE (resizable)
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The combined image, in the source colorspace, before conversion to RGB.
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MAINPRESUB (resizable)
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The image, after conversion to RGB, but before
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``--blend-subtitles=video`` is applied.
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MAIN (resizable)
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The main image, after conversion to RGB but before upscaling.
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LINEAR (fixed)
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Linear light image, before scaling. This only fires when
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``--linear-scaling`` is in effect.
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SIGMOID (fixed)
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Sigmoidized light, before scaling. This only fires when
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``--sigmoid-upscaling`` is in effect.
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PREKERNEL (fixed)
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The image immediately before the scaler kernel runs.
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POSTKERNEL (fixed)
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The image immediately after the scaler kernel runs.
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SCALED (fixed)
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The final upscaled image, before color management.
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OUTPUT (fixed)
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The final output image, after color management but before dithering and
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drawing to screen.
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Only the textures labelled with ``resizable`` may be transformed by the
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pass. When overwriting a texture marked ``fixed``, the WIDTH, HEIGHT and
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OFFSET must be left at their default values.
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``--deband``
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Enable the debanding algorithm. This greatly reduces the amount of visible
|
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banding, blocking and other quantization artifacts, at the expensive of
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very slightly blurring some of the finest details. In practice, it's
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virtually always an improvement - the only reason to disable it would be
|
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for performance.
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``--deband-iterations=<1..16>``
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The number of debanding steps to perform per sample. Each step reduces a
|
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bit more banding, but takes time to compute. Note that the strength of each
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step falls off very quickly, so high numbers (>4) are practically useless.
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(Default 1)
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``--deband-threshold=<0..4096>``
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The debanding filter's cut-off threshold. Higher numbers increase the
|
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debanding strength dramatically but progressively diminish image details.
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(Default 64)
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``--deband-range=<1..64>``
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The debanding filter's initial radius. The radius increases linearly for
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each iteration. A higher radius will find more gradients, but a lower
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radius will smooth more aggressively. (Default 16)
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If you increase the ``--deband-iterations``, you should probably decrease
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this to compensate.
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``--deband-grain=<0..4096>``
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Add some extra noise to the image. This significantly helps cover up
|
|
remaining quantization artifacts. Higher numbers add more noise. (Default
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48)
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``--sigmoid-upscaling``
|
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When upscaling, use a sigmoidal color transform to avoid emphasizing
|
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ringing artifacts. This also implies ``--linear-scaling``.
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``--sigmoid-center``
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The center of the sigmoid curve used for ``--sigmoid-upscaling``, must be a
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float between 0.0 and 1.0. Defaults to 0.75 if not specified.
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``--sigmoid-slope``
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The slope of the sigmoid curve used for ``--sigmoid-upscaling``, must be a
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float between 1.0 and 20.0. Defaults to 6.5 if not specified.
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``--sharpen=<value>``
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If set to a value other than 0, enable an unsharp masking filter. Positive
|
|
values will sharpen the image (but add more ringing and aliasing). Negative
|
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values will blur the image. If your GPU is powerful enough, consider
|
|
alternatives like the ``ewa_lanczossharp`` scale filter, or the
|
|
``--scale-blur`` option.
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``--opengl-glfinish``
|
|
Call ``glFinish()`` before and after swapping buffers (default: disabled).
|
|
Slower, but might improve results when doing framedropping. Can completely
|
|
ruin performance. The details depend entirely on the OpenGL driver.
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``--opengl-waitvsync``
|
|
Call ``glXWaitVideoSyncSGI`` after each buffer swap (default: disabled).
|
|
This may or may not help with video timing accuracy and frame drop. It's
|
|
possible that this makes video output slower, or has no effect at all.
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X11/GLX only.
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``--opengl-vsync-fences=<N>``
|
|
Synchronize the CPU to the Nth past frame using the ``GL_ARB_sync``
|
|
extension. A value of 0 disables this behavior (default). A value of 1
|
|
means it will synchronize to the current frame after rendering it. Like
|
|
``--glfinish`` and ``--waitvsync``, this can lower or ruin performance. Its
|
|
advantage is that it can span multiple frames, and effectively limit the
|
|
number of frames the GPU queues ahead (which also has an influence on
|
|
vsync).
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``--opengl-dwmflush=<no|windowed|yes|auto>``
|
|
Calls ``DwmFlush`` after swapping buffers on Windows (default: auto). It
|
|
also sets ``SwapInterval(0)`` to ignore the OpenGL timing. Values are: no
|
|
(disabled), windowed (only in windowed mode), yes (also in full screen).
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The value ``auto`` will try to determine whether the compositor is active,
|
|
and calls ``DwmFlush`` only if it seems to be.
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This may help to get more consistent frame intervals, especially with
|
|
high-fps clips - which might also reduce dropped frames. Typically, a value
|
|
of ``windowed`` should be enough, since full screen may bypass the DWM.
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Windows only.
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``--angle-d3d11-feature-level=<11_0|10_1|10_0|9_3>``
|
|
Selects a specific feature level when using the ANGLE backend with D3D11.
|
|
By default, the highest available feature level is used. This option can be
|
|
used to select a lower feature level, which is mainly useful for debugging.
|
|
Note that OpenGL ES 3.0 is only supported at feature level 10_1 or higher.
|
|
Most extended OpenGL features will not work at lower feature levels
|
|
(similar to ``--opengl-dumb-mode``).
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|
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Windows with ANGLE only.
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``--angle-d3d11-warp=<yes|no|auto>``
|
|
Use WARP (Windows Advanced Rasterization Platform) when using the ANGLE
|
|
backend with D3D11 (default: auto). This is a high performance software
|
|
renderer. By default, it is used when the Direct3D hardware does not
|
|
support Direct3D 11 feature level 9_3. While the extended OpenGL features
|
|
will work with WARP, they can be very slow.
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|
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Windows with ANGLE only.
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``--angle-egl-windowing=<yes|no|auto>``
|
|
Use ANGLE's built in EGL windowing functions to create a swap chain
|
|
(default: auto). If this is set to ``no`` and the D3D11 renderer is in use,
|
|
ANGLE's built in swap chain will not be used and a custom swap chain that
|
|
is optimized for video rendering will be created instead. If set to
|
|
``auto``, a custom swap chain will be used for D3D11 and the built in swap
|
|
chain will be used for D3D9. This option is mainly for debugging purposes,
|
|
in case the custom swap chain has poor performance or does not work.
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If set to ``yes``, the ``--angle-max-frame-latency``,
|
|
``--angle-swapchain-length`` and ``--angle-flip`` options will have no
|
|
effect.
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|
|
Windows with ANGLE only.
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``--angle-flip=<yes|no>``
|
|
Enable flip-model presentation, which avoids unnecessarily copying the
|
|
backbuffer by sharing surfaces with the DWM (default: yes). This may cause
|
|
performance issues with older drivers. If flip-model presentation is not
|
|
supported (for example, on Windows 7 without the platform update), mpv will
|
|
automatically fall back to the older bitblt presentation model.
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|
If set to ``no``, the ``--angle-swapchain-length`` option will have no
|
|
effect.
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|
|
Windows with ANGLE only.
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``--angle-max-frame-latency=<1-16>``
|
|
Sets the maximum number of frames that the system is allowed to queue for
|
|
rendering with the ANGLE backend (default: 3). Lower values should make
|
|
VSync timing more accurate, but a value of ``1`` requires powerful
|
|
hardware, since the CPU will not be able to "render ahead" of the GPU.
|
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|
|
Windows with ANGLE only.
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|
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``--angle-renderer=<d3d9|d3d11|auto>``
|
|
Forces a specific renderer when using the ANGLE backend (default: auto). In
|
|
auto mode this will pick D3D11 for systems that support Direct3D 11 feature
|
|
level 9_3 or higher, and D3D9 otherwise. This option is mainly for
|
|
debugging purposes. Normally there is no reason to force a specific
|
|
renderer, though ``--angle-renderer=d3d9`` may give slightly better
|
|
performance on old hardware. Note that the D3D9 renderer only supports
|
|
OpenGL ES 2.0, so most extended OpenGL features will not work if this
|
|
renderer is selected (similar to ``--opengl-dumb-mode``).
|
|
|
|
Windows with ANGLE only.
|
|
|
|
``--angle-swapchain-length=<2-16>``
|
|
Sets the number of buffers in the D3D11 presentation queue when using the
|
|
ANGLE backend (default: 6). At least 2 are required, since one is the back
|
|
buffer that mpv renders to and the other is the front buffer that is
|
|
presented by the DWM. Additional buffers can improve performance, because
|
|
for example, mpv will not have to wait on the DWM to release the front
|
|
buffer before rendering a new frame to it. For this reason, Microsoft
|
|
recommends at least 4.
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|
|
Windows 8+ with ANGLE only.
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|
|
``--cocoa-force-dedicated-gpu=<yes|no>``
|
|
Deactivates the automatic graphics switching and forces the dedicated GPU.
|
|
(default: no)
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|
|
OS X only.
|
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|
|
``--opengl-sw``
|
|
Continue even if a software renderer is detected.
|
|
|
|
``--opengl-backend=<sys>``
|
|
The value ``auto`` (the default) selects the windowing backend. You can
|
|
also pass ``help`` to get a complete list of compiled in backends (sorted
|
|
by autoprobe order).
|
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|
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auto
|
|
auto-select (default)
|
|
cocoa
|
|
Cocoa/OS X
|
|
win
|
|
Win32/WGL
|
|
angle
|
|
Direct3D11 through the OpenGL ES translation layer ANGLE. This supports
|
|
almost everything the ``win`` backend does (if the ANGLE build is new
|
|
enough).
|
|
dxinterop (experimental)
|
|
Win32, using WGL for rendering and Direct3D 9Ex for presentation. Works
|
|
on Nvidia and AMD. Newer Intel chips with the latest drivers may also
|
|
work.
|
|
x11
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|
X11/GLX
|
|
x11probe
|
|
For internal autoprobing, equivalent to ``x11`` otherwise. Don't use
|
|
directly, it could be removed without warning as autoprobing is changed.
|
|
wayland
|
|
Wayland/EGL
|
|
drm
|
|
DRM/EGL (``drm-egl`` is a deprecated alias)
|
|
x11egl
|
|
X11/EGL
|
|
mali-fbdev
|
|
Direct fbdev/EGL support on some ARM/MALI devices.
|
|
vdpauglx
|
|
Use vdpau presentation with GLX as backing. Experimental use only.
|
|
Using this will have no advantage (other than additional bugs or
|
|
performance problems), and is for doing experiments only. Will not
|
|
be used automatically.
|
|
|
|
``--opengl-es=<mode>``
|
|
Select whether to use GLES:
|
|
|
|
yes
|
|
Try to prefer ES over Desktop GL
|
|
force2
|
|
Try to request a ES 2.0 context (the driver might ignore this)
|
|
no
|
|
Try to prefer desktop GL over ES
|
|
auto
|
|
Use the default for each backend (default)
|
|
|
|
``--opengl-fbo-format=<fmt>``
|
|
Selects the internal format of textures used for FBOs. The format can
|
|
influence performance and quality of the video output. ``fmt`` can be one
|
|
of: rgb8, rgb10, rgb10_a2, rgb16, rgb16f, rgb32f, rgba12, rgba16, rgba16f,
|
|
rgba32f. Default: ``auto``, which maps to rgba16 on desktop GL, and rgba16f
|
|
or rgb10_a2 on GLES (e.g. ANGLE), unless GL_EXT_texture_norm16 is
|
|
available.
|
|
|
|
``--opengl-gamma=<0.1..2.0>``
|
|
Set a gamma value (default: 1.0). If gamma is adjusted in other ways (like
|
|
with the ``--gamma`` option or key bindings and the ``gamma`` property),
|
|
the value is multiplied with the other gamma value.
|
|
|
|
Recommended values based on the environmental brightness:
|
|
|
|
1.0
|
|
Brightly illuminated (default)
|
|
0.9
|
|
Slightly dim
|
|
0.8
|
|
Pitch black room
|
|
|
|
NOTE: Typical movie content (Blu-ray etc.) already contains a gamma drop of
|
|
about 0.8, so specifying it here as well will result in even darker
|
|
image than intended!
|
|
|
|
``--gamma-auto``
|
|
Automatically corrects the gamma value depending on ambient lighting
|
|
conditions (adding a gamma boost for dark rooms).
|
|
|
|
With ambient illuminance of 64lux, mpv will pick the 1.0 gamma value (no
|
|
boost), and slightly increase the boost up until 0.8 for 16lux.
|
|
|
|
NOTE: Only implemented on OS X.
|
|
|
|
``--target-prim=<value>``
|
|
Specifies the primaries of the display. Video colors will be adapted to
|
|
this colorspace when ICC color management is not being used. Valid values
|
|
are:
|
|
|
|
auto
|
|
Disable any adaptation (default)
|
|
bt.470m
|
|
ITU-R BT.470 M
|
|
bt.601-525
|
|
ITU-R BT.601 (525-line SD systems, eg. NTSC), SMPTE 170M/240M
|
|
bt.601-625
|
|
ITU-R BT.601 (625-line SD systems, eg. PAL/SECAM), ITU-R BT.470 B/G
|
|
bt.709
|
|
ITU-R BT.709 (HD), IEC 61966-2-4 (sRGB), SMPTE RP177 Annex B
|
|
bt.2020
|
|
ITU-R BT.2020 (UHD)
|
|
apple
|
|
Apple RGB
|
|
adobe
|
|
Adobe RGB (1998)
|
|
prophoto
|
|
ProPhoto RGB (ROMM)
|
|
cie1931
|
|
CIE 1931 RGB (not to be confused with CIE XYZ)
|
|
dci-p3
|
|
DCI-P3 (Digital Cinema Colorspace), SMPTE RP431-2
|
|
v-gamut
|
|
Panasonic V-Gamut (VARICAM) primaries
|
|
|
|
``--target-trc=<value>``
|
|
Specifies the transfer characteristics (gamma) of the display. Video colors
|
|
will be adjusted to this curve when ICC color management is not being used.
|
|
Valid values are:
|
|
|
|
auto
|
|
Disable any adaptation (default)
|
|
bt.1886
|
|
ITU-R BT.1886 curve (assuming infinite contrast)
|
|
srgb
|
|
IEC 61966-2-4 (sRGB)
|
|
linear
|
|
Linear light output
|
|
gamma1.8
|
|
Pure power curve (gamma 1.8), also used for Apple RGB
|
|
gamma2.2
|
|
Pure power curve (gamma 2.2)
|
|
gamma2.8
|
|
Pure power curve (gamma 2.8), also used for BT.470-BG
|
|
prophoto
|
|
ProPhoto RGB (ROMM)
|
|
st2084
|
|
SMPTE ST2084 (HDR) curve, PQ OETF
|
|
std-b67
|
|
ARIB STD-B67 (Hybrid Log-gamma) curve, also known as BBC/NHK HDR
|
|
v-log
|
|
Panasonic V-Log (VARICAM) curve
|
|
|
|
.. note::
|
|
|
|
When using HDR output formats, mpv will encode to the specified
|
|
curve but it will not set any HDMI flags or other signalling that might
|
|
be required for the target device to correctly display the HDR signal.
|
|
The user should independently guarantee this before using these signal
|
|
formats for display.
|
|
|
|
``--target-brightness=<1..100000>``
|
|
Specifies the display's approximate brightness in cd/m^2. When playing HDR
|
|
content on a SDR display (or SDR content on an HDR display), video colors
|
|
will be tone mapped to this target brightness using the algorithm specified
|
|
by ``--hdr-tone-mapping``. The default of 250 cd/m^2 corresponds to a
|
|
typical consumer display.
|
|
|
|
``--hdr-tone-mapping=<value>``
|
|
Specifies the algorithm used for tone-mapping HDR images onto the target
|
|
display. Valid values are:
|
|
|
|
clip
|
|
Hard-clip any out-of-range values. Use this when you care about
|
|
perfect color accuracy for in-range values at the cost of completely
|
|
distorting out-of-range values. Not generally recommended.
|
|
mobius
|
|
Generalization of Reinhard to a Möbius transform with linear section.
|
|
Smoothly maps out-of-range values while retaining contrast and colors
|
|
for in-range material as much as possible. Use this when you care about
|
|
color accuracy more than detail preservation. This is somewhere in
|
|
between ``clip`` and ``reinhard``, depending on the value of
|
|
``--tone-mapping-param``. (default)
|
|
reinhard
|
|
Reinhard tone mapping algorithm. Very simple continuous curve.
|
|
Preserves overall image brightness but uses nonlinear contrast, which
|
|
results in flattening of details and degradation in color accuracy.
|
|
hable
|
|
Similar to ``reinhard`` but preserves both dark and bright details
|
|
better (slightly sigmoidal), at the cost of slightly darkening
|
|
everything. Developed by John Hable for use in video games. Use this
|
|
when you care about detail preservation more than color/brightness
|
|
accuracy. This is roughly equivalent to
|
|
``--hdr-tone-mapping=reinhard --tone-mapping-param=0.24``.
|
|
gamma
|
|
Fits a logarithmic transfer between the tone curves.
|
|
linear
|
|
Linearly stretches the entire reference gamut to (a linear multiple of)
|
|
the display.
|
|
|
|
``--tone-mapping-param=<value>``
|
|
Set tone mapping parameters. Ignored if the tone mapping algorithm is not
|
|
tunable. This affects the following tone mapping algorithms:
|
|
|
|
mobius
|
|
Specifies the transition point from linear to mobius transform. Every
|
|
value below this point is guaranteed to be mapped 1:1. The higher the
|
|
value, the more accurate the result will be, at the cost of losing
|
|
bright details. Defaults to 0.3, which due to the steep initial slope
|
|
still preserves in-range colors fairly accurately.
|
|
reinhard
|
|
Specifies the local contrast coefficient at the display peak. Defaults
|
|
to 0.5, which means that in-gamut values will be about half as bright
|
|
as when clipping.
|
|
gamma
|
|
Specifies the exponent of the function. Defaults to 1.8.
|
|
linear
|
|
Specifies the scale factor to use while stretching. Defaults to 1.0.
|
|
|
|
``--icc-profile=<file>``
|
|
Load an ICC profile and use it to transform video RGB to screen output.
|
|
Needs LittleCMS 2 support compiled in. This option overrides the
|
|
``--target-prim``, ``--target-trc`` and ``--icc-profile-auto`` options.
|
|
|
|
``--icc-profile-auto``
|
|
Automatically select the ICC display profile currently specified by the
|
|
display settings of the operating system.
|
|
|
|
NOTE: On Windows, the default profile must be an ICC profile. WCS profiles
|
|
are not supported.
|
|
|
|
``--icc-cache-dir=<dirname>``
|
|
Store and load the 3D LUTs created from the ICC profile in this directory.
|
|
This can be used to speed up loading, since LittleCMS 2 can take a while to
|
|
create a 3D LUT. Note that these files contain uncompressed LUTs. Their
|
|
size depends on the ``--icc-3dlut-size``, and can be very big.
|
|
|
|
NOTE: This is not cleaned automatically, so old, unused cache files may
|
|
stick around indefinitely.
|
|
|
|
``--icc-intent=<value>``
|
|
Specifies the ICC intent used for the color transformation (when using
|
|
``--icc-profile``).
|
|
|
|
0
|
|
perceptual
|
|
1
|
|
relative colorimetric (default)
|
|
2
|
|
saturation
|
|
3
|
|
absolute colorimetric
|
|
|
|
``--icc-3dlut-size=<r>x<g>x<b>``
|
|
Size of the 3D LUT generated from the ICC profile in each dimension.
|
|
Default is 64x64x64. Sizes may range from 2 to 512.
|
|
|
|
``--icc-contrast=<0-100000>``
|
|
Specifies an upper limit on the target device's contrast ratio. This is
|
|
detected automatically from the profile if possible, but for some profiles
|
|
it might be missing, causing the contrast to be assumed as infinite. As a
|
|
result, video may appear darker than intended. This only affects BT.1886
|
|
content. The default of 0 means no limit.
|
|
|
|
``--blend-subtitles=<yes|video|no>``
|
|
Blend subtitles directly onto upscaled video frames, before interpolation
|
|
and/or color management (default: no). Enabling this causes subtitles to be
|
|
affected by ``--icc-profile``, ``--target-prim``, ``--target-trc``,
|
|
``--interpolation``, ``--opengl-gamma`` and ``--post-shader``. It also
|
|
increases subtitle performance when using ``--interpolation``.
|
|
|
|
The downside of enabling this is that it restricts subtitles to the visible
|
|
portion of the video, so you can't have subtitles exist in the black
|
|
margins below a video (for example).
|
|
|
|
If ``video`` is selected, the behavior is similar to ``yes``, but subs are
|
|
drawn at the video's native resolution, and scaled along with the video.
|
|
|
|
.. warning:: This changes the way subtitle colors are handled. Normally,
|
|
subtitle colors are assumed to be in sRGB and color managed as
|
|
such. Enabling this makes them treated as being in the video's
|
|
color space instead. This is good if you want things like
|
|
softsubbed ASS signs to match the video colors, but may cause
|
|
SRT subtitles or similar to look slightly off.
|
|
|
|
``--alpha=<blend-tiles|blend|yes|no>``
|
|
Decides what to do if the input has an alpha component.
|
|
|
|
blend-tiles
|
|
Blend the frame against a 16x16 gray/white tiles background (default).
|
|
blend
|
|
Blend the frame against the background color (``--background``, normally
|
|
black).
|
|
yes
|
|
Try to create a framebuffer with alpha component. This only makes sense
|
|
if the video contains alpha information (which is extremely rare). May
|
|
not be supported on all platforms. If alpha framebuffers are
|
|
unavailable, it silently falls back on a normal framebuffer. Note that
|
|
if you set the ``--opengl-fbo-format`` option to a non-default value, a
|
|
format with alpha must be specified, or this won't work.
|
|
This does not work on X11 with EGL and Mesa (freedesktop bug 67676).
|
|
no
|
|
Ignore alpha component.
|
|
|
|
``--opengl-rectangle-textures``
|
|
Force use of rectangle textures (default: no). Normally this shouldn't have
|
|
any advantages over normal textures. Note that hardware decoding overrides
|
|
this flag. Could be removed any time.
|
|
|
|
``--background=<color>``
|
|
Color used to draw parts of the mpv window not covered by video. See
|
|
``--osd-color`` option how colors are defined.
|
|
|
|
``--opengl-tex-pad-x``, ``--opengl-tex-pad-y``
|
|
Enlarge the video source textures by this many pixels. For debugging only
|
|
(normally textures are sized exactly, but due to hardware decoding interop
|
|
we may have to deal with additional padding, which can be tested with these
|
|
options). Could be removed any time.
|
|
|
|
``--opengl-early-flush=<yes|no|auto>``
|
|
Call ``glFlush()`` after rendering a frame and before attempting to display
|
|
it (default: auto). Can fix stuttering in some cases, in other cases
|
|
probably causes it. The ``auto`` mode will call ``glFlush()`` only if
|
|
the renderer is going to wait for a while after rendering, instead of
|
|
flipping GL front and backbuffers immediately (i.e. it doesn't call it
|
|
in display-sync mode).
|
|
|
|
``--opengl-dumb-mode=<yes|no>``
|
|
This mode is extremely restricted, and will disable most extended OpenGL
|
|
features. This includes high quality scalers and custom shaders!
|
|
|
|
It is intended for hardware that does not support FBOs (including GLES,
|
|
which supports it insufficiently), or to get some more performance out of
|
|
bad or old hardware.
|
|
|
|
This mode is forced automatically if needed, and this option is mostly
|
|
useful for debugging. It's also enabled automatically if nothing uses
|
|
features which require FBOs.
|
|
|
|
This option might be silently removed in the future.
|
|
|
|
``--opengl-shader-cache-dir=<dirname>``
|
|
Store and load compiled GL shaders in this directory. Normally, shader
|
|
compilation is very fast, so this is usually not needed. But some GL
|
|
implementations (notably ANGLE, the default on Windows) have relatively
|
|
slow shader compilation, and can cause startup delays.
|
|
|
|
NOTE: This is not cleaned automatically, so old, unused cache files may
|
|
stick around indefinitely.
|
|
|
|
This option might be silently removed in the future, if ANGLE fixes shader
|
|
compilation speed.
|
|
|
|
``--cuda-decode-device=<auto|0..>``
|
|
Choose the GPU device used for decoding when using the ``cuda`` hwdec.
|
|
|
|
By default, the device that is being used to provide OpenGL output will
|
|
also be used for decoding (and in the vast majority of cases, only one
|
|
GPU will be present).
|
|
|
|
Note that when using the ``cuda-copy`` hwdec, a different option must be
|
|
passed: ``--vd-lavc-o=gpu=<0..>``.
|
|
|
|
Miscellaneous
|
|
-------------
|
|
|
|
``--display-tags=tag1,tags2,...``
|
|
Set the list of tags that should be displayed on the terminal. Tags that
|
|
are in the list, but are not present in the played file, will not be shown.
|
|
If a value ends with ``*``, all tags are matched by prefix (though there
|
|
is no general globbing). Just passing ``*`` essentially filtering.
|
|
|
|
The default includes a common list of tags, call mpv with ``--list-options``
|
|
to see it.
|
|
|
|
``--mc=<seconds/frame>``
|
|
Maximum A-V sync correction per frame (in seconds)
|
|
|
|
``--autosync=<factor>``
|
|
Gradually adjusts the A/V sync based on audio delay measurements.
|
|
Specifying ``--autosync=0``, the default, will cause frame timing to be
|
|
based entirely on audio delay measurements. Specifying ``--autosync=1``
|
|
will do the same, but will subtly change the A/V correction algorithm. An
|
|
uneven video framerate in a video which plays fine with ``--no-audio`` can
|
|
often be helped by setting this to an integer value greater than 1. The
|
|
higher the value, the closer the timing will be to ``--no-audio``. Try
|
|
``--autosync=30`` to smooth out problems with sound drivers which do not
|
|
implement a perfect audio delay measurement. With this value, if large A/V
|
|
sync offsets occur, they will only take about 1 or 2 seconds to settle
|
|
out. This delay in reaction time to sudden A/V offsets should be the only
|
|
side effect of turning this option on, for all sound drivers.
|
|
|
|
``--video-sync=<audio|...>``
|
|
How the player synchronizes audio and video.
|
|
|
|
If you use this option, you usually want to set it to ``display-resample``
|
|
to enable a timing mode that tries to not skip or repeat frames when for
|
|
example playing 24fps video on a 24Hz screen.
|
|
|
|
The modes starting with ``display-`` try to output video frames completely
|
|
synchronously to the display, using the detected display vertical refresh
|
|
rate as a hint how fast frames will be displayed on average. These modes
|
|
change video speed slightly to match the display. See ``--video-sync-...``
|
|
options for fine tuning. The robustness of this mode is further reduced by
|
|
making a some idealized assumptions, which may not always apply in reality.
|
|
Behavior can depend on the VO and the system's video and audio drivers.
|
|
Media files must use constant framerate. Section-wise VFR might work as well
|
|
with some container formats (but not e.g. mkv). If the sync code detects
|
|
severe A/V desync, or the framerate cannot be detected, the player
|
|
automatically reverts to ``audio`` mode for some time or permanently.
|
|
|
|
The modes with ``desync`` in their names do not attempt to keep audio/video
|
|
in sync. They will slowly (or quickly) desync, until e.g. the next seek
|
|
happens. These modes are meant for testing, not serious use.
|
|
|
|
:audio: Time video frames to audio. This is the most robust
|
|
mode, because the player doesn't have to assume anything
|
|
about how the display behaves. The disadvantage is that
|
|
it can lead to occasional frame drops or repeats. If
|
|
audio is disabled, this uses the system clock. This is
|
|
the default mode.
|
|
:display-resample: Resample audio to match the video. This mode will also
|
|
try to adjust audio speed to compensate for other drift.
|
|
(This means it will play the audio at a different speed
|
|
every once in a while to reduce the A/V difference.)
|
|
:display-resample-vdrop: Resample audio to match the video. Drop video
|
|
frames to compensate for drift.
|
|
:display-resample-desync: Like the previous mode, but no A/V compensation.
|
|
:display-vdrop: Drop or repeat video frames to compensate desyncing
|
|
video. (Although it should have the same effects as
|
|
``audio``, the implementation is very different.)
|
|
:display-adrop: Drop or repeat audio data to compensate desyncing
|
|
video. See ``--video-sync-adrop-size``. This mode will
|
|
cause severe audio artifacts if the real monitor
|
|
refresh rate is too different from the reported or
|
|
forced rate.
|
|
:display-desync: Sync video to display, and let audio play on its own.
|
|
:desync: Sync video according to system clock, and let audio play
|
|
on its own.
|
|
|
|
``--video-sync-max-video-change=<value>``
|
|
Maximum speed difference in percent that is applied to video with
|
|
``--video-sync=display-...`` (default: 1). Display sync mode will be
|
|
disabled if the monitor and video refresh way do not match within the
|
|
given range. It tries multiples as well: playing 30 fps video on a 60 Hz
|
|
screen will duplicate every second frame. Playing 24 fps video on a 60 Hz
|
|
screen will play video in a 2-3-2-3-... pattern.
|
|
|
|
The default settings are not loose enough to speed up 23.976 fps video to
|
|
25 fps. We consider the pitch change too extreme to allow this behavior
|
|
by default. Set this option to a value of ``5`` to enable it.
|
|
|
|
Note that in the ``--video-sync=display-resample`` mode, audio speed will
|
|
additionally be changed by a small amount if necessary for A/V sync. See
|
|
``--video-sync-max-audio-change``.
|
|
|
|
``--video-sync-max-audio-change=<value>``
|
|
Maximum *additional* speed difference in percent that is applied to audio
|
|
with ``--video-sync=display-...`` (default: 0.125). Normally, the player
|
|
plays the audio at the speed of the video. But if the difference between
|
|
audio and video position is too high, e.g. due to drift or other timing
|
|
errors, it will attempt to speed up or slow down audio by this additional
|
|
factor. Too low values could lead to video frame dropping or repeating if
|
|
the A/V desync cannot be compensated, too high values could lead to chaotic
|
|
frame dropping due to the audio "overshooting" and skipping multiple video
|
|
frames before the sync logic can react.
|
|
|
|
``--video-sync-adrop-size=<value>``
|
|
For the ``--video-sync=display-adrop`` mode. This mode duplicates/drops
|
|
audio data to keep audio in sync with video. To avoid audio artifacts on
|
|
jitter (which would add/remove samples all the time), this is done in
|
|
relatively large, fixed units, controlled by this option. The unit is
|
|
seconds.
|
|
|
|
``--mf-fps=<value>``
|
|
Framerate used when decoding from multiple PNG or JPEG files with ``mf://``
|
|
(default: 1).
|
|
|
|
``--mf-type=<value>``
|
|
Input file type for ``mf://`` (available: jpeg, png, tga, sgi). By default,
|
|
this is guessed from the file extension.
|
|
|
|
``--stream-dump=<destination-filename>``
|
|
Instead of playing a file, read its byte stream and write it to the given
|
|
destination file. The destination is overwritten. Can be useful to test
|
|
network-related behavior.
|
|
|
|
``--stream-lavf-o=opt1=value1,opt2=value2,...``
|
|
Set AVOptions on streams opened with libavformat. Unknown or misspelled
|
|
options are silently ignored. (They are mentioned in the terminal output
|
|
in verbose mode, i.e. ``--v``. In general we can't print errors, because
|
|
other options such as e.g. user agent are not available with all protocols,
|
|
and printing errors for unknown options would end up being too noisy.)
|
|
|
|
``--vo-mmcss-profile=<name>``
|
|
(Windows only.)
|
|
Set the MMCSS profile for the video renderer thread (default: ``Playback``).
|
|
|
|
``--priority=<prio>``
|
|
(Windows only.)
|
|
Set process priority for mpv according to the predefined priorities
|
|
available under Windows.
|
|
|
|
Possible values of ``<prio>``:
|
|
idle|belownormal|normal|abovenormal|high|realtime
|
|
|
|
.. warning:: Using realtime priority can cause system lockup.
|
|
|
|
``--force-media-title=<string>``
|
|
Force the contents of the ``media-title`` property to this value. Useful
|
|
for scripts which want to set a title, without overriding the user's
|
|
setting in ``--title``.
|
|
|
|
``--external-file=<filename>``
|
|
Load a file and add all of its tracks. This is useful to play different
|
|
files together (for example audio from one file, video from another), or
|
|
for advanced ``--lavfi-complex`` used (like playing two video files at
|
|
the same time).
|
|
|
|
Unlike ``--sub-file`` and ``--audio-file``, this includes all tracks, and
|
|
does not cause default stream selection over the "proper" file. This makes
|
|
it slightly less intrusive.
|
|
|
|
``--autoload-files=<yes|no>``
|
|
Automatically load/select external files (default: yes).
|
|
|
|
If set to ``no``, then do not automatically load external files as specified
|
|
by ``--sub-auto`` and ``--audio-file-auto``. If external files are forcibly
|
|
added (like with ``--sub-file``), they will not be auto-selected.
|
|
|
|
This does not affect playlist expansion, redirection, or other loading of
|
|
referenced files like with ordered chapters.
|
|
|
|
``--record-file=<file>``
|
|
Record the current stream to the given target file. The target file will
|
|
always be overwritten without asking.
|
|
|
|
This remuxes the source stream without reencoding, which makes this a
|
|
highly fragile and experimental feature. It's entirely possible that this
|
|
writes files which are broken, not standards compliant, not playable with
|
|
all players (including mpv), or incomplete.
|
|
|
|
The target file format is determined by the file extension of the target
|
|
filename. It is recommended to use the same target container as the source
|
|
container if possible, and preferring Matroska as fallback.
|
|
|
|
Seeking during stream recording, or enabling/disabling stream recording
|
|
during playback, can cut off data, or produce "holes" in the output file.
|
|
These are technical restrictions. In particular, video data or subtitles
|
|
which were read ahead can produce such holes, which might cause playback
|
|
problems with various players (including mpv).
|
|
|
|
The behavior of this option might changed in the future, such as changing
|
|
it to a template (similar to ``--screenshot-template``), being renamed,
|
|
removed, or anything else, until it is declared semi-stable.
|
|
|
|
``--lavfi-complex=<string>``
|
|
Set a "complex" libavfilter filter, which means a single filter graph can
|
|
take input from multiple source audio and video tracks. The graph can result
|
|
in a single audio or video output (or both).
|
|
|
|
Currently, the filter graph labels are used to select the participating
|
|
input tracks and audio/video output. The following rules apply:
|
|
|
|
- A label of the form ``aidN`` selects audio track N as input (e.g.
|
|
``aid1``).
|
|
- A label of the form ``vidN`` selects video track N as input.
|
|
- A label named ``ao`` will be connected to the audio output.
|
|
- A label named ``vo`` will be connected to the video output.
|
|
|
|
Each label can be used only once. If you want to use e.g. an audio stream
|
|
for multiple filters, you need to use the ``asplit`` filter. Multiple
|
|
video or audio outputs are not possible, but you can use filters to merge
|
|
them into one.
|
|
|
|
The complex filter cannot be changed yet during playback. It's also not
|
|
possible to change the tracks connected to the filter at runtime. Other
|
|
tracks, as long as they're not connected to the filter, and the
|
|
corresponding output is not connected to the filter, can still be freely
|
|
changed.
|
|
|
|
Note that the normal filter chains (``--af``, ``--vf``) are applied between
|
|
the complex graphs (e.g. ``ao`` label) and the actual output.
|
|
|
|
.. admonition:: Examples
|
|
|
|
- ``--lavfi-complex='[aid1] asplit [ao] [t] ; [t] aphasemeter [vo]'``
|
|
Play audio track 1, and visualize it as video using the ``aphasemeter``
|
|
filter.
|
|
- ``--lavfi-complex='[aid1] [aid2] amix [ao]'``
|
|
Play audio track 1 and 2 at the same time.
|
|
- ``--lavfi-complex='[vid1] [vid2] vstack [vo]'``
|
|
Stack video track 1 and 2 and play them at the same time. Note that
|
|
both tracks need to have the same width, or filter initialization
|
|
will fail (you can add ``scale`` filters before the ``vstack`` filter
|
|
to fix the size).
|
|
- ``--lavfi-complex='[aid1] asplit [ao] [t] ; [t] aphasemeter [t2] ; [vid1] [t2] overlay [vo]'``
|
|
Play audio track 1, and overlay its visualization over video track 1.
|
|
- ``--lavfi-complex='[aid1] asplit [t1] [ao] ; [t1] showvolume [t2] ; [vid1] [t2] overlay [vo]'``
|
|
Play audio track 1, and overlay the measured volume for each speaker
|
|
over video track 1.
|
|
- ``null:// --lavfi-complex='life [vo]'``
|
|
Conways' Life Game.
|
|
|
|
See the FFmpeg libavfilter documentation for details on the available
|
|
filters.
|