mirror of
https://git.ffmpeg.org/ffmpeg.git
synced 2024-12-14 19:25:01 +00:00
ba13606ca6
This allows having the samples accessible via different paths on the target and on the host. Signed-off-by: Martin Storsjö <martin@martin.st>
88 lines
3.3 KiB
Makefile
88 lines
3.3 KiB
Makefile
FATE_AAC += fate-aac-al04_44
|
|
fate-aac-al04_44: CMD = pcm -i $(TARGET_SAMPLES)/aac/al04_44.mp4
|
|
fate-aac-al04_44: REF = $(SAMPLES)/aac/al04_44.s16
|
|
|
|
FATE_AAC += fate-aac-al05_44
|
|
fate-aac-al05_44: CMD = pcm -i $(TARGET_SAMPLES)/aac/al05_44.mp4
|
|
fate-aac-al05_44: REF = $(SAMPLES)/aac/al05_44.s16
|
|
|
|
FATE_AAC += fate-aac-al06_44
|
|
fate-aac-al06_44: CMD = pcm -i $(TARGET_SAMPLES)/aac/al06_44.mp4
|
|
fate-aac-al06_44: REF = $(SAMPLES)/aac/al06_44_reorder.s16
|
|
|
|
FATE_AAC += fate-aac-al07_96
|
|
fate-aac-al07_96: CMD = pcm -i $(TARGET_SAMPLES)/aac/al07_96.mp4
|
|
fate-aac-al07_96: REF = $(SAMPLES)/aac/al07_96_reorder.s16
|
|
|
|
FATE_AAC += fate-aac-al15_44
|
|
fate-aac-al15_44: CMD = pcm -i $(TARGET_SAMPLES)/aac/al15_44.mp4
|
|
fate-aac-al15_44: REF = $(SAMPLES)/aac/al15_44_reorder.s16
|
|
|
|
FATE_AAC += fate-aac-al17_44
|
|
fate-aac-al17_44: CMD = pcm -i $(TARGET_SAMPLES)/aac/al17_44.mp4
|
|
fate-aac-al17_44: REF = $(SAMPLES)/aac/al17_44.s16
|
|
|
|
FATE_AAC += fate-aac-al18_44
|
|
fate-aac-al18_44: CMD = pcm -i $(TARGET_SAMPLES)/aac/al18_44.mp4
|
|
fate-aac-al18_44: REF = $(SAMPLES)/aac/al18_44.s16
|
|
|
|
FATE_AAC += fate-aac-am00_88
|
|
fate-aac-am00_88: CMD = pcm -i $(TARGET_SAMPLES)/aac/am00_88.mp4
|
|
fate-aac-am00_88: REF = $(SAMPLES)/aac/am00_88.s16
|
|
|
|
FATE_AAC += fate-aac-am05_44
|
|
fate-aac-am05_44: CMD = pcm -i $(TARGET_SAMPLES)/aac/am05_44.mp4
|
|
fate-aac-am05_44: REF = $(SAMPLES)/aac/am05_44_reorder.s16
|
|
|
|
FATE_AAC += fate-aac-al_sbr_hq_cm_48_2
|
|
fate-aac-al_sbr_hq_cm_48_2: CMD = pcm -i $(TARGET_SAMPLES)/aac/al_sbr_cm_48_2.mp4
|
|
fate-aac-al_sbr_hq_cm_48_2: REF = $(SAMPLES)/aac/al_sbr_hq_cm_48_2.s16
|
|
|
|
FATE_AAC += fate-aac-al_sbr_hq_cm_48_5.1
|
|
fate-aac-al_sbr_hq_cm_48_5.1: CMD = pcm -i $(TARGET_SAMPLES)/aac/al_sbr_cm_48_5.1.mp4
|
|
fate-aac-al_sbr_hq_cm_48_5.1: REF = $(SAMPLES)/aac/al_sbr_hq_cm_48_5.1_reorder.s16
|
|
|
|
FATE_AAC += fate-aac-al_sbr_ps_06_ur
|
|
fate-aac-al_sbr_ps_06_ur: CMD = pcm -i $(TARGET_SAMPLES)/aac/al_sbr_ps_06_new.mp4
|
|
fate-aac-al_sbr_ps_06_ur: REF = $(SAMPLES)/aac/al_sbr_ps_06_ur.s16
|
|
|
|
FATE_AAC += fate-aac-ap05_48
|
|
fate-aac-ap05_48: CMD = pcm -i $(TARGET_SAMPLES)/aac/ap05_48.mp4
|
|
fate-aac-ap05_48: REF = $(SAMPLES)/aac/ap05_48.s16
|
|
|
|
fate-aac-ct%: CMD = pcm -i $(TARGET_SAMPLES)/aac/CT_DecoderCheck/$(@:fate-aac-ct-%=%)
|
|
fate-aac-ct%: REF = $(SAMPLES)/aac/CT_DecoderCheck/aacPlusv2.wav
|
|
|
|
FATE_AAC_CT_RAW = fate-aac-ct-sbr_i-ps_i.aac
|
|
|
|
FATE_AAC_CT = sbr_bc-ps_i.3gp \
|
|
sbr_bic-ps_i.3gp \
|
|
sbr_bc-ps_bc.mp4 \
|
|
sbr_bc-ps_i.mp4 \
|
|
sbr_i-ps_bic.mp4 \
|
|
sbr_i-ps_i.mp4
|
|
|
|
FATE_AAC += $(FATE_AAC_CT:%=fate-aac-ct-%)
|
|
|
|
FATE_AAC_LATM += fate-aac-latm_000000001180bc60
|
|
fate-aac-latm_000000001180bc60: CMD = pcm -i $(TARGET_SAMPLES)/aac/latm_000000001180bc60.mpg
|
|
fate-aac-latm_000000001180bc60: REF = $(SAMPLES)/aac/latm_000000001180bc60.s16
|
|
|
|
FATE_AAC_LATM += fate-aac-latm_stereo_to_51
|
|
fate-aac-latm_stereo_to_51: CMD = pcm -i $(TARGET_SAMPLES)/aac/latm_stereo_to_51.ts -channel_layout 5.1
|
|
fate-aac-latm_stereo_to_51: REF = $(SAMPLES)/aac/latm_stereo_to_51_ref.s16
|
|
|
|
FATE_AAC-$(call DEMDEC, AAC, AAC) += $(FATE_AAC_CT_RAW)
|
|
FATE_AAC-$(call DEMDEC, MOV, AAC) += $(FATE_AAC)
|
|
FATE_AAC_LATM-$(call DEMDEC, MPEGTS, AAC_LATM) += $(FATE_AAC_LATM)
|
|
|
|
FATE_AAC_ALL = $(FATE_AAC-yes) $(FATE_AAC_LATM-yes)
|
|
|
|
$(FATE_AAC_ALL): CMP = oneoff
|
|
$(FATE_AAC_ALL): FUZZ = 2
|
|
|
|
FATE_SAMPLES_AVCONV += $(FATE_AAC_ALL)
|
|
|
|
fate-aac: $(FATE_AAC_ALL)
|
|
fate-aac-latm: $(FATE_AAC_LATM-yes)
|