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aacenc: use the fast coder as the default 

The twoloop coder sounds decent at low bitrates, however at higher bitrates
it sounds worse than the fast coder (which used to be the old twoloop coder
before October 2015) and needs quite a lot more CPU.
Change the default to fast. It has been well tested and has had little changes
over the years so its been confirmed to be quite stable.
Also change its description (not valid for more than a year) and the
documentation.

Signed-off-by: Rostislav Pehlivanov <atomnuker@gmail.com>
This commit is contained in:
Rostislav Pehlivanov 2018-01-13 11:46:29 +00:00
parent 1eb7c1d49d
commit fcb681ac3e
3 changed files with 16 additions and 17 deletions
Show Stats Download Patch File Download Diff File Expand all files Collapse all files

9
doc/encoders.texi
View File

@ -64,7 +64,6 @@ to find an optimal combination by adding or subtracting a specific value from
all quantizers and adjusting some individual quantizer a little. Will tune
itself based on whether @option{aac_is}, @option{aac_ms} and @option{aac_pns}
are enabled.
This is the default choice for a coder.
@item anmr
Average noise to mask ratio (ANMR) trellis-based solution.
@ -77,10 +76,10 @@ Not currently recommended.
@item fast
Constant quantizer method.
This method sets a constant quantizer for all bands. This is the fastest of all
the methods and has no rate control or support for @option{aac_is} or
@option{aac_pns}.
Not recommended.
Uses a cheaper version of twoloop algorithm that doesn't try to do as many
clever adjustments. Worse with low bitrates (less than 64kbps), but is better
and much faster at higher bitrates.
This is the default choice for a coder
@end table

4
libavcodec/aacenc.c
View File

@ -1118,10 +1118,10 @@ fail:
#define AACENC_FLAGS AV_OPT_FLAG_ENCODING_PARAM | AV_OPT_FLAG_AUDIO_PARAM
static const AVOption aacenc_options[] = {
{"aac_coder", "Coding algorithm", offsetof(AACEncContext, options.coder), AV_OPT_TYPE_INT, {.i64 = AAC_CODER_TWOLOOP}, 0, AAC_CODER_NB-1, AACENC_FLAGS, "coder"},
{"aac_coder", "Coding algorithm", offsetof(AACEncContext, options.coder), AV_OPT_TYPE_INT, {.i64 = AAC_CODER_FAST}, 0, AAC_CODER_NB-1, AACENC_FLAGS, "coder"},
{"anmr", "ANMR method", 0, AV_OPT_TYPE_CONST, {.i64 = AAC_CODER_ANMR}, INT_MIN, INT_MAX, AACENC_FLAGS, "coder"},
{"twoloop", "Two loop searching method", 0, AV_OPT_TYPE_CONST, {.i64 = AAC_CODER_TWOLOOP}, INT_MIN, INT_MAX, AACENC_FLAGS, "coder"},
{"fast", "Constant quantizer", 0, AV_OPT_TYPE_CONST, {.i64 = AAC_CODER_FAST}, INT_MIN, INT_MAX, AACENC_FLAGS, "coder"},
{"fast", "Default fast search", 0, AV_OPT_TYPE_CONST, {.i64 = AAC_CODER_FAST}, INT_MIN, INT_MAX, AACENC_FLAGS, "coder"},
{"aac_ms", "Force M/S stereo coding", offsetof(AACEncContext, options.mid_side), AV_OPT_TYPE_BOOL, {.i64 = -1}, -1, 1, AACENC_FLAGS},
{"aac_is", "Intensity stereo coding", offsetof(AACEncContext, options.intensity_stereo), AV_OPT_TYPE_BOOL, {.i64 = 1}, -1, 1, AACENC_FLAGS},
{"aac_pns", "Perceptual noise substitution", offsetof(AACEncContext, options.pns), AV_OPT_TYPE_BOOL, {.i64 = 1}, -1, 1, AACENC_FLAGS},

20
tests/fate/aac.mak
View File

@ -154,7 +154,7 @@ fate-aac-aref-encode: CMD = enc_dec_pcm adts wav s16le $(REF) -c:a aac -aac_is 0
fate-aac-aref-encode: CMP = stddev
fate-aac-aref-encode: REF = ./tests/data/asynth-44100-2.wav
fate-aac-aref-encode: CMP_SHIFT = -4096
fate-aac-aref-encode: CMP_TARGET = 669
fate-aac-aref-encode: CMP_TARGET = 596
fate-aac-aref-encode: SIZE_TOLERANCE = 2464
fate-aac-aref-encode: FUZZ = 89
@ -163,7 +163,7 @@ fate-aac-ln-encode: CMD = enc_dec_pcm adts wav s16le $(TARGET_SAMPLES)/audio-ref
fate-aac-ln-encode: CMP = stddev
fate-aac-ln-encode: REF = $(SAMPLES)/audio-reference/luckynight_2ch_44kHz_s16.wav
fate-aac-ln-encode: CMP_SHIFT = -4096
fate-aac-ln-encode: CMP_TARGET = 61
fate-aac-ln-encode: CMP_TARGET = 72
fate-aac-ln-encode: SIZE_TOLERANCE = 3560
fate-aac-ln-encode: FUZZ = 30
@ -172,7 +172,7 @@ fate-aac-ln-encode-128k: CMD = enc_dec_pcm adts wav s16le $(TARGET_SAMPLES)/audi
fate-aac-ln-encode-128k: CMP = stddev
fate-aac-ln-encode-128k: REF = $(SAMPLES)/audio-reference/luckynight_2ch_44kHz_s16.wav
fate-aac-ln-encode-128k: CMP_SHIFT = -4096
fate-aac-ln-encode-128k: CMP_TARGET = 800
fate-aac-ln-encode-128k: CMP_TARGET = 622
fate-aac-ln-encode-128k: SIZE_TOLERANCE = 3560
fate-aac-ln-encode-128k: FUZZ = 5
@ -181,7 +181,7 @@ fate-aac-pns-encode: CMD = enc_dec_pcm adts wav s16le $(TARGET_SAMPLES)/audio-re
fate-aac-pns-encode: CMP = stddev
fate-aac-pns-encode: REF = $(SAMPLES)/audio-reference/luckynight_2ch_44kHz_s16.wav
fate-aac-pns-encode: CMP_SHIFT = -4096
fate-aac-pns-encode: CMP_TARGET = 616
fate-aac-pns-encode: CMP_TARGET = 655
fate-aac-pns-encode: SIZE_TOLERANCE = 3560
fate-aac-pns-encode: FUZZ = 74
@ -190,7 +190,7 @@ fate-aac-tns-encode: CMD = enc_dec_pcm adts wav s16le $(TARGET_SAMPLES)/audio-re
fate-aac-tns-encode: CMP = stddev
fate-aac-tns-encode: REF = $(SAMPLES)/audio-reference/luckynight_2ch_44kHz_s16.wav
fate-aac-tns-encode: CMP_SHIFT = -4096
fate-aac-tns-encode: CMP_TARGET = 817
fate-aac-tns-encode: CMP_TARGET = 637
fate-aac-tns-encode: FUZZ = 7
fate-aac-tns-encode: SIZE_TOLERANCE = 3560
@ -199,7 +199,7 @@ fate-aac-is-encode: CMD = enc_dec_pcm adts wav s16le $(TARGET_SAMPLES)/audio-ref
fate-aac-is-encode: CMP = stddev
fate-aac-is-encode: REF = $(SAMPLES)/audio-reference/luckynight_2ch_44kHz_s16.wav
fate-aac-is-encode: CMP_SHIFT = -4096
fate-aac-is-encode: CMP_TARGET = 615
fate-aac-is-encode: CMP_TARGET = 514
fate-aac-is-encode: SIZE_TOLERANCE = 3560
fate-aac-is-encode: FUZZ = 10
@ -208,7 +208,7 @@ fate-aac-ms-encode: CMD = enc_dec_pcm adts wav s16le $(TARGET_SAMPLES)/audio-ref
fate-aac-ms-encode: CMP = stddev
fate-aac-ms-encode: REF = $(SAMPLES)/audio-reference/luckynight_2ch_44kHz_s16.wav
fate-aac-ms-encode: CMP_SHIFT = -4096
fate-aac-ms-encode: CMP_TARGET = 675
fate-aac-ms-encode: CMP_TARGET = 558
fate-aac-ms-encode: SIZE_TOLERANCE = 3560
fate-aac-ms-encode: FUZZ = 15
@ -217,7 +217,7 @@ fate-aac-ltp-encode: CMD = enc_dec_pcm adts wav s16le $(TARGET_SAMPLES)/audio-re
fate-aac-ltp-encode: CMP = stddev
fate-aac-ltp-encode: REF = $(SAMPLES)/audio-reference/luckynight_2ch_44kHz_s16.wav
fate-aac-ltp-encode: CMP_SHIFT = -4096
fate-aac-ltp-encode: CMP_TARGET = 1270
fate-aac-ltp-encode: CMP_TARGET = 1207
fate-aac-ltp-encode: SIZE_TOLERANCE = 3560
fate-aac-ltp-encode: FUZZ = 17
@ -227,7 +227,7 @@ fate-aac-yoraw-encode: CMD = enc_dec_pcm adts wav s16le $(TARGET_SAMPLES)/audio-
fate-aac-yoraw-encode: CMP = stddev
fate-aac-yoraw-encode: REF = $(SAMPLES)/audio-reference/yo.raw-short.wav
fate-aac-yoraw-encode: CMP_SHIFT = -12288
fate-aac-yoraw-encode: CMP_TARGET = 259
fate-aac-yoraw-encode: CMP_TARGET = 226
fate-aac-yoraw-encode: SIZE_TOLERANCE = 3560
fate-aac-yoraw-encode: FUZZ = 17
@ -237,7 +237,7 @@ fate-aac-pred-encode: CMD = enc_dec_pcm adts wav s16le $(TARGET_SAMPLES)/audio-r
fate-aac-pred-encode: CMP = stddev
fate-aac-pred-encode: REF = $(SAMPLES)/audio-reference/luckynight_2ch_44kHz_s16.wav
fate-aac-pred-encode: CMP_SHIFT = -4096
fate-aac-pred-encode: CMP_TARGET = 841
fate-aac-pred-encode: CMP_TARGET = 662
fate-aac-pred-encode: FUZZ = 12
fate-aac-pred-encode: SIZE_TOLERANCE = 3560