See manpage additions. This is a huge hack. You can bet there are shit
tons of bugs. It's literally forcing square pegs into round holes.
Hopefully, the manpage wall of text makes it clear enough that the whole
shit can easily crash and burn. (Although it shouldn't literally crash.
That would be a bug. It possibly _could_ start a fire by entering some
sort of endless loop, not a literal one, just something where it tries
to do work without making progress.)
(Some obvious bugs I simply ignored for this initial version, but
there's a number of potential bugs I can't even imagine. Normal playback
should remain completely unaffected, though.)
How this works is also described in the manpage. Basically, we demux in
reverse, then we decode in reverse, then we render in reverse.
The decoding part is the simplest: just reorder the decoder output. This
weirdly integrates with the timeline/ordered chapter code, which also
has special requirements on feeding the packets to the decoder in a
non-straightforward way (it doesn't conflict, although a bugmessmass
breaks correct slicing of segments, so EDL/ordered chapter playback is
broken in backward direction).
Backward demuxing is pretty involved. In theory, it could be much
easier: simply iterating the usual demuxer output backward. But this
just doesn't fit into our code, so there's a cthulhu nightmare of shit.
To be specific, each stream (audio, video) is reversed separately. At
least this means we can do backward playback within cached content (for
example, you could play backwards in a live stream; on that note, it
disables prefetching, which would lead to losing new live video, but
this could be avoided).
The fuckmess also meant that I didn't bother trying to support
subtitles. Subtitles are a problem because they're "sparse" streams.
They need to be "passively" demuxed: you don't try to read a subtitle
packet, you demux audio and video, and then look whether there was a
subtitle packet. This means to get subtitles for a time range, you need
to know that you demuxed video and audio over this range, which becomes
pretty messy when you demux audio and video backwards separately.
Backward display is the most weird (and potentially buggy) part. To
avoid that we need to touch a LOT of timing code, we negate all
timestamps. The basic idea is that due to the navigation, all
comparisons and subtractions of timestamps keep working, and you don't
need to touch every single of them to "reverse" them.
E.g.:
bool before = pts_a < pts_b;
would need to be:
bool before = forward
? pts_a < pts_b
: pts_a > pts_b;
or:
bool before = pts_a * dir < pts_b * dir;
or if you, as it's implemented now, just do this after decoding:
pts_a *= dir;
pts_b *= dir;
and then in the normal timing/renderer code:
bool before = pts_a < pts_b;
Consequently, we don't need many changes in the latter code. But some
assumptions inhererently true for forward playback may have been broken
anyway. What is mainly needed is fixing places where values are passed
between positive and negative "domains". For example, seeking and
timestamp user display always uses positive timestamps. The main mess is
that it's not obvious which domain a given variable should or does use.
Well, in my tests with a single file, it suddenly started to work when I
did this. I'm honestly surprised that it did, and that I didn't have to
change a single line in the timing code past decoder (just something
minor to make external/cached text subtitles display). I committed it
immediately while avoiding thinking about it. But there really likely
are subtle problems of all sorts.
As far as I'm aware, gstreamer also supports backward playback. When I
looked at this years ago, I couldn't find a way to actually try this,
and I didn't revisit it now. Back then I also read talk slides from the
person who implemented it, and I'm not sure if and which ideas I might
have taken from it. It's possible that the timestamp reversal is
inspired by it, but I didn't check. (I think it claimed that it could
avoid large changes by changing a sign?)
VapourSynth has some sort of reverse function, which provides a backward
view on a video. The function itself is trivial to implement, as
VapourSynth aims to provide random access to video by frame numbers (so
you just request decreasing frame numbers). From what I remember, it
wasn't exactly fluid, but it worked. It's implemented by creating an
index, and seeking to the target on demand, and a bunch of caching. mpv
could use it, but it would either require using VapourSynth as demuxer
and decoder for everything, or replacing the current file every time
something is supposed to be played backwards.
FFmpeg's libavfilter has reversal filters for audio and video. These
require buffering the entire media data of the file, and don't really
fit into mpv's architecture. It could be used by playing a libavfilter
graph that also demuxes, but that's like VapourSynth but worse.
Apparently, for bit streaming DTS-HD MA is specified to be handled as an
eight channel (7.1) bit stream, while DTS-HD HRA is specified to be
handled as a stereo bit stream.
Define a variable for this, and utilize it to set the correct values
for both the DTS-HD bit streaming rate, as well as the channel count
for the SPDIF encoder.
Fixes#6148
According to ALSA doxy, EPIPE is a synonym to SND_PCM_STATE_XRUN,
and that is a state that we should attempt to automatically recover
from. In case recovery fails, log an error and return zero.
A warning message will still be output for each XRUN since those
are not something we should generally be receiving.
This has been way too long coming, and for me to notice that a
whole lot of ao_alsa functions do an early return if the AO is
paused.
For the STATE_SETUP case, I had this reproduced once, and never
since. Still, seems like we can start calling this function before
the ALSA device has been fully initialized so we might as well
early exit in that case.
ao->device_buffer will only affect the enqueue size if the latter
is not specified. In other word, its intended purpose will solely
be setting/guarding the soft buffer size.
This guarantees that the soft buffer size will be consistent no
matter a specific enqueue size is set or not. (In the past it
would drop to the default of the generic audio-buffer option.)
opensles-frames-per-buffer has been renamed to opensles-frames-per
-enqueue, as it was never purposed to set the soft buffer size. It
will only make sure the size is never smaller than itself, just as
before.
opensles-buffer-size-in-ms is introduced to allow easy tuning of
the relative (i.e. in time) soft buffer size (and enqueue size,
unless the aforementioned option is set). As "device buffer" never
really made sense in this AO, this option OVERRIDES audio-buffer
whenever its value (including the default) is larger than 0.
Setting opensl-buffer-size-in-ms to 1 allows you to equate the soft
buffer size to the absolute enqueue size set with opensl-frames-per
-enqueue conveniently (unless it is less than 1ms).
When both are set to 0, audio-buffer will be the ultimate fallback.
If audio-buffer is also 0, the AO errors out.
Fixes a bug with alsa dmix on Fedora 29. After several minutes,
audio suddenly becomes bad and muted.
Actually, I don't know what causes this. Probably this is a bug in alsa.
In any case, as snd_pcm_status() returns not only 'avail', but also other
fields such as tstamp, htstamp, etc, this could be considered a good
simplification, as only avail is required for this function.
This was always a legacy thing. Remove it by applying an orgy of
mp_get_config_group() calls, and sometimes m_config_cache_alloc() or
mp_read_option_raw().
win32 changes untested.
Until recently, ao_lavc and vo_lavc started encoding whenever the core
happened to send them data. Since audio and video are not initialized at
the same time, and the muxer was not necessarily opened when the first
encoder started to produce data, the resulting packets were put into a
queue. As soon as the muxer was opened, the queue was flushed.
Change this to make the core wait with sending data until all encoders
are initialized. This has the advantage that we don't need to queue up
the packets.
The main change is that we wait with opening the muxer ("writing
headers") until we have data from all streams. This fixes race
conditions at init due to broken assumptions in the old code.
This also changes a lot of other stuff. I found and fixed a few API
violations (often things for which better mechanisms were invented, and
the old ones are not valid anymore). I try to get away from the public
mutex and shared fields in encode_lavc_context. For now it's still
needed for some timestamp-related fields, but most are gone. It also
removes some bad code duplication between audio and video paths.
Print them as a warning.
Note that there may be some cases where it underruns, without being a
bad condition. This could possibly happen e.g. if the last chunk is
written, and then it resumes playback some time after that. Eventually I
want to add more code to avoid such spurious warnings.
There is a dedicated thread for feeding audio to the ALSA API from a
buffer with a larger size. There is little reason to have such a large
device buffer.
One can now set the number of buffers and the buffer size.
This can reduce the CPU usage and the total latency stays mostly the same.
As there are sync mechanisms the A/V sync continue intact and working.
It also modifies 6.1 channel order, as per OpenAL spec
and add AOPLAY_FINAL_CHUNK support
OpenAL Soft's AL_SOFT_source_latency extension allows one to correctly
get the device output latency, facilitating the syncronization with
video.
Also added a simpler generic fallback that does not take into account
latency of the device.
Uses OpenAL Soft's AL_DIRECT_CHANNELS_SOFT extension and can be controlled through
a new CLI option, --openal-direct-channels.
This allows one to send the audio data direrctly to the desired channel without
effects applied.
Although half (non-fast track on sink rate) or one-third (non-fast track not on sink rate) of the buffer size of the created AudioTrack instance as the SL Enqueue buffer size is basically enough for dropout-free playback, only using the full size can avoid stutter upon (re)start of playback.
Here are the various buffer sizes on different track/sink rate when on Bluetooth audio on Android O:
aptX @ 48kHz:
Sink rate: 48000 Hz
44100 Hz: 10632 frames (241.09 ms)
48000 Hz: 11544 frames (240.50 ms)
88200 Hz: 21216 frames (240.54 ms)
96000 Hz: 23088 frames (240.50 ms)
176400 Hz: 42384 frames (240.27 ms)
192000 Hz: 46128 frames (240.25 ms)
SBC/AAC/aptX @ 44.1kHz:
Sink rate: 44100 Hz
44100 Hz: 10776 frames (244.35 ms)
48000 Hz: 11748 frames (244.75 ms)
88200 Hz: 21552 frames (244.35 ms)
96000 Hz: 23448 frames (244.25 ms)
176400 Hz: 43056 frames (244.08 ms)
192000 Hz: 46848 frames (244.00 ms)
The above results were produced with the following code:
import android.media.AudioAttributes;
import android.media.AudioFormat;
import android.media.AudioTrack;
class AudioInfo {
public static void main(String[] args) {
int nosr = AudioTrack.getNativeOutputSampleRate(3);
System.out.printf("Sink rate: %d Hz\n", nosr);
int[] rates = {44100,48000,88200,96000,176400,192000};
for (int rate: rates) {
AudioAttributes aa = new AudioAttributes.Builder().setFlags(256).build();
AudioFormat af = new AudioFormat.Builder().setSampleRate(rate).build();
AudioTrack at = new AudioTrack(aa, af, 4, 1, 0);
int sr = at.getSampleRate();
int bs = at.getBufferSizeInFrames();
float ms = bs * (float) 1000 / sr;
at.release();
System.out.printf("%d Hz: %d frames (%.2f ms)\n", sr, bs, ms);
}
}
}
Therefore bumping the device buffer size to 250ms.
If you set desired.samples to 0, SDL will return a default buffer size
on obtained.samples. This was broken, because ceil_power_of_two(0)
returns 1. Since 0 is usually not considered a power of two, this is
probably correct, but we still want to set desired.samples to 0 in this
case.
You can use --audio-buffer=0 to minimize the audio buffer size. But if
the AO reports no device buffer size (like e.g. ao_jack does), then the
buffer size is actually 0, and playback can never work properly.
Make it fallback to a size of 1, which is unlikely to work properly, but
you get what you asked for, instead of a freeze.
While the soft buffer size is already by default 200ms, it is not enough to guarantee dropout-free playback on Bluetooth audio. Bumping the device buffer size to the same value seems to suffice.
This helps the filter to adapt much faster to speed changes. Before this
commit, the filter just converted and output the full input frame, which
could cause problems with large input frames. This was made worse by
certain filters like dynaudnorm or loudnorm outputting pretty large
frames.
This commit changes the filter from trying to convert all input at once
to only outputting a single internally filtered frame. Internally, this
filter already output data in units of 60ms by default (controlled by
the "stride" sub-option), and concatenated as many output frames as
necessary to consume all input.
Behavior is still kind of bad when inserting the filter. This is because
the large frames can be buffered up after the insertion point, so the
speed change will be performed with a larger latency. The scaletempo
filter can't do anything against this, although it can be fixed by
inserting scaletempo as user filter as part of --af.
MPlayer used this to distinguish multiple decoder wrappers (such as
libavcodec vs. binary codec loader vs. builtin decoders). It lost
meaning in mpv as non-libavcodec things were dropped. Now it doesn't
serve any purpose anymore.
Parsing was removed quite a while ago, and the recent filter change
removed any use of the internal family field. Get rid of it.
Use the decoder wrapper that was introduced for video. This removes all
code duplication the old audio decoder wrapper had with the video code.
(The audio wrapper was copy pasted from the video one over a decade ago,
and has been kept in sync ever since by the power of copy&paste. Since
the original copy&paste was possibly done by someone who did not answer
to the LGPL relicensing, this should also remove all doubts about
whether any of this code is left, since we now completely remove any
code that could possibly have been based on it.)
There is some complication with spdif handling, and a minor behavior
change (it will restrict the list of codecs to spdif if spdif is to be
used), but there should not be any difference in practice.
Always make the hw params dump function use MSGL_DEBUG, and remove the
MSGL_V use. That means you need -v -v to see them. The detailed
information is usually not very interesting, so this reduces the log
noise.
The af_get_best_sample_formats() function had an argument of
int[AF_FORMAT_COUNT], which is slightly incorrect, because it's 0
terminated and should in theory have AF_FORMAT_COUNT+1 entries. It won't
actually write this many formats (since some formats are fundamentally
incompatible), but it still feels annoying and incorrect. So fix it, and
require that callers pass an AF_FORMAT_COUNT+1 array.
Note that the array size has no meaning in C function arguments (just
another issue with C static arrays being weird and stupid), so get rid
of it completely.
Not changing the af_lavcac3enc use, since that is rewritten in another
branch anyway.
This commit eliminates the following clang warning:
warning: macro expansion producing 'defined' has undefined behavior [-Wexpansion-to-defined]
Going by the clang commit message, this seems to be explicitly specified
as UB by the standard, and they added this warning because MSVC
apparently results in different behavior. Whatever, we can just avoid
the warning with some small changes.
This commit introduces the multiply-pitch af-command. Users may bind
keys to this command in order to incrementally adjust the pitch of a
track. This will probably mostly be useful for musicians trying to
transpose up and down by semi tones without having to calculate
the correct ratio beforehand.
As an example, here is an input.conf to test this feature:
{ af-command all multiply-pitch 0.9438743126816935
} af-command all multiply-pitch 1.059463094352953
The future direction might be not having such a user-visible filter at
all, similar to how vf_scale went away (or actually, redirects to
libavfilter's vf_scale).
This is part of trying to get rid of --af-defaults, and the af
resample filter.
It requires a complicated mechanism to set the defaults on the resample
filter for backwards compatibility.
If feed_packet() ended with DATA_WAIT, the player should have gone to
sleep, until the demuxer wakes it up again when there is new data. But
the call to read_frame() unconditionally overwrote this status code, so
it never waited. The consequence was that the core burned CPU by
effectively polling the demuxer status, which was noticeable especially
when seeking in network streams (since seeking is async, decoders will
start out with having to wait for network).
Regression since commit 33e5755c.
The old code tried to make sure at all times to try to read a new
packet. Only once that was read, it tried to retrieve new video or audio
frames the decoder might already have decoded.
Change this to strictly read frames from the decoder until it signals
that it wants a new packet, and only then read and feed a new packet.
This is in theory nicer, follows the libavcodec recommended data flow,
and and reduces the minimum latency by 1 frame.
This merely requires switching the order in which those calls are done.
Normally, the decoder will return only 1 frame until a new packet is
required. If we would just feed it 1 packet, return DATA_AGAIN, and wait
until the next frame is decoded, we would run the playloop 1 time too
often for no reason (which is fine but might have some overhead). To
avoid this, try to read a frame again after possibly feeding a packet.
For this reason, move the feed/read code to its own functions each,
instead of merely moving the code.
The audio and video code for this particular thing is basically
duplicated. The idea is to unify them one day, so make the change to
both. (Doing this for video is the real motivation for this change, see
below.)
The video code change is slightly more complicated, because we have to
care about the framedrop counting (which is just a heuristic, but for
now considered better than nothing, and possibly considered required to
warn the user of framedrops happening - maybe).
Apparently this change helps with stalling streams on Android with the
mediacodec wrapper and mpeg2 decoder implementations which deinterlace on
decoding (and return 2 frames per packet).
Based on an idea and observations by tmm1.
A release has been made, so drop options deprecated for that release.
Also drop some options which have been deprecated a much longer time
before.
Also fix a typo in client-api-changes.rst.
stdatomic.h defines no atomic_float typedef. We can't just use _Atomic
unconditionally, because we support compilers without C11 atomics. So
just create a custom atomic_float typedef in the wrapper, which uses
_Atomic in the C11 code path.
This does what af_volume used to do. Since we couldn't relicense it,
just rewrite it. Since we don't have a new filter mechanism yet, and the
libavfilter is too inconvenient, do applying the volume gain in ao.c
directly. This is done before handling the audio data to the driver.
Since push.c runs a separate thread, and pull.c is called asynchronously
from the audio driver's thread, the volume value needs to be
synchronized. There's no existing central mutex, so do some shit with
atomics. Since there's no atomic_float type predefined (which is at
least needed when using the legacy wrapper), do some nonsense about
reinterpret casting the float value to an int for the purpose of atomic
access. Not sure if using memcpy() is undefined behavior, but for now I
don't care.
The advantage of not using a filter is lower complexity (no filter auto
insertion), and lower latency (gain processing is done after our
internal audio buffer of at least 200ms).
Disavdantages include inability to use native volume control _before_
other filters with custom filter chains, and the need to add new
processing for each new sample type.
Since this doesn't reuse any of the old GPL code, nor does indirectly
rely on it, volume and replaygain handling now works in LGPL mode.
How to process the gain is inspired by libavfilter's af_volume (LGPL).
In particular, we use exactly the same rounding, and we quantize
processing for integer sample types by 256 steps. Some of libavfilter's
copyright may or may not apply, but I think not, and it's the same
license anyway.
These couldn't be relicensed, and won't survive the LGPL transition. The
other existing filters are mostly LGPL (except libaf glue code).
This remove the deprecated pan option. I guess it could be restored by
inserting a libavfilter filter (if there's one), but for now let it be
gone.
This temporarily breaks volume control (and things related to it, like
replaygain).
Looks like this is covered by LGPL relicensing agreements now.
Notes about contributors who could not be reached or who didn't agree:
Commit 7fccb6486e has tons of mp_msg changes look like they are not
copyrightable (even if they were, all mp_msg calls were rewritten in
mpv times again). The additional play() change looks suspicious, but
the function was rewritten several times anyway (first time after that
commit in 4f40ec312).
Commit 89ed1748ae was rewritten in commit 325311af3 and then again
several times after that. Basically all this code is unnecessary in
modern mpv and has been removed.
No code survived from the following commits: 4d31c3c53, 61ecf838f2,
d38968bd, 4deb67c3f. At least two cosmetic typo fixes are not
considered as well.
Commit 22bb046ad is reverted (this wasn't a valid warning anyway, just
a C++-ism icc applied to C). Using the constants is nicer, but at least
I don't have to decide whether that change was copyrightable.
Apparently some people want this. Actually making it compile is still
their problem, though, and I expect that build with FFmpeg upstream will
occasionally be broken (as it is right now). This is because mpv also
relies on API provided by Libav, and if FFmpeg hasn't merged that yet,
it's not our problem - we provide a version of FFmpeg upstream with
those changes merged, and it's called ffmpeg-mpv.
Also adjust the README which still talked about FFmpeg releases.
I _think_ this confuses Coverity and it thinks there is uninitialized
data to be read. Initialize the array to change/remove the warning, or
if there's a real problem, to make it easier to detect. (Basically apply
defensive coding.)
The new_segment field was used to track the decoder data flow handler of
timeline boundaries, which are used for ordered chapters etc. (anything
that sets demuxer_desc.load_timeline). This broke seeking with the
demuxer cache enabled. The demuxer is expected to set the new_segment
field after every seek or segment boundary switch, so the cached packets
basically contained incorrect values for this, and the decoders were not
initialized correctly.
Fix this by getting rid of the flag completely. Let the decoders instead
compare the segment information by content, which is hopefully enough.
(In theory, two segments with same information could perhaps appear in
broken-ish corner cases, or in an attempt to simulate looping, and such.
I preferred the simple solution over others, such as generating unique
and stable segment IDs.)
We still add a "segmented" field to make it explicit whether segments
are used, instead of doing something silly like testing arbitrary other
segment fields for validity.
Cached seeking with timeline stuff is still slightly broken even with
this commit: the seek logic is not aware of the overlap that segments
can have, and the timestamp clamping that needs to be performed in
theory to account for the fact that a packet might contain a frame that
is always clipped off by segment handling. This can be fixed later.
This should actually cover all of them, if you take into account that
some unchanged GPL source files include header files with such checks.
Also this was done already for the libaf derived code.
This is only for "safety" and to avoid misunderstandings.
The case at hand was 5.1 -> fl-fr-fc-lfe-na-na (apparently triggered by
ALSA). That means only the NA channels have to be cleared, but the
result was actually that fc and lfe were cleared. This is due to a
simple regression in the reorder code, which quite obviously got the
index of the first NA channel wrong.
Let's blame FFmpeg for just overwriting the samplerate in
av_frame_copy_props(). Can't fully hide my own brain damage though,
since mp_aframe_config_copy() expected that the rate is copied (that
function also copies format and channel layout).
See "Copyright" file for caveats.
This changes the remaining "almost LGPL" files to LGPL, because we think
that the conditions the author set for these was finally fulfilled.
This code could not be relicensed. The intention was to write new filter
code (which could handle both audio and video), but that's a bit of
work. Write some code that can do audio conversion (resampling,
downmixing, etc.) without the old audio filter chain code in order to
speed up the LGPL relicensing.
If you build with --disable-libaf, nothing in audio/filter/* is compiled
in. It breaks a few features, such as --volume, --af, pitch correction
on speed changes, replaygain.
Most likely this adds some bugs, even if --disable-libaf is not used.
(How the fuck does EOF notification work again anyway?)
Move it from af_lavrresample.c to a new aconverter.c file, which is
independent from the filter chain code. It also doesn't use mp_audio,
and thus has no GPL dependencies.
Preparation for later commits. Not particularly well tested, so have
fun.
Just reimplement it in some way, as mp_audio is GPL-only.
Actually I wanted to get rid of audio_buffer.c completely (and instead
have a list of mp_aframes), but to do so would require rewriting some
more player core audio code. So to get this LGPL relicensing over
quickly, just do some extra work.
Completely untested (rsound dev libs unavailable on my system). Trivial
enough that it's very likely that it'll just work. No port selection,
but could be added by parsing it as part of the device name.
Should fix#4714.
dst was not supposed to be initialized, the mp_audio_ setters (which
initialize dst's fields) assume it is -> shit happens. Regression from
recent changes. Was probably harmless.
This is pretty pointless, but I believe it allows us to claim that the
new code is not affected by the copyright of the old code. This is
needed, because the original mp_audio struct was written by someone who
has disagreed with LGPL relicensing (it was called af_data at the time,
and was defined in af.h).
The "GPL'ed" struct contents that surive are pretty trivial: just the
data pointer, and some metadata like the format, samplerate, etc. - but
at least in this case, any new code would be extremely similar anyway,
and I'm not really sure whether it's OK to claim different copyright. So
what we do is we just use AVFrame (which of course is LGPL with 100%
certainty), and add some accessors around it to adapt it to mpv
conventions.
Also, this gets rid of some annoying conventions of mp_audio, like the
struct fields that require using an accessor to write to them anyway.
For the most part, this change is only dumb replacements of mp_audio
related functions and fields. One minor actual change is that you can't
allocate the new type on the stack anymore.
Some code still uses mp_audio. All audio filter code will be deleted, so
it makes no sense to convert this code. (Audio filters which are LGPL
and which we keep will have to be ported to a new filter infrastructure
anyway.) player/audio.c uses it because it interacts with the old filter
code. push.c has some complex use of mp_audio and mp_audio_buffer, but
this and pull.c will most likely be rewritten to do something else.
This was _always_ called, even if the resampling was static, or the
filter was inserted for format conversion only. This should have been
fine, as I expected the function not to enable resampling when the
compensation is unset, and the source/target rates are the same. But
this is not the case, and it always enables resampling.
So explicitly avoid the call. If we have already called it successfully,
it's better not do avoid it (to overwrite the previous compensation
value), but it will also be cheap/no-op then.
Probably fixes#4716.
Any bad HRESULTs should have been printed already and lots of failure modes
don't have an HRESULT leading to awkward hr = E_FAIL business.
This also checks the exit status of GetBufferSize in the align hack. A final
fatal message is added if either of the retry hacks fail.
This API isn't deprecated (yet?), but it's still inferior and harder to
use than avcodec_free_context().
Leave the call only in 1 case in af_lavcac3enc.c, where we apparently
seriously close and reopen the encoder for whatever reason.
Use avcodec_free_context() unstead of random other calls. Actually it
was already used in the second case, but calling avcodec_close() is
redundant.
Don't crash if allocating a codec context fails.
Previously, the entire convert_buffer was being copied to the desination without
regard to the fact that it may be packed and therefore smaller.
The allocated conversion buffer was also way to big
bytes * (channels * samples) ** 2
instead of
bytes * channels * samples
This shouldn't affect which are chosen, but it should speed up the search by
putting more common configurations earlier so that a working sample format and
sample rates can be found sooner obviating the need to search them for each
iteration of the outer loops.
The loop to select the native wasapi_format for the incoming audio was
not breaking correctly when it found the most desirable format. It
therefore executed completely leaving the least desirable format (u8) as
the choice.
fixes#4582
This is the last sample format that was only in mpv and not in FFmpeg
(except the spdif special formats). It was a huge pain, even if the
removed code in af_lavrresample is pretty small after all.
Note that this drops S24 from the ao_coreaudio AOs too. I'm not sure
about the impact, but I expect it doesn't matter.
af_fmt_change_bytes() was unused as well, so remove that too.
I'd actually be somewhat interested in supporting this, as it could help
testing the S24 conversion code. But then again it's only a pain,
there's no immediate need, and it would require new options to make
ao_pcm.c select this output format at all.
Do conversion directly, using the infrastructure that was added before.
This also rewrites part of format negotation, I guess.
I couldn't test the format that was used for S24 - my hardware does not
report support for it. So I commented it, as it could be buggy. Testing
this with the wasapi_formats[] entry for 24/24 uncommented would be
appreciated.
Instead of the infrastructure added in the previous commit to do the
conversion within the AO.
If this is used, and snd_pcm_status_get_avail() returns more frames than
snd_pcm_write*() actually accepts, you will get some nice audio
corruption.
Also, this mutates the data passed via play(), which is rather fishy,
but sort of doesn't matter for now. Surely this will cause unintended
bugs and WTFs.
I plan to remove the S24 sample formats in mpv. It seems like we should
still support this _somehow_ in AOs though. So the idea is to convert
the data to more obscure representations (that would not be useful for
filtering etc. anyway) within the AO.
This commit adds helper to enable this. ao_convert_fmt is meant to
provide mechanisms for this, rather than a generic audio format
description (as the latter leads only to overly generic misery). The
conversion also supports only cases which we think will be needed at
all.
The main advantage of this approach is that we get S24 out of sight,
and that we could support other crazy formats (like S20). The main
disadvantage is that usually S32 will be selected (if both S32 and S24
are available), and there's no user control to force S24. That doesn't
really matter though, and at worst makes testing harder or will lead
to unpleasant arguments with audiophiles (they'd be wrong anyway).
ao_convert_fmt.pad_lsb is ignored, although if we ever find a case in
which playing S32 with data in the LSBs breaks when playing it as padded
24 bit format. (For example, WAVEFORMATEXTENSIBLE recommends setting the
unused bits to 0 if wValidBitsPerSample implies LSB padding.)
UWP does not support the whole IMMDevice API. Instead, you need to use a
new API (available starting from Windows 8), which is in addition not in
MinGW, and extremely unpleasant to use.
The wasapiuwp2.dll wrapper is a small custom MSVC DLL, which does this
instead, and returns a normal IAudioClient.
Before this, ao_wasapi did not initialize on UWP.
While this is perfectly OK on Unix, it causes annoying valgrind
warnings, and might be otherwise confusing to others.
On Windows, the runtime can actually abort the process if this is
called.
push.c part taken from a patch by Pedro Pombeiro.
The code accounting for the terrible AUDCLNT_E_BUFFER_SIZE_NOT_ALIGNED
semantics (which MSDN claims can happen "starting with Windows 7" - so
probably on Windows 10 too) duplicated the call for creating the
IAudioClient. That's not great, so get rid of it.
Let wasapi_thread_init() handle this. It has a retry loop anyway. This
redoes device lookup and format negotiation, but potential failures due
to race conditions (what if the driver decides to change behavior)
shouldn't be worse than before.
Before this change, AOs could have internal alignment, and play() would
not consume the trailing data if the size passed to it is not aligned.
Change this to require AOs to report their alignment (via period_size),
and make sure to always send aligned data.
The buffer reported by get_space() now always has to be correct and
reliable. If play() does not consume all data provided (which is bounded
by get_space()), an error is printed.
This is preparation for potential further AO changes.
I casually checked alsa/lavc/null/pcm, the other AOs might or might not
work.
I'm not even sure when/if FFmpeg produces those. It's just confusing. If
you really need this, you can still use dl-dr. I expect that most use is
unintentional.
Probably fixes#4545.
Right now, the current order pretty much means that pulse defaults to
S16 for arbitrary unsupported formats, but fallback to float would make
more sense since it's the easiest to convert everything to without
requiring dithering, and PA will probably just internally convert things
to float anyway.
Also move S32 above S16, which essentially means format_maps is sorted
by preference. (Although ao_pulse currently ignores this and always
picks the first as a fallback)
The user bugmen0t was apparently a shared github account with publicly
available login. Thus, we can't get LGPL relicensing permission from the
people who used this account. To relicense successfully, we have to
remove all their changes.
This commit should remove 20d1fc13, f26fb009, defbe48d. It also should
remove whatever test fragments were copied from the ancient configure,
as well as some configure logic (potentially that device path stuff).
I think this change still preserves the most important use-cases of OSS:
BSDs, and the Linux OSS emulation (the latter for testing only).
According to an OSS user, the 4front checks were probably broken anyway.
The SunAudio stuff was probably for (Open)Solaris, which is dead.
ao_oss.c itself will remain GPL, and still contains bugmen0t changes.
Although the origins lie somewhere in libaf, which was written by
"anders" and who explicitly disagreed with the LGPL relicensing, we can
change the license of these files, because all code was written by
"alex", who agreed with the relicensing.
The only things that remain from anders' code is the AF_FORMAT_ and af_
prefixes (see e.g. 66f4e563). It was alex who redid this file and added
the format identifiers we have today (507121f7). It's also nice to see
that alex actually claimed copyright on format.c (221a599f). In commit
efb50cab even the bitmask concept (which anders introduced with his
early af_format.c code) was removed, and essentially all lines and
symbols by anders were dropped.
To put it into perspective: the original af_format code was for
converting actual sample data and relied on OSS sample format
identifiers, mpv's format.c/h provides its own sample formats, but
does not do any data conversion.
Remove an now inaccurate comment from format.c (it somehow even survived
the typo that was present in the original commit). Also remove most of
the format.c include statements - most of them are technically anders'
code. We keep limits.h though.
All relevant authors of the current code have agreed.
As always, there are the usual historical artifacts that could be
mentioned. For example, there used to be a large number of decoders
by various authors who were not asked, but whose code was all 100%
removed. (Mostly due to FFmpeg providing all codecs.)
One point of contention is that Nick Kurshev might have refactored the
old audio decoder code in 2001. Basically, there are hints that it might
have been done by him, such as Arpi's commit message stating that the
code was imported from MPlayerXP (Nick's fork), or all the files having
his name in the "maintainer" field. On the other hand, the murky history
of ad.h weakens this - it could be that Arpi started this work, and Nick
took it (and possibly finished it).
In any case, Nick could not be reached, so there is no agreement for
LGPL relicensing from him. We're changing the license anyway, and assume
that his change in itself is not copyrightable. He only moved code, and
in addition used the equivalent video decoder framework (done by Arpi,
who agreed) as template. For example, ad_functions_s was basically
vd_functions_s, which the signature of the decode callback changed to
the same as audio_decode(). ad_functions_s also had a comment that said
it interfaces with "video decoder drivers" (I'm fixing this comment in
this commit).
I verified that no additional code was added that is copyright-relevant,
still in today's code, and not copied from the existing code at the time
(either from the previous audio decoder code or the video framework
code). What apparently matters here is that none of the old code was not
written by Nick, and the authors of the old code have given his
agreement, and (probably) that Nick didn't add actual new code (none
that would have survived), that was not trivially based on the old one
(i.e. no new copyrightable "work").
A copyright expert told me that this kind of change can be considered
not relevant for copyright, so here we go.
Rewriting this would end with the same code anyway, and the naming
conventions can't be copyrighted.
All relevant authors have agreed to the relicensing.
Problem cases:
eca47b1a5edae: someone else gets credited for the "idea" of this change,
but it doesn't seem like it was a patch (otherwise reimar would have
said "patch"). Also, the associated code got essentially removed again
anyway. (The option parsing was rewritten fully.)
ffb529e4eb2a9: anonymous/unknown author, but the code was fully removed
anyway. The struct was removed, and the modern code does explicit
read/write calls.
40789473d215b: author was not contacted, but this code was removed
anyway. The magic number (0x7ffff000) is still in the new code, but I
don't think that is copyright relevant.
c750b8ab2d3c8: the message was entirely removed.
All contributors of the current code have agreed. ao.c requires a
"driver" entry for each audio output - we assume that if someone who
didn't agree to LGPL added a line, it's fine for ao.c to be LGPL
anyway. If the affected audio output is not disabled at compilation
time, the resulting binary will be GPL anyway, and ootherwise the
code is not included.
The audio output code itself was inspired or partially copied from
libao in 7a2eec4b59 (thus why MPlayer's audio code is named libao2).
Just to be sure we got permission from Aaron Holtzman, Jack Moffitt, and
Stan Seibert, who according to libao's SVN history and README are the
initial author. (Something similar was done for libvo, although the
commit relicensing it forgot to mention it.)
242aa6ebd40: anders mostly disagreed with the LGPL relicensing, but we
got permission for this particular commit.
0ef8e555735: nick could not be reached, but the include statement was
removed again anyway.
879e05a7c17: iive agreed to LGPL v3+ only, but this line of code was
removed anyway, so ao_null.c can be LGPL v2.1+.
9dd8f241ac2: patch author could not be reached, but the corresponding
code (old slave mode interface) was completely removed later.
This case is a bit weird, because MPlayer certainly also has a file
named af_format.c. Both appear to have the function of converting audio
data between sample formats.
However, mpv's af_format.c is a rewrite, and doesn't actually do
conversion by itself. It's similar to vf_format.c, and forces the
generic filter chain code to insert conversion filters, instead of doing
conversion explicitly.
mpv's current af_format.c started out as af_force.c in d9582ad0a4. It
was renamed to af_format.c in e60b8f181d, while the old af_format.c was
split into two new filters. In 943c785619 the filename was changed to
af_format.c as well.
The new af_format.c does not contain any libaf code, except for some
potentially copy & pasted skeleton and boilerplate code. (We don't
account for this in per-filter file licenses, as the old libaf code
has to be removed fully, at which point the filters will have to be
ported to another framework, which will removed that boilerplate code.)
The old filters based on af_format.c were progressively replaced and
removed. Support for non-native endian and formats with signedness
different from native FFmpeg was completely removed in 831d7c3c40.
The old 24 bit conversion code was removed in 552dc0d564 (made
unnecessary by 5a9f817bfd).
Also list hwdec_vaglx.c as GPL-only, which doesn't have anything to do
with this commit.
All authors have agreed.
The initial commit d33703496c as well as the current code contain this
line:
* inspired by SoundTouch library by Olli Parviainen
We assume this is about the algorithm (not the code), and the author of
the original patch actually wrote all code himself.
All authors have agreed.
One exception is 71247a97b3, whose author was not asked, but we deem
the change as trivial. (And technically it was replaced when the audio
chain dropped non-native endian sample formats.)
All authors have agreed to the relicensing.
The code was pretty much rewritten by Stefano Pigozzi. Since the rewrite
happened incrementally, and seems to include refactored portions of
older code, this relicensing was done on the pre-refactor code do.
The original commit adding this AO (as ao_macosx.c) credits Timothy J.
Wood as original author. He was asked and agreed to LGPL. It's not
entirely sure from which project this code came from, but it's probably
libao. In that project, Stanley Seibert made some changes to it (who as
a major developer of libao was asked just to be sure), and also Ralph
Giles and Ben Hines made two small changes. The latter were not asked,
but none of their code survived anyway.
All authors have agreed.
Commit 94d3170bd0 is a bit murky: Nick could not be reached, and arpi's
changes were obviously inspired or copied from Nick's. However, the
changed symbols were removed and do not exist anymore.
Although pretty similar to the probably unrelicensable
video/fmt-conversion.c/h (basically using the same idea, but for audio),
it was written by someone else. The format mapping was first added in
commit ad95e046c2.
The new replaygain code accidentally applied the linear gain as cubic
volume level. Fix this by moving the computation of the volume scale out
of the af_volume filter.
(Still haven't verified whether the replaygain code works correctly.)
IMMDeviceEnumerator_RegisterEndpointNotificationCallback() will start
listening for notifications, and is the point at which callbacks can
start firing. These callbacks will read the fields we set after the
register calls, which is a potential race condition. Move it upwards.
Literally copy-pasted from the same commit for video filters. (Once new
code for filters is implemented, this will all go away or at least get
unified anyway.)
This was supposed to restrict output to formats supported by us. But we
usually support all FFmpeg sample formats anyway (if not, it will error
out gracefully, and we would add the missing format). Basically, it's
just useless bloat.
This tried to use AF_FORMAT_DOUBLE as KSDATAFORMAT_SUBTYPE_IEEE_FLOAT,
with wBitsPerSample==64. This is probably not allowed, and drivers
appear to react inconsistently to it. (With one user, the format was
accepted during format negotiation, but then rejected on actual init.)
Remove it, which essentially forces it to fall back to some other
format. (Looks like it'll use af_select_best_samplerate(), which would
probably make it try S32 next.)
The af_fmt_from_planar() is so that we don't have to care about
AF_FORMAT_FLOATP. Wasapi always requires packed data anyway.
This should actually handle other potentially unknown sample formats
better.
This changes that set_waveformat() always set the exact format. Now it
might set a "close" format instead. But all callers seem to deal with
this well. Although in theory, callers should probably handle the
fallback. The next cleanup (if ever) can take care of this.
Basically, see the example in input.rst.
This is better than the "old" vf-toggle method, because it doesn't
require the user to duplicate the filter string in mpv.conf and
input.conf.
Some aspects of this changes are untested, so enjoy your alpha testing.
Remove low quality drc filter. Anyone whishing to have dynamic range
compression should use the much more powerful acompressor ffmpeg filter:
mpv --af=lavfi=[acompressor] INPUT
Or with parameters:
mpv --af=lavfi=[acompressor=threshold=-25dB:ratio=3:makeup=8dB] INPUT
Refer to https://ffmpeg.org/ffmpeg-filters.html#acompressor for a full
list of supported parameters.
Signed-off-by: wm4 <wm4@nowhere>
The buffer_size may be updated before the process callback is called for
the first time. Or, the connection graph could change, which changes the
latency of the pipeline after mpv's output. Ensure we keep on top of
these changes by registering callbacks to update our latency estimation.
It appears some device can be missing if we filter too many. In
particular, I've seen devices starting with "front" and "sysdefault"
being mapped to different hardware. I conclude that it's not sane trying
to present a nice device list to users in ALSA. It's fucked. (Although
kodi appears to attempt some intense "beautification" of the device
list, which includes parsing parameters from the device name and such.
Well, let's not.)
No other audio API requires such ridiculous acrobatics.
Apparently POLLERR can be set if poll is called while the device is in
the SND_PCM_STATE_PREPARED state. So assume that we can simply call
snd_pcm_status() to check whether the error is because the device went
away (i.e. we expect it to return ENODEV if this happened).
This avoids sporadic device lost warnings and AO reloads. The actual
device lost case is untested.
For example, previously, --audio-device='alsa/' would provide ao->device="" to
the alsa driver in spite of the fact that this is an already parsed option. To
avoid requiring a check of ao->device[0] in every driver, make sure this never
happens.
Fall back on PATH_DEV_DSP if nothing is set.
This mirrors the behaviour of --audio-device / --alsa-device.
There doesn't appear to be a general way to list devices with oss, so
--audio-device=help doesn't list oss devices except for the default one if the
file exists.
Previously --audio-device was ignored entirely by ao_oss.
fixes#4122
See: https://msdn.microsoft.com/en-us/library/windows/desktop/dd743946.aspx
Microsoft example code often uses a SAFE_RELEASE macro like the one in
the above link. This makes it easier to avoid errors when releasing COM
interfaces. It also reduces noise in COM-heavy code.
ao_wasapi.h also had a macro called SAFE_RELEASE, though unlike the
version above, its SAFE_RELEASE macro accepted a second parameter which
allowed it to destroy arbitrary objects other than just COM interfaces.
This renames ao_wasapi's SAFE_RELEASE to SAFE_DESTROY, which should more
accurately reflect what it does and prevent confusion with the Microsoft
version.
In a first pass, we check whether libavcodec is present.
Then we try to compile a snippet and check for FFmpeg vs. Libav. (This
could probably also be done by somehow checking the pkgconfig version.
But pkg-config can't deal with that idiotic FFmpeg idea that a micro
version number >= 100 identifies FFmpeg vs. Libav.)
After that we check the project-specific version numbers. This means it
can no longer happen that we accidentally allow older, unsupported
versions of FFmpeg, just because the Libav version numbers are somehow
this way.
Also drop the resampler checks. We hardcode which resampler to each with
each project. A user can no longer force use of libavresample with
FFmpeg.
This can be useful in other contexts.
Note that we end up setting AVCodecContext.width/height instead of
coded_width/coded_height now. AVCodecParameters can't set coded_width,
but this is probably more correct anyway.
The FFmpeg versions we support all have the APIs we were checking for.
Only Libav missed them. Simplify this by explicitly checking for FFmpeg
in the code, instead of trying to detect the presence of the API.
Since we set "skip_manual", we can actually get frames with this set.
Currently, only AV_PKT_FLAG_DISCARD will trigger this flag, and only
mov.c sets the latter flags, so this is related to FFmpeg's half-broken
mp4 edit list support.
Apparently you set the native sample rate when passing through AC3.
This fixes passthrough with 44100 Hz AC3.
Avoid opening a decoder for this and only open the parser. (Hopefully
DTS will also support this some time in the future or so - having to
open a decoder just to get the profile is dumb.)
Same deal as with video. Including the EOF handling.
(It would be nice if this code were not duplicated, but right now we're
not even close to unifying the audio and video code paths.)
Looks quite like a bug. If you have a filter chain with only the
dynaudnorm filter, and send call av_buffersrc_add_frame(s, NULL), then
subsequent av_buffersink_get_frame() calls will return EAGAIN instead of
EOF.
This was apparently caused by a recent change in FFmpeg.
Some other circumstances (which I didn't fully analyze and which is due
to the playloop's absurd temporary-EOF behavior on seeks) then led the
decoder loop to send data again, but since libavfilter was stuck in the
EOF state now, it could never recover. It kept sending new input (due to
missing output), until the demuxer refused to return more audio packets.
Each time a filter error was printed.
Fortunately, it's pretty easy to workaround. We just mark the p->eof
flag as we send an EOF frame to libavfilter. The p->eof flag is used
only to recover from temporary EOF: it resets the filter if new data is
available again. We don't care much about av_buffersink_get_frame()
returning a broken EAGAIN state in this situation and essentially ignore
it, meaning if we get EAGAIN after sending EOF, we assume effectively
that EOF was fully reached.
Remove ad_spdif from the normal codec list, and select it explicitly.
One goal was to decouple this from the normal codec selection, so
they're less entangled and the decoder selection code can be simplified
in the far future. This means spdif codec selection is now done
explicitly via select_spdif_codec(). We can also remove the weird
requirements on "dts" and "dts-hd" for the --audio-spdif option, and it
can just do the right thing.
Now both video and audio codecs consist of a single codec family each,
vd_lavc and ad_lavc.
Currently, if init_filter fails after lavf_ctx is allocated, uninit is called
which frees lavf_ctx, but doesn't clear the pointer in spdif_ctx. So, on the
next call of decode_packet, it thinks it is already initialized and uses it,
resulting in a crash on my system.
We log a large number of formats, but we rarely log the result of the
probing. Change this.
The logic in try_format_exclusive() changes slightly, but should be
equivalent. EXIT_ON_ERROR() checks for FAILED(), which should be
exclusive to SUCCEEDED().
Long planned. Leads to some sanity.
There still are some rather gross things. Especially g_groups is ugly,
and a hack that can hopefully be removed. (There is a plan for it, but
whether it's implemented depends on how much energy is left.)
Until now, this was only implemented for ao_alsa and AOs not using
push.c. ao_alsa.c relied on enabling funny underrun semantics for
avoiding resets on lower levels, while other AOs using push.c didn't do
anything.
Change this and at least make push.c copy silent data to the AO. This
still isn't perfect as keeping track of how much silence was played when
seems complex, so we don't do it. The consequence is that frame-stepping
will essentially randomize the A/V offset (it'll recover immediately
when unpausing, but still ugly). Also, in order to empty the currently
buffered audio on seeks etc., we still call ao_driver->reset and so on,
so the AO driver will still need to handle this specially.
The intent is to make behavior with ALSA less weird (for one we can
remove the code in ao_alsa.c that tries to trigger an initial
underflow). Also might help with #3754.
wm4
sfan5
Aman Gupta
Anton Kindestam
Jan Ekström
Josh Lehman
Niklas Haas
Tom Yan
Michael Hoang
Hector Martin
Muhammad Faiz
LAGonauta
Vobe
Nicolas F
Kevin Mitchell
Pedro Pombeiro
Rudolf Polzer
James Ross-Gowan
Jan Janssen
Cheng Sun
Philip Sequeira
Michael Forney
pavelxdd