Use the next I/P/B or start code as the end of current frame.
Before the patch, extension start code, user data start code,
sequence end code and so on are treated as the start of next
frame.
Signed-off-by: Zhao Zhili <zhilizhao@tencent.com>
Since this is an external encoder not under our control, we cannot test
the encoded output exactly as is done for internal encoders. We can
still test however that the output is decodable and produces the
expected number of frames with expected dimensions, pixel formats, and
timestamps.
Currently those are set in different ways depending on whether the
stream is decoded or not, using some values from the decoder if it is.
This is wrong, because there may be arbitrary amount of delay between
input packets and output frames (depending e.g. on the thread count when
frame threading is used).
Always use the path that was previously used only for streamcopy. This
should not cause any issues, because these values are now used only for
streamcopy and discontinuity handling.
This change will allow to decouple discontinuity processing from
decoding and move it to ffmpeg_demux. It also makes the code simpler.
Changes output in fate-cover-art-aiff-id3v2-remux and
fate-cover-art-mp3-id3v2-remux, where attached pictures are now written
in the correct order. This happens because InputStream.dts is no longer
reset to AV_NOPTS_VALUE after decoding, so streamcopy actually sees
valid dts values.
Stop using InputStream.dts for generating missing timestamps for decoded
frames, because it contains pre-decoding timestamps and there may be
arbitrary amount of delay between input packets and output frames (e.g.
dependent on the thread count when frame threading is used). It is also
in AV_TIME_BASE (i.e. microseconds), which may introduce unnecessary
rounding issues.
New code maintains a timebase that is the inverse of the LCM of all the
samplerates seen so far, and thus can accurately represent every audio
sample. This timebase is used to generate missing timestamps after
decoding.
Changes the result of the following FATE tests
* pcm_dvd-16-5.1-96000
* lavf-smjpeg
* adpcm-ima-smjpeg
In all of these the timestamps now better correspond to actual frame
durations.
One that is fine enough to represent all DV audio sample rates. Audio
packet durations are now sample-accurate.
This largely undoes commit 76fbb0052d. To
avoid breaking the issue fixed by that commit, resync audio timestamps
against video if they get more than one frame apart. The sample from
issue #8762 still works correctly after this commit.
Slightly changes the results of the lavf-dv seektest, due to the audio
timebase being more granular.
Current code will call avpriv_set_pts_info() for each video frame,
possibly setting a different timebase if the stream framerate changes.
This violates API conventions, as the timebase is supposed to stay
constant after stream creation.
Change the demuxer to set a single timebase that is fine enough to
handle all supported DV framerates.
The seek tests change slightly because the new timebase is more
granular.
Previously they would only be used with trivial filtergraphs, because
filters did not handle frame durations. That is no longer true - most
filters process frame durations properly (there may still be some that
don't - this change will help finding and fixing them).
Improves output video frame durations in a number of FATE tests.
Adds JPEG 2000 decoder tests using materials from the conformance suite specified in
Rec. ITU-T T.803 | ISO/IEC 15444-4.
The test materials are available at https://gitlab.com/wg1/htj2k-codestreams
Signed-off-by: Pierre-Anthony Lemieux <pal@palemieux.com>
When enable lcms2, the fate-png-icc-parse will get error bellow.
TEST png-icc-parse
This because updated how PNG handles colors (no
longer using mastering display metadata for that).
Reviewed-by: Leo Izen <leo.izen@gmail.com>
Signed-off-by: Steven Liu <liuqi05@kuaishou.com>
Remove now-obsolete code setting packet durations pre-muxing for CFR
encoded video.
Changes output in the following FATE tests:
* numerous adpcm tests
* ffmpeg-filter_complex_audio
* lavf-asf
* lavf-mkv
* lavf-mkv_attachment
* matroska-encoding-delay
All of these change due to the fact that the output duration is now
the actual input data duration and does not include padding added by
the encoder.
* apng-osample: less wrong packet durations are now passed to the muxer.
They are not entirely correct, because the first frame duration should
be 3 rather than 2. This is caused by the vsync code and should be
addressed later, but this change is a step in the right direction.
* tscc2-mov: last output frame has a duration of 11 rather than 1 - this
corresponds to the duration actually returned by the demuxer.
* film-cvid: video frame durations are now 2 rather than 1 - this
corresponds to durations actually returned by the demuxer and matches
the timestamps.
* mpeg2-ticket6677: durations of some video frames are now 2 rather than
1 - this matches the timestamps.
When no packet dts values are available from the container, video
decoding code will currently use its own guessed values, which will then
be propagated to pkt_dts on decoded frames and used as pts in certain
cases. This is inaccurate, fragile, and unnecessarily convoluted.
Simply removing this allows the extrapolation code introduced in the
previous commit to do a better job.
Changes the results of numerous h264 and hevc FATE tests, where no
spurious timestamp gaps are generated anymore. Several tests no longer
need -vsync passthrough.
When no timestamps are available from the container, the video decoding
code will currently use fake dts values - generated in
process_input_packet() based on a combination of information from the
decoder and the parser (obtained via the demuxer) - to generate
timestamps during decoder flushing. This is fragile, hard to follow, and
unnecessarily convoluted, since more reliable information can be
obtained directly from post-decoding values.
The new code keeps track of the last decoded frame pts and estimates its
duration based on a number of heuristics. Timestamps generated when both
pts and pkt_dts are missing are then simple pts+duration of the last frame.
The heuristics are somewhat complicated by the fact that lavf insists on
making up packet timestamps based on its highly incomplete information.
That should be removed in the future, allowing to further simplify this
code.
The results of the following tests change:
* h264-3386 now requires -fps_mode passthrough to avoid dropping frames
at the end; this is a pathology of the interaction of the new and old
code, and the fact that the sample switches from field to frame coding
in the last packet, and will be fixed in following commits
* hevc-conformance-DELTAQP_A_BRCM_4 stops inventing an arbitrary
timestamp gap at the end
* hevc-small422chroma - the single frame output by this test now has a
timestamp of 0, rather than an arbitrary 7
Changes the result of the h264_redundant_pps-mov test, where the output
timebase is now 1001/24000 instead of 1/24. This is more correct, as the
source file actually is 23.98fps.
Timestamps in two FATE H.264 conformance tests now start at 1 instead
of 0, which also happens in some other H.264 tests before this commit
and so is not a big issue.
Conversely, timestamps in some HEVC conformance tests start from a
smaller value now.
Ideally this should be addressed later in a more general way.
h264-conformance-frext-frext2_panasonic_b no longer requires -vsync
passthrough.
For audio AVFrames, nb_samples is typically more trustworthy than
duration. Since sync queues look at durations, make sure they match the
sample count.
The last audio frame in the fate-shortest test is now gone. This is more
correct, since it outlasts the last video frame.
The previous commit allowed turning on error correction for interlaced
samples. Turning it off amounts to a no-op for FATE. These samples
should be tested with EC1-3 (guess_mvs/deblock/favor_inter)
additionally.
Signed-off-by: J. Dekker <jdek@itanimul.li>
According to MXF specs the Stored Rectangle corresponds to the data which is
passed to the compressor and received from the decompressor, so they should
contain the width / height extended to the macroblock boundary.
In practice however width and height values rounded to the upper 16 multiples
are only seen when muxing MPEG formats. Therefore this patch changes stored
width and height values to unrounded for all non-MPEG formats, even macroblock
based ones.
For DNXHD the specs (ST 2019-4) explicitly indicates to use 1080 for 1088p.
For ProRes the specs (RDD 44) only refer to to ST 377-1 without precision but
no known commercial implementations are using rounded values.
DV is not using 16x16 macroblocks, so 16 rounding makes no sense.
The patch also fixes Sampled Width / Display Width to use unrounded values.
Signed-off-by: Marton Balint <cus@passwd.hu>
Lynne
Paul B Mahol
Anton Khirnov
James Almer
Zhao Zhili
Leo Izen
Pierre-Anthony Lemieux
Ting Fu
Marton Balint
Steven Liu
xufuji456
J. Dekker
Michael Niedermayer
Jerome Martinez