This avoids a potential crash if writing a fragmented psp mp4
(which probably is only a hypothetical scenario).
Signed-off-by: Martin Storsjö <martin@martin.st>
Previously we wrote decoding timestamps here, while the specs
say it should be presentation timestamps.
Signed-off-by: Martin Storsjö <martin@martin.st>
When using the new first_trun flag instead of checking the track id,
we don't need to have a special case for the separate_moof flag
any longer.
This simplifies the complicated codepath ever so slightly.
Signed-off-by: Martin Storsjö <martin@martin.st>
In this case, shift tracks to start from zero instead (potentially
stretching the first sample in tracks that start later than the
first one).
Some software does not support edit lists at all, the adobe flash
player seems to be one of these. This results in AV sync errors when
edit lists are used to adjust AV sync.
Some players, such as QuickTime, don't respect the duration for
audio packets, so if an audio track starts later than the video
track and the first audio sample gets a duration longer than the
actual amount of data in it, the result will be out of sync.
Based on patches by Michael Niedermayer.
Signed-off-by: Martin Storsjö <martin@martin.st>
The tfdt atom shouldn't be needed in those cases, we already
write tfxd atoms for ismv anyway, which is roughly equivalent.
This avoids having to declare the iso6 brand for ismv files.
Signed-off-by: Martin Storsjö <martin@martin.st>
ISO/IEC 14496-12:2012/Cor 1:2013 is explicit about how this should be
handled. All zeros doesn't mean that the full file has got a zero
duration, only that the track samples described within the initial moov
have got zero duration. An all ones duration means an indeterminate
duration.
Keep writing a duration consisting of all ones for the ISM mode -
older windows media player versions won't play a file if this is
zero. (Newer windows media player versions play either version fine.)
Signed-off-by: Martin Storsjö <martin@martin.st>
Similarly to the omit_tfhd_offset flag added in e7bf085b, this
avoids writing absolute byte positions to the file, making them
more easily streamable.
This is a new feature from 14496-12:2012, so application support
isn't necessarily too widespread yet (support for it in libav was
added in 20f95f21f in July 2014).
Signed-off-by: Martin Storsjö <martin@martin.st>
The custom IO flag actually never is set for muxers, only for
demuxers, so the check was pointless (unless a user intentionally
would set the flag to signal using custom IO).
Signed-off-by: Martin Storsjö <martin@martin.st>
If one track doesn't have any samples within a moof, no traf/trun
is written for it. When the omit_tfhd_offset flag is set, none
of the tfhd atoms have any base_data_offset set, and the implicit
offset (end of previous track fragment data, or start of the moof
for the first trun) is used.
Signed-off-by: Martin Storsjö <martin@martin.st>
These allow getting the absolute start timestamp of a fragment
without reading preceding timestamps. This fixes sync between
tracks if starting from fragments in different streams that don't
align exactly.
This also is a prerequisite for producing DASH content.
Signed-off-by: Martin Storsjö <martin@martin.st>
This is necessary to get the right timestamp offset for content
that starts with dts != 0.
This currently only helps when writing fragmented files with a non-empty
moov atom. When writing an empty moov atom, we don't have any packets
yet, so we don't know the starting dts for the tracks.
Signed-off-by: Martin Storsjö <martin@martin.st>
This makes sure that audio preroll for e.g. AAC is signaled correctly.
Previously we only wrote the edit list correctly if we had negative
dts but started with pts == 0 (e.g. for video with B-frames).
Signed-off-by: Martin Storsjö <martin@martin.st>
Previously, AVStream.codec.time_base was used for that purpose, which
was quite confusing for the callers. This change also opens the path for
removing AVStream.codec.
The change in the lavf-mkv test is due to the native timebase (1/1000)
being used instead of the default one (1/90000), so the packets are now
sent to the crc muxer in the same order in which they are demuxed
(previously some of them got reordered because of inexact timestamp
conversion).
Use it instead of checking CODEC_FLAG_BITEXACT in the first stream's
codec context.
Using codec options inside lavf is fragile and can easily break when the
muxing codec context is not the encoding context.
F4V is Adobe's mp4/iso media variant, with the most significant
addition/change being supporting other flash codecs than just
aac/h264.
Signed-off-by: Martin Storsjö <martin@martin.st>
Fragmenting blindly to a certain duration isn't a good choice
if one should be able to switch between different qualities,
therefore default to keyframes instead.
Signed-off-by: Martin Storsjö <martin@martin.st>
This makes sure other sanity checks for conflicting options
can work properly, e.g. for the conflict between the faststart
flag when using the ismv mode.
Signed-off-by: Martin Storsjö <martin@martin.st>
Martin Storsjö
Anton Khirnov
Michael Niedermayer
Diego Biurrun
Gabriel Dume
John Stebbins
Luca Barbato
Miles Gould
Aidan Skinner
Tim Walker
Clément Bœsch